BAR-KAYS SOUL FINGER MINT ORIG '67 STAX/VOLT MONO LP

$

90

    
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·       THE BAR-KAYS - SOUL-FINGER - ULTRA-RARE ORIGINAL MONO PRESSING ORIGINAL 1967 VOLT RECORDS 1967 MONO LP 417

·       ORIGINAL U.S. PRESSING

·       ORIGINAL YELLOW VOLT LABEL WITH BLACK PRINT AND “THUNDERBOLT” LOGO, MID-TO-LATE 60’s STYLE

·       EXTREMELY RARE MONO PRESSING, MANY TIMES RARER THAN STEREO

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       THICK CARDBOARD COVER, AMERICAN STYLE

·       THICK, HEAVY VINYL PRESSING

·       CLEAN, WEAR-FREE LABELS

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1A/-1A'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

·       MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

·       MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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The Bar-Kays were an aggregate born of the same inspiration behind Booker T. & the MG's -- performing the double-duty of being a backing combo for the significant canon of vocalists on the Memphis-based Stax and Volt labels, as well as a self-contained unit. The original lineup of James Alexander (bass), Jimmy King (guitar), Ronnie Caldwell (organ), Phalon Jones (sax), Carl Cunningham (drums), and Ben Cauley (trumpet) were only together long enough to have issued this album prior to the tragic loss of everyone sans Alexander and Cauley in the December '67 plane crash that also claimed the life of Otis Redding. Soul Finger (1967) commences with the title track, which quickly became a Top 20 crossover pop hit in addition to one of the band's best-known works, not to mention a certifiable 'feel good' party anthem. The remainder of the platter follows suit offering up ten further instrumentals that stay true to the precedent that had guided Booker T. & the MG's , blending fun upbeat numbers with the occasional slower-tempo side complementing the otherwise teen-oriented and definitely danceable selections. Here, the cover of the Mad Lads' "I Want Someone" -- co-written by Stax co-founder Estelle Axton aptly fits the bill, with Caldwell providing a lovely and affective lead over the languid, melodic ballad. "Theme From Hells Angels" is interesting as there is no designation given to either the song's author or precisely what Hells Angels refers to. A movie? The infamous biker club? The staccato rhythm recalls Maurice Ravel's "Bolero," while King's distinctly distorted fretwork helps to further the composition's undeniably dramatic quality. Another highlight is the "Bar-Kays Boogaloo," while definitely a product of its time, it exemplifies the unit's cohesion as purveyors of the unmistakably swinging Stax/Volt sound.

 (EXCERPT FROM AN ONLINE REVIEW BY LINDSAY PLANER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For additional historical information on this album, including track listing ►click here

THIS IS A NO-RESERVE AUCTION!

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·                   CONDITION:

·                   RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           Mono pressing of this title is much rarer, and by far more  preferable to its stereo counterpart. We think that the mix is more natural, humane, "organic" and that the mixes are somewhat different than on the stereo version. We estimate that stereo copies of this album outnumber mono pressings by a ratio of at least 10:1.

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD+++.

The following flaws or imperfections are noted on the cover:

-        Cover has a small, neat, circular cutout hole in one of the corners

-         Cover has a tiny "wrinkle" (crease)  in one of the corners.

-         Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 1 (front side) and 2 (back side).

-         Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-         Cover shows JUST A HINT of yellowing on back side, apparently from aging.

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No cut-out corners

-        No saw-marks or indents

-        No writing

-        No stamps

-        No tearing: no chips, dents or nicks on the seams

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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