Condition:  To my NON US customers, do NOT ask me to alter /  change the declared value of your purchase for purposes of avoiding taxes in your country.  I will NOT do so.

Betty Davis ?– Betty Davis

Tracklist

Companies etc

• Recorded At – Wally Heider Studios
• Distributed By – Famous Music Corp.
• Phonographic Copyright (p) – Just Sunshine, Inc.
• Phonographic Copyright (p) – Just Sunshine Records
• Published By – Higher Music / Betty Mabry Music Co.

Credits

• Baritone Saxophone – Jules Broussard (tracks: A2)
• Bass – Doug Rauch (tracks: A2), Larry Graham (tracks: A1, A3 to B4)
• Congas – Victor Pantoja (tracks: A1)
• Design [Album, Type] – Ron Levine
• Drums – Gregg Errico*
• Electric Piano, Clavinet – Merl Saunders (tracks: A3, A4)
• Engineer – Good Doin Mallory*
• Guitar – Doug Rodrigues (tracks: A1, A3, A4, B4), Neal Schon (tracks: A2)
• Guitar [Wah, Wah] – Neal Schon (tracks: A3, B1, B2)
• Organ, Clavinet – Hershall Kennedy* (tracks: A1, B1, B3, B4)
• Photography By – Mel Dixon
• Piano – Pete Sears (tracks: A3)
• Piano, Clavinet – Richard Kermode (tracks: A2, B2)
• Producer – Gregg Errico*
• Saxophone – Skip Mesquit* (tracks: A2)
• Trombone – Michael Gillette* (tracks: B1)
• Trumpet – Greg Adams
• Vocals – Hershall Kennedy* (tracks: A1, B1), Pointer Sisters - Anita, June, Patricia* (tracks: B2, B3)
• Vocals [1st Voice] – Annie Sampson (tracks: B3)
• Vocals [2nd Voice] – Anita Pointer (tracks: B3)
• Vocals [3rd Voice] – Kathi McDonald (tracks: A2, A3, B3)
• Vocals [4th Voice] – Patryce Banks (tracks: A4, B1, B3)
• Vocals [5th Voice] – Sylvester (tracks: B3)
• Vocals [Bass Voice] – Willy Sparks III* (tracks: B1)
• Vocals [Uncredited], Arranged By, Written-By – Betty Davis

Notes

Barcode and Other Identifiers

• Matrix / Runout (Runout side A): JSS 5 A1
• Matrix / Runout (Runout side B): JSS 5 B-1

Ferndale, Michigan 48220
Phone: 248-548-9888 
Hours: Monday thru Saturday NOON to 6:00 PM (Eastern) 

GOLDMINE GRADING

MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.

NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.

VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.

VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.

GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.

POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.