BEACH BOYS PET SOUNDS ULTRA-RARE ORIG 1966 CAPITOL MONO LP STILL IN SHRINK WRAP
$
354
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Description
THIS RECORD COMES FROM OUR PERSONAL COLLECTION
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WE CURRENTLY HAVE NEARLY 1,400 LISTED ITEMS. TO DISPLAY ALL OUR AUCTIONS IN ALPHABETICAL ORDER (BY ARTISTS’ NAMES) ►CLICK HERE
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· BEACH BOYS - PET SOUNDS - ORIGINAL 1966 CAPITOL RECORDS MONO LP T-2458
· ORIGINAL U.S. PRESSING
· ORIGINAL BLACK CAPITOL LABEL WITH MULTICOLORED SPECTRUM (“RAINBOW) BAND ALONG THE LABEL’S EDGE AND CAPITOL’S LOGO ON TOP OF THE LABEL
· EXTREMELY RARE ORIGINAL MONO PRESSING, MANY TIMES RARER THAN FAKE (“ELECTRONICALLY RECHANELLED”) STEREO
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· COVER IS STILL IN ITS ORIGINAL SHRINK (CELLOPHANE) WRAP
· CLEAN, WEAR-FREE LABELS
· THICK, HEAVY VINYL PRESSING
· MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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Need we say more? One of top-five albums on anyone-and-everyone's want list, here is the Beach Boys's regal masterpiece in all its original (mono) glory. The sound of the original mono LP will leave you salivating; Brian Wilson's "Teenage ode to God" aged with such immaculate, spiritual grace, that many people put it right up there in the Pantheon of Classical music, along the masterworks by Beethoven and Mozart. No wonder. It is an album of fine, delicate, almost nocturnal vibes, accessible only to deeply hurt (or loving) souls. On Pet Sounds, minor key reigns supreme from start to finish.
When Capitol records issued this masterpiece in 1966, they did a remarkably idiotic, bird-brained, retarded (and we are being lenient on Capitol here) decision to issue relatively small number of copies of this album altogether (despite the fact that Beach Boys were, along the Beatles, their biggest selling act) presumably because they had misgivings about the commercial appeal of the album, and could not immediately identify any obvious hit-singles on it to warrant their enthusiasm (the album would ultimately yield no less than four top-50 singles (alas, no top-10 chartbusters), including "God only Knows", the songs many believe to be the single finest ballad in the history of Rock). In an awkward case of self-fulfilled prophecy, the album did, in fact, initially turn out to be a commercial flop and for many years remained the worst seller of all classic BB albums. In the intervening years this has, of course, changed considerably and the sales have picked up to reflect the status of the "Classic" bestowed on this Giant album by all-knowing critics (eeeek!) and public alike.
Of those few copies even smaller number of copies were pressed in mono, while the remaining copies were pressed in a hideous, fake "electronic" stereo (no true stereo version of this album existed until the 1999 reissue); As a result of the unusual combination of simultaneous dwindling market supply and ferociously escalating demand, mono copies of this album have become major, major collectible rarities in recent years. This is only the fifth copy we have encountered in as many years. And, take our word, we've been looking high and low.
For its extraordinary contribution to the modern music, superb production, craftsmanship, fine musicianship, revolutionary significance and influence it exerted on numerous generations of musicians, writers and general public, or for some other innate quality, this album was voted one of top-200 albums of all time in one of the largest poll of critics, music reviewers, professionals and producers ever organized: the poll, which was conducted by Paul Gambaccini, legendary BBC Radio A&R man, surveyed more than 50 top music professionals (including Roy Carr, Jonathan Cott, Robert Christgau, Cameron Crowe, Chet Flippo, Ben Fong-Torres, Charlie Gillett, Greil Marcus, Murray the K., Lenny Kaye , Bruce Morrow (a/k/a "Cousin Brucie"), Tim Rice (of "Jesus Christ Superstar" and "Evita" fame), Lisa Robinson, Robert Shelton (who wrote liner notes for Bob Dylan's first album), Ed Ward, Joel Whitburn, Pete Wingfield, etc.). For more details, see: "Critics Choice: Top-200 albums" compiled by Paul Gambaccini, Omnibus Press, Library of Congress Catalog No.7855565 (or ► click here for the complete album listing)
Reflecting the historical importance of this album, as well as its popular and critical acclaim, The Rolling Stone Magazine selected this album as on of the top-200 Rock albums of all time in their recent global poll. (►click here for more details).
For additional historical or discography information on this album, including track listing ►click here
TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► CLICK HERE
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs - are (barely) visible, but are probably inaudible, and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.
(b) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) Mono pressing of this title is much rarer, and by far more preferable to its FAKE ("electronically rechannelled") stereo counterpart. We estimate that FAKE stereo copies of this album outnumber monos by a ratio of at least 10:1.
(d) True Stereo original pressings of this album are NOT known to exist (the only true stereo pressings of this title are post-2000 reissues)
(e) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
COVER IS STRONG NEAR MINT, STILL IN ITS ORIGINAL ►SHRINK WRAP
The following flaws or imperfections are noted on the cover:
- Cover shows JUST A HINT of yellowing on back side, apparently from aging (nothing significant)
- Cover has a few tiny wrinkles along the spine (nothing significant)
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No ring wear
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No yellowing from aging
- No writing
- No stamps
- No tearing: no chips, dents or nicks on the seams
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
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INTERNATIONAL POSTAGE rates vary from country to country. For SPECIFIC international and domestic postage rates ►click here. While you can be rest assured that ►our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.
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OUR REFUND POLICY :
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