BARBARA LYNN & BETTYE SWANN Elegant SouL JAPANESE PRESSING WITH OBI STRIP-SUPERB
$
22
$ 22
Sold For
Dec 25, 2020
Sold Date
Dec 18, 2020
Start Date
1
Number Of Bids
USA
Country Of Seller
eBay
Sold at
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Description
BARBARA LYNN & BETTYE SWANN Elegant SouL JAPANESE PRESSING WITH OBI STRIP-SUPERB
A VG++ LP ON ATLANTIC P-8624FROM 1981 A RARE JAPANESE PRESSING AND STILL WITH OBI STRIP INTACT
EACH SIDE DEVOTED TO ONE ARTIST
WITH THE ORIGINAL JAPANESE/ENGLISH LYRIC INSERT SHEET AS SHOWN
TRACKS AS SHOWN ON THE LABEL PHOTOS
BACKGROUND INFO FROM WIKIPEDIA:
Swann was born in Shreveport, Louisiana, one of 14 children. She grew up in Arcadia, Louisiana, and moved to Los Angeles, California in 1963. Although some sources state that Swann was in a vocal group known as The Fawns who recorded for Money Records in 1964, she has refuted this, saying that she sang with a trio in Arcadia by that name. In 1964, Swann started a solo singing career, changing her name to Bettye Swann at the prompting of local DJ Al Scott, who became her manager. After a minor hit with the self-penned "Don’t Wait Too Long", her big breakthrough came with "Make Me Yours", which topped the Billboard R&B charts in July 1967 and made #21 on the Billboard Hot 100. In 1968, she split with Scott, moved to Georgia, won a new contract with Capitol Records, and had another hit in 1969 with her cover of the Jeannie Seely hit "Don't Touch Me" (#14 R&B, #38 Hot 100).In 1972, Swann transferred to Atlantic Records and had a pair of minor hits with "Victim of a Foolish Heart" (later covered by Joss Stone) and Merle Haggard's "Today I Started Loving You Again". After leaving Money Records she lived for a short time in Athens, Georgia. She continued to record until the mid-1970s, but with little commercial success. Her last public performance was in 1980, the year her husband and manager, George Barton, died...
COVER STOCK WITHOUT RUB AND RING WEAR AND AGE DISCOLORATION. CORNERS WITH SMALL ROUGH SPOTS AND OUTER LAYER LOSSES ON POINT. BOTTOM LEFT FRONT CORNER WITH SMALL CRUSH MARK. NOTWITHSTANDING, A PICTURE IS WORTH A THOUSAND WORDS, SO PLEASE DO LOOK AT THE COVER PHOTOS TO ASCERTAIN COVER CONDITION.
VIRGIN SPINDLE HOLE. THE HIGH LUSTER VINYL BLANK AT FIRST GLANCE OUT OF THE SLEEVE APPEARS UNUSUALLY PRISTINE AND TO HAVE NOT BEEN PLAYED, MUCH LESS TOUCHED, BEFORE NOW. UNDER BRIGHT ANGLED LIGHT AND ASSIDUOUS EXAMINATION A FEW LIGHT SURFACE RUB MARKS AND OR PAPER SLEEVE STORAGE IMPRESSIONS. SIDE ONE WITH SOME SURFACE RUBS ACROSS THE TRACKS TO THE LEFT FO THE LABEL UNDER ANGLED LIGHT. WE'VE TEST PLAYED THIS LP BY SAMPLING EACH TRACK 2-3 TIMES ON A VPI TURNTABLE WITH A GRADO REFERENCE ONE WOOD CARTRIDGE WITHOUT NOTICE OF THE ABOVE ITEMS AND SOUNDING QUITE FINE HERE.
⁂PLEASE NOTE THE VINYL DESCRIPTION IS ONLY A VISUAL INSPECTION UNLESS OTHERWISE MENTIONED. HERE IS A FEW WORDS ABOUT OUR GRADING SYSTEM AND SUPERSEDES ANY OTHER GRADING SYSTEM, INCLUDING GOLDMINE: ALL RECORDS ARE VISUALLY GRADED AND THE RED GRADE ABOVE REFERS ONLY TO THE APPEARANCE OF THE VINYL BLANK. COVER CONDITION IS NOTED SEPARATELY. ANYTHING BESIDES MINT OR MINT MINUS IS USUALLY TEST PLAYED AND THE RESULTS ARE FOUND IN THE LISTING. MINT INDICATES PRISTINE VINYL WITHOUT ANY MARKS ON THE VINYL BLANK. MINT MINUS MAY CONTAIN A FEW VERY LIGHT SURFACE RUB MARKS FROM HANDLING & SLEEVE WEAR OR A FEW PLAYS. IF YOU ARE A REAL VINYL AFICIONADO AND COLLECTOR YOU'LL KNOW THAT EVEN A FACTORY SEALED LP OCCASIONALLY HAS SOME LIGHT RUB OR SLEEVE MARKS FROM TRANSPORT AND SHELVING. ANYTHING IN THE VG CATEGORY WOULD CONTAIN SOME LIGHT AND FINE SURFACE PLAY LINES AND EVIDENCE OF PLAY WEAR THAT IS EASILY SEEN. SELDOM IS ANYTHING OFFERED IN THE "G" STATE.
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856 (GS 7.0.20 (856))
price rating
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