Condition: 

Beethoven*, Eugen Jochum, London Symphony Orchestra* ?– The Nine Symphonies

Label: Angel Records ?– SZH-3890 Format: 8 × Vinyl, LP, Stereo 
Box Set 
Country: US Released: 1979 Genre: Classical Style: Romantic

TracklistHide Credits

Symphony No. 2 In D, Op. 36 Composed By – Ludwig van Beethoven (35:41) A1 Adagio Molto — Allegro Con Brio 12:48 A2 Larghetto 12:48 A3 Scherzo (Allegro) 4:02 B1 Allegro Molto 6:37 Symphony No. 1 In C. Op. 21 Composed By – Ludwig van Beethoven (26:24) B2 Adagio Molto — Allegro Con Brio 9:35 B3 Andante Cantabile Con Moto 6:35 B4 Menuetto (Allegro Molto E Vivace) 6:35 B5 Adagio — Allegro Molto E Vivace 6:11 Symphony No. 3 In E Flat, Op. 44 ("Eroica") Composed By – Ludwig van Beethoven (51:49) C1 Allegro Con Brio 18:11 C2 Marcia Funebre (Adagio Assai) 15:57 D1.1 Scherzo (Allegro Vivace) 17:41 D1.2 Finale (Allegro Molto) D2 Overture To Incidental Music For Goethe's "Egmont", Op. 84 Composed By – Ludwig van BeethovenWritten By – Johann Wolfgang von Goethe 8:50 Symphony No. 4 In B Flat, Op. 60 Composed By – Ludwig van Beethoven (37:02) E1 Adagio — Allegro Vivace 12:46 E2 Adagio 10:23 F1 Menuetto (Allegro Vivace) 6:22 F2 Allegro Ma Non Troppo 7:31 Symphony No. 5 In C Minor, Op. 67 Composed By – Ludwig van Beethoven (36:53) G1 Allegro Con Brio 8:13 G2 Andante Con Moto 11:07 H1.1 Allegro 17:33 H1.2 Allegro H2 Overture To "Fidelio", Op. 72b Composed By – Ludwig van Beethoven 6:29 Symphony No. 6 In F, Op. 68 ("Pastorale") Composed By – Ludwig van Beethoven (43:19) I1 Allegro Ma Non Troppo 11:01 I2 Andante Molto Mosso 12:40 J1.1 Allegro 19:38 J1.2 Allegro J1.3 Allegretto Symphony No. 7 In A, Op. 92 Composed By – Ludwig van Beethoven (44:32) K1 Poco Sostenuto — Vivace 15:05 K2 Allegretto 9:17 L1.1 Presto — Assai Meno Presto 20:10 L1.2 Allegro Con Brio Symphony No. 8 In F, Op. 93 Composed By – Ludwig van Beethoven (27:17) M1 Allegro Vivace E Con Brio 4:49 M2 Allegretto Schezando 4:21 M3 Tempo Di Menuetto 5:30 M4 Allegro Vivace 7:37 Symphony No. 9 In D Minor, Op. 125 ("Choral") Bass Vocals – Robert HollChorus – London Symphony ChorusChorus Master – Richard HickoxComposed By – Ludwig van BeethovenContralto Vocals – Julia HamariSoprano Vocals – Kiri Te KanawaTenor Vocals – Stlart Burrows (67:45) N1 Allegro, Ma Non Troppo, Un Poco Maestoso 16:16 O1 Molto Vivace 11:06 O2 Adagio Molto E Cantabile — Andante Moderato 16:29 P1 Finane, On Schiller's "Ode To Joy" Written By – Friedrich Schiller 23:54

Companies, etc.

• Copyright (c) – EMI Records Ltd.
• Copyright (c) – Capitol Records
• Manufactured By – Capitol Records

Credits

• Conductor – Eugen Jochum
• Engineer – Christopher Parker, Robert Gooch, Stuart Eltham
• Illustration – J.W. Mahler*
• Orchestra – London Symphony Orchestra*
• Photography – Clive Barda
• Photography By – Neumeister*
• Producer – Christopher Bishop, John Fraser, John Willan

Notes

Recorded in England

Barcode and Other Identifiers

• Other (Library of Congress Card Number): 79-750850

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GOLDMINE GRADING

MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.

NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.

VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.

VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.

GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.

POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.