BEATLES OLDIES BUT GOODIES RARE ORIG '66 UK PARLOPHONE STEREO LP MINT NOT ON CD

$

188

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·       BEATLES – A COLLECTION OF OLDIES BUT GOODIES –  ORIGINAL BRITISH PRESSING – ORIGINAL 1966 PARLOPHONE (UK) STEREO LP PCS-7016

·       ORIGINAL U.K. PRESSING

·       VERY RARE , TRUE FIRST, ORIGINAL BLACK PARLOPHONE LABEL WITH YELLOW PARLOPHONE LOGO AND THE INSCRIPTION “SOLD IN THE U.K. SUBJECT TO PRICE LISTS (etc.)" ACROSS THE CENTER OF THE LABEL

·       UNAVAILABLE IN ANY WAY, SHAPE OR FORMAT IN ALMOST 50 YEARS!

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.K. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THIN CARDBOARD COVER (EUROPEAN STYLE)

·       ORIGINAL FLIP-BACK COVER (1/2-INCH MARGINS OF THE FRONT PANEL ARE FOLDED AND PASTED ONTO THE BACK PANEL)

·       ORIGINAL LAMINATED COVER

·       THICK, HEAVY VINYL PRESSING

·       MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

·       This album has NEVER been available on legitimate Compact Disc or in any other way, manner or format.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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A Collection of Beatles Oldies (subtitled But Goldies!) is a compilation album featuring a selection of songs by The Beatles recorded between 1963 and 1966. The album was released in the United Kingdom and Australia in both mono (catalogue number PMC 7016) and stereo (PCS 7016.) It also saw a release in Mexico and Spain.

The release of this album was the result of EMI not having any new material by the Beatles for the 1966 Christmas season in the manner of the previous three years.

The sole new track, a cover of Larry Williams' "Bad Boy", had not yet been released at all in the UK, even though it was released in the United States on the Capitol album Beatles VI in June 1965, only a month after the group recorded it.

The album only reached No. 7 in the UK album chart, perhaps because most fans already owned most of the tracks on other releases. However, the album continued to sell reasonably well, remained in print for many years, and was only deleted when the compact disc age approached (and made obsolete by the Past Masters compilations). It was also the longest album that the Beatles had released to that point, totalling almost 40 minutes of music.

Six of the tracks on this LP ("From Me to You", "We Can Work It Out", "I Feel Fine", "Day Tripper", "Paperback Writer" and "I Want to Hold Your Hand") make their UK debut here as both album tracks (they were previously issued only as singles) and with stereo mixes (some done so especially for this compilation). "She Loves You" also made its debut on a long-playing record here, but it was a re-processed stereo mix, as the multi-track tape had vanished and remains missing to this day. The song is complete on both the first pressing mono and stereo issues, the Fame budget label reissue from the 1980s, and the re-sequenced prerecorded cassette.

The front cover artwork was by David Christian, in a very '60s flower power style.

For the rear cover a colour photograph by Robert Whitaker was chosen. It was taken on 30 June, while the band was on tour in Japan. Before the first show in the Nippon Budokan Hall they started an oil and watercolors painting on a large paper.

The cover of this album contributed to the "Paul is dead" hoax as the road shown on the cover seems to lead into the head of the man sitting on the cover.

This is one of very few Beatles albums released worldwide, original or compilation, that has not been issued on CD or digital format.

 (EXCERPT FROM AN ONLINE ARTICLE IN WIKIPEDIA)

***

It was Christmas time, 1966. Though hard at work on the beginnings of Sgt. Pepper's Lonely Heart's Club Band, the Beatles had nothing for EMI to put out during the holiday season (aside from the annual Christmas record for the fan club). Revolver had come out in the first week of August, too early to exploit. What to do? So EMI issued this stopgap collection of 16 older recordings for the European market, in effect creating the first "Beatles Greatest Hits" album. Actually, it's not a predictable hits anthology, for it omits obvious hit singles like "Please Please Me" and "Love Me Do," and includes popular album cuts like "Yesterday" and "Michelle" that were not issued as singles in the U.K. But it doesn't skimp on quantity, offering 16 songs instead of the usual 14, taking the saga all the way up to Revolver, and collecting some British singles into album format for the first time. As for English fanatics who simply had to have everything but might balk at purchasing an album entirely composed of retreads, EMI thought of them too, slipping in the Larry Williams song "Bad Boy" for the first time in Britain (it was included on Beatles VI in America in 1965). The stereo edition features a few anomalies -- an electronic stereo "She Loves You" -- but mostly offers commonly available mixes. The front cover is a period piece of Carnaby Street kitsch, while the back features a casual Beatles photo circa 1966. Today the album seems like a decent summing up of the Beatles' achievement just before the plunge into "Strawberry Fields" and Sgt. Pepper, though obviously not taking in the whole story.

 (EXCERPT FROM AN ONLINE REVIEW BY RICHARD S.GINELL, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS NEAR MINT. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)          The record comes in the original stock inner sleeve.

(c)           The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):

THE COVER IS NEAR MINT !

The following flaws or imperfections are noted on the cover:

-        Cover has a few tiny wrinkles along the top seam  and the spine (nothing significant)

-        Cover has some tiny, faint writing on its back side (a small filing code written in one corner)  (nothing significant)

-        Cover has a tiny, barely visible peel-off mark, probably from the careless removal of the price sticker.

-        Cover has one corner slightly  dinged / bent (nothing significant)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No ring wear

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No yellowing from aging

-        No stamps

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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