BIG MAMA THORNTON Jail LP VANGUARD 1975 US orig VSD79351 GEORGE HARMONICA SMITH
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Description

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BIG MAMA THORNTON

 with J.D. NICHOLS piano, GEORGE "Harmonica" SMITH harmonica, BILL POTTER tenor sax,

B. HUSTON and STEVE WACHSMAN guitars, BRUCE SIEVERSON bass, TODD NELSON drums


Powerhouse blues and R&B singer, the original "Hound Dog" belter, 
and one of the most important female architects of rock & roll.

"JAIL"

<RECORDED LIVE at MONROE STATE PRISON>

Produced by "General Hog" Wyler

1975    LP     VANGUARD RECORDS      VSD 79351  STEREO

PRINTED IN USA    ORIGINAL PRESSING

THICK CARDBOARD COVER (AMERICAN STYLE)

SINGLE SLEEVE   STILL IN SHRINK

Barcode and Other Identifiers

Barcode: none

LABEL: VANGUARD - MARBLE/SWIRL EFFECT LABEL - BLACK TEXT

Catalog on cover: (front) VSD-79351     (spine & rear) VSD ? 79351

Catalog on labels: VSD 79351-A / VSD 79351-B

Matrix / Runout (Side A, Etched): VSD 79351-A-1C

Matrix / Runout (Side B, Etched): VSD 79351 B-1D     P(P)

On labels: bottom rim text reads "Warning..........prosecution"

rim on white reads "VANGUARD  Recordings For The Connoisseur"

Produced by "General Hog" Wyler

Executive Producer: Ed Bland

A GWP Production

All songs; Epiphany Publ. Corp., BMI

? 1975 Vanguard Recording Society, Inc.

Recorded in U.S.A.

On back cover: ? 1975 Vanguard Recording Society, Inc.

© 1975 Vanguard Recording Society, Inc.

71 West 23rd St., New York, N.Y. 10010

RECORDED LIVE at Monroe State Prison, Monroe, Washington 

and Oregon State Reformatory, Eugene, Oregon

Printed in U.S.A.

tracklisting

Side A: LITTLE RED ROOSTER - BALL 'N' CHAIN - JAIL

Side B: HOUND DOG ROCK ME BABY - SHERIFF O.E. & ME - OH HAPPY DAY

  grading

RECORD NEAR MINT but (please, read above description)

SLEEVE EX but (please, see pictures and read above description)

It's ironic that blues great Big Mama Thornton is most famous for originating songs that later 

became associated with other singers. Her sole R&B hit, which never made the pop charts, 

became Elvis Presley's "Hound Dog" in most listeners' minds, just as surely as Otis Redding's 

"Respect" was universally credited to Aretha Franklin. It must have seemed like déjà vu when 

Thornton's "Ball and Chain" became known to most music lovers via Janis Joplin's 

version with Big Brother & the Holding Company. Nevertheless, 

Thornton has rarely had trouble reclaiming these and other 

compositions once onstage, and Jail vividly captures her gruff charm during a couple of mid-'70s 

gigs at two northwestern prisons. As a live album, Jail works largely because Thornton gives 

her musicians plenty of room to improvise, especially on six-minute versions of 

"Little Red Rooster" and "Ball and Chain." In her spoken introduction to "Ball and Chain," 

Thornton initially gives props to Janis Joplin, then reminds the audience, "I wrote 

this song." Having lost little of her commanding, masculine voice, Thornton becomes 

the talented leader of a gritty blues ensemble that features sustained jams from 

George "Harmonica" Smith and guitarists B. Huston and Steve Wachsman...(AllMusic)






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