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B.B. King ?– B.B. King "Now Appearing" At Ole Miss

Label: MCA Records ?– MCLD 601 Format: 2 × Vinyl, LP, Album 
Country: UK Released: 1980 Genre: Blues Style: Electric Blues, Piano Blues

TracklistHide Credits

A1 Intro - B.B. King Blues Theme 3:04 A2 Caldonia Written-By – F. Moore* 2:47 Blues Medley 14:09 A3 Don't Answer The Door Written-By – J. Johnson* A4 You Done Lost Your Good Thing Now Written-By – Joe Josea A5 I Need Love So Bad Written-By – Percy Mayfield A6 Nobody Loves Me But My Mother - B1 Hold On Written-By – Joe Sample, Will Jennings 5:35 B2 I Got Some Outside Help (I Don't Really Need) Written-By – Dave Clark (8) 5:24 B3 Darlin' You Know I Love You Written-By – Jules Bihari 7:05 C1 When I'm Wrong 9:23 C2 The Thrill Is Gone Written-By – Rick Darnell (3), Roy Hawkins 11:17 D1 Never Make A Move Too Soon Written-By – Stix Hooper*, Will Jennings 7:17 D2 Three O'Clock In The Morning Written-By – J. Taub* 8:55 D3 Rock Me Baby Written-By – Joe Josea 3:59 D4 Guess Who Written-By – J. Belvin* 2:32 D5 I Just Can't Leave Your Love Alone Written-By – Joe Sample, Will Jennings 3:16

Credits

• Arranged By [Band], Directed By [Music], Trumpet – Calvin Owens
• Baritone Saxophone – Edgar Synigal*
• Bass – Russell Jackson (3)
• Co-producer, Arranged By [Strings], Conductor [Strings], Mixed By – Howie Leder
• Conductor [Strings] – Joshua Pierce
• Drums – Calep Emphrey
• Engineer – Tom Arrison
• Engineer [Asst.] – Bob Dickson, Michael Sauvage*, Robert Saccomanno, Stu Adam
• Engineer, Mixed By – Brad Samuelsohn
• Executive-Producer – Sidney A. Seidenberg
• Guitar – Leonard Gill
• Keyboards – Phil Blackman
• Mastered By – Joe Gastwirt
• Percussion – Naná Vasconcelos
• Producer – SASCO Productions Inc.*
• Rhythm Guitar – Jon Jones (4)
• Tenor Saxophone – Hilton C. Joseph*
• Trombone – Steve Sherard
• Trumpet – Lonny LaLanne, John Willie Cook*
• Vocals, Guitar – B.B. King
• Written-By – B.B. King (tracks: A4, A6, B2 to C1, D2, D3), Calvin Owens (tracks: A1)

Notes

Recorded live at the University of Mississippi 
Additional recording and mixing at Electric Lady Studios, N.Y.C. 
Mastered at Frankford/Wayne Studios, N.Y.C.

Strictly Graded - RECORD COLLECTOR Grading System.

Grading System: In order to assist everyone who buys and sells rare discs, Record Collector magazine has originated a set of standards for the condition of second-hand records, I have added a (+) or (-) to my gradings where applicable.

 

MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint. 

EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing. 

VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.

FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.

The cover and contents will be torn, stained and/or defaced.

POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.

BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.

On 16-Jul-14 at 04:05:11 BST, seller added the following information:

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