BEATLES TOUR JACKIE DE SHANNON LST-7300 LIBERTY LP 33

$

46

BREAKIN ' IT  UP ON  THE  BEATLES TOUR!   JACKIE DE SHANNON  STEREO  LIBERTY VG++   LST 7390

Legendary female singing sensation and chosen concert opener for The Beatles' legendary material from the early 60s; Digital remaster containing eight additional songs. U.K. import.

Contrary to what the exploitative title might have you believe, this was not recorded during a Beatles tour (though Jackie DeShannon was an opening act on their 1964 North American tour), or even a live album. Instead, it was something of a grab bag of a dozen tracks that had already been released on Liberty singles between 1962 and 1964. For all its scattered origins, however, it was a pretty good compilation of her early-'60s work, though it was neither definitive nor the very best dozen tracks she did during this period. The best stuff is extremely good, however, starting with her original versions of "Needles and Pins" and "When You Walk in the Room," both of which anticipated some of the elements that would make up folk-rock in the mid-'60s, and both of which were covered for much bigger hits by the Searchers. There's also some fine girl group-influenced pop/rock that she co-wrote with the young Randy Newman ("She Don't Understand Him Like I Do," "Hold Your Head High"), Jack Nitzsche (the very Phil Spector-esque "Should I Cry"), and Sharon Sheeley ("You Won't Forget Me"), as well as a good song Newman wrote alone, "Did He Call Today, Mama." Some of the other tracks, such as the covers of Buddy Holly's "Oh, Boy" and "He's Got the Whole World in His Hands," come off as filler in this company, but overall it's a fairly strong set by this underrated singer/songwriter. [

This LP was hastily compiled in 1964 to capitalize on De Shannon being chosen to support the Beatles on their US tour that year. The rather ordinary LP front cover with a photo of De Shannon from somewhere other than the tour reflects the haste. However the recordings are superb, arranged by Jack Nitzsche, they confirm what a tremendous performer she was. Originals like 'When You Walk In The Room', 'The Prince' and 'You Won't Forget Me' along with her original


VG+








I’m not a record/cd grading professional, but I examined each album / CD and  or play  all the tracks to try and provide a reasonable assessment of the playing and physical condition.

I used the grading scale described below to rate each album./ CD  

Please also refer to the album photos for further condition information



GRADING.

Mint. Is New!
Never  Played. you are  the  first to  open or touch. MINT.
Near Mint is scaled in ten variation  NM -1    though  NM-10

 (NM-10)  IS A MINT GRADE THAT HAS BEEN   IS  OPENED, TOUCHED,PLAYED HOWEVER  ONE TIME ONLY.
 (NM-9 )   ADD 1 LIGHT MARK,BLEMISH,
 (NM-8)    2  MARKS OR BLEMISH
 (MN-7) ~  (MN-1)

 
.

NM-1 WILL  HAVE 10 MARKS/BLEMISH/LIGHT SCUFFS/
HOWEVER   THE SOUND WILL  HAVE NO! NOISE.

JUST  TEN  10  CLICKS/MARKS/  AWAY FROM MINT.

 
 IF  I CAN SPOT  MORE THEN 10
.
 A  (VG +) WILL BE GIVEN 


VERY GOOD PLUS or VG+ record shows wear, surface scuffs. The vinyl still has a great luster, but the flaws will be noticeable to the naked eye.MORE THE  10 If the flaws don't cause any surface noise, the vinyl can still make the VG+ grade. COVERS: A virtually clean cover, but may have small writing on it. The artwork looks clean with slightly more aging. The back of the cover usually gives away the age of the cover. Flat white paper will be somewhat yellow yet no stains or mildew from water damage. Some minor wear to the seams or spine, but no tears or holes popping through. The corners will be slightly dog eared yet no crackly bends, defacing the artwork. In essence, a VG+ cover should have no more than 3 flaws mentioned.

VERY GOOD or VG: this record is a record that is good enough. They are not really going to look very good, but it will STILL play very good. there will almost always be some surface noise when they are played. The Dynamics should still be excellent, overpowering the surface noise. A VG record will appear well have been played but still have some luster. VG covers will look worn, used. There may be some seam splitting. There will be some ring wear, where the ink has begun to wear off. Giving the cover a look of snow falling. If the artwork looks snowy all over, it is less than VG condition. There may be some writing on the cover (still, no large letters in magic marker). It will look aged and more yellowish due to contamination's in the air (sometimes looking like cigarette smoke). Still it should be decent.

GOOD or G A good record will look very well played, dull, grayish and possibly abused. However a Good record should still play. It will have distracting surface noise. Such as crackle that is continuous or some hiss. Will also have some loss of dynamics caused from grooves being worn. It should play without any skips or any obtrusively loud pops or repeated clicks, caused by deep scratches. Good means that it will play with some form of decency, so one can still enjoy the music even though you can still hear noise caused from the wear. A Good cover will have just about everything wrong with it. It will have seam splits (possibly taped repaired, but only with scotch tape.May have magic marker writing on the cover but still if they are in huge letters, In essence, the cover will looked virtually trashed, but some artwork will still be noticed. If the artwork is worn, it is POOR and the cover is worthless.




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