BEAUTY 1968 Orig ● THE PULSE ● POISON RING ● HARD HEAVY ACID BLUES FUZZ PSYCH
  $   228

 


$ 228 Sold For
Sep 24, 2023 Sold Date
Sep 17, 2023 Start Date
15   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

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  • ORIGINAL 1968 FIRST PRESS
 1968 HEAVY BLUES PSYCH JAMMER !

TOP FINAL COLLECTION RARITY !!! UNHEARD OF THIS CLEAN !

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  • ~ PULSE ~


  • ~ PULSE ~
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  • USA - POISON RING RECORDS - PRR 2337 (stereo)

FANTASTIC  1968 FIRST PRESSING in TRIPLE-THICK GATEFOLD COVER ~ IMPOSSIBLY RARE TO FIND WITHOUT HEAVY WEAR !!! Here's the copy you've been looking for !


MINTY CLEAN!! (see full details down below)
................................................................
RARE = mighty sought after = Original 1969 first pressing killer heavy FUZZED blues rocker...in thick gatefold on the obscure Poison Ring label....


At the end of the summer of 1967, two popular New Haven-based bands broke up at the prodding of manager/producer Doc Cavalier, who owned Syncron Studios (later Trod Nossel) in Wallingford. Three members from the Shags and three from the Bram Rigg Set joined to form The Pulse (the actual original name was The Pulse of Burritt Bradley). 
After a failed single released on ATCO, The Pulse of Burritt Bradley broke up after about six months.
Pulse, a blues-rock outfit emerged with now four members from Bram Rigg Set, one lone survivor of the Shags and a new PULSE dirrection.

In January, 1968, Pulse started rehearsing in earnest to play some live dates and start recording its only album,
impact blues psych underground.

SCARCE, wanted 1968 HEAVY blues-psych with melodic injections...a cool sound by the mysterious PULSE made but one delightful , eagerly collected album... 


Born out of the ashes of two local bands,
The Bram Rigg Set and The Shags, this New Haven (CT) septet were originally known as The Pulse of Burritt Bradley after a name on a headstone, long before Dickie Betts’ famed encounter with Elizabeth Reed! In fact, it was also the name of the creepy, spoken word, suitable-for-Halloween flip side of their 1967 debut 45 on Atco. Originally released the following year on their producer’s tiny Poison Ring label, the album is chock full of bluesy jamming, a la Cream and Blue Cheer (whose 1st LP was also released earlier in ’68), and actually predates the first LP's of future genre heavyweights like Led Zeppelin and Grand Funk Railroad.

Hearing this for the first time, well over 50+ years after the fact, you'll be amazed at how much the pounding, driving rhythm of opener, “Too Much Livin’” foretells an amazingly similar rhythmic thrust of The Doors’ “Roadhouse Blues,” which was still two years down the road. Peter Neri’s searing guitar solo and Jeffrey Potter’s wailing harmonica solo imbue “Another Woman” with a gritty, Canned Heat vibe. Richard Bednarczyk’s boogie-woogie keyboard rolls add a bar room shuffle to the down home, good time funk of “Thanks For Thinking Of Me,” which also predates the sweaty, bluesy snarl of Humble Pie and Mountain. Vocalist Carl Donnell is certainly from the Leslie West school of throat shredding vocal pyrotechnics and it’s his tendency to go off the deep end that’s been known to turn-on a few listeners.

“She’s Killing Me” has a distinct
Cream and Hendrix aroma, featuring another of Neri’s tasty solos. “Garden of Love” also predates Led Zep’s penchant for tossing the odd, change of pace, acoustic ballad in to the mix. So fans of their more reflective moments like “What Is and What Should Never Be,” “Thank You,” “Over The Hills and Far Away” or “Boogie With Stu” will really dig this one. There’s even a little pre-Sabbath satanic rock weaving through “Amassilation,” which sounds like a term they invented on the spot!

The band reportedly continued in this vein for a number of years, but unfortunately never achieved the success that many bands playing in this same territory would enjoy, so here’s your opportunity to experience a true, blues rock artifact.
     A:
   
Too Much Lovin'
    2:50
   
Another Woman
    6:57
   
Hypnotized
    4:12
    Thanks for Thinking of Me, But It's Alright
    3:30
   
B:
    Lo Down
    3:34
   
She's Killin' Me
    3:27
 
   Garden of Love
    3:16
   
Amassilation
    5:27
   
My Old Boy
    2:10
  1.                  CONDITION:

  2. The cover: rated: near M- 55 years printing (1969) THICK GATEFOLD certainly looks like a final collection copy = goood luck finding better!!
    There are NO split seams, no bends, no writing, no delete marks,  Probably the BEST COPY AROUND!

  1. The vinyl: Rated: AWESOME CLEAN near M- both sides are brightly shiny; with MINTY clean AUDIO ... very enjoyable playback from start to finish .... Both (POISON RING) labels are clean
A cool addition to anyone's music library! 
SEE: SELLERS OTHER ITEMS (((similar grooves for "head" people...)))

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All imperfections are noted both cover & record
  GRADING SCALE: M, M-, EX, VG++,VG+, VG, VG- M    Completely clean, no marks, plays clean
M-   Carefully used, looks clean, plays clean, shiny gloss, plays clean
EX   Faint scuff or superficial mark, near M-, high gloss, plays clean VG++ Glossy with minimal scuffing or light mark playing very nice, enjoyable
VG+ a bit more scuff or marks still plays well with very minimal surface at worse VG   more marks/scratches only minor, nothing deep, no loud clicks or pops         this grade is abused by many, VG here does not mean "trashed" VG-  surface noise present, will not have skips or jumps     ALL PAYMENTS SHOULD BE MADE WITHIN 5 DAYS Of AUCTIONS END   BIDDERS PLEASE = Do Not Bid If You Are Not Serious About  Following Through The Transaction!   ALL ITEMS GUARANTEED FOR WINNING BID - LESS SHIPPING!


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