BIG MAYBELLE SAGA OF THE GOOD LIFE & HARD TIME-ROJAC LP

$

78

BIG MAYBELLE SAGA OF THE GOOD LIFE & HARD TIME-ROJAC LP


A VG+ ORIGINAL LP ON ROJAC RSTLP-123

A RARE STEREO PRESSING FROM 1967 WITH SHRINK WRAP STILL OVER COVER!

PRODUCED BY ROBERT STEPHENY AND JACK TAYLOR

RECORDED BY MACK EMERMAN AND STAN GOLDSTEIN AT CRITERIA RECORDING STUDIOS IN MIAMI

11 TRACKS INCLUDE THIS BITTER EARTH, HOW IT LIES, THE MASQUERADE IS OVER, WHY WAS I BORN, LOVE, CARELESS LOVE, WHAT A DIFFERENCE A DAY MAKES, IT'S BEEN RAINING, OLD LOVE NEVER DIES

SHRINK STILL INTACT. LOWER RIGHT CORNER FRONT UNDER SHRINK APPEARS TO BE AUTOGRAPHED BY BIG MAYBELLE WITH "BEST WISHES BIG MAYBELLE" IN SCRIPT INDENTATION. BACK WHITE CARD STOCK WITH LIGHT AGE DISCOLORATION UNDER SHRINK.

VIRGIN SPINDLE HOLE. SOME LIGHT AND FINE SURFACE MARKS/RUBS/PLAY LINES THAT ARE MORE EVIDENT ON SIDE TWO THAN ONE. I'VE TEST PLAYED THIS LP ON THE VPI TURNTABLE AND THERE IS SOME LIGHT SURFACE NOISE, NOT A DISTRACTION, BUT OCCASIONALLY PRESENT.

FROM A PRIVATE JAZZ COLLECTION STORED BY THE ORIGINAL OWNER WHO WAS A NOTED JAZZ BAND ASSOCIATE

FROM THE ALLMUSIC.COM WEBSITE:
Biography
by Bill Dahl
Her mountainous stature matching the sheer soulful power of her massive vocal talent, Big Maybelle was one of the premier R&B chanteuses of the 1950s. Her deep, gravelly voice was as singular as her recorded output for Okeh and Savoy, which ranged from down-in-the-alley blues to pop-slanted ballads. In 1967, she even covered ? & the Mysterians' "96 Tears" (it was her final chart appearance). Alleged drug addiction leveled the mighty belter at the premature age of 47, but Maybelle packed a lot of living into her shortened lifespan.

Born Mabel Louise Smith, the singer strolled off with top honors at a Memphis amateur contest at the precocious age of eight. Gospel music was an important element in Maybelle's intense vocal style, but the church wasn't big enough to hold her talent. In 1936, she hooked up with Memphis bandleader Dave Clark; a few years later, Maybelle toured with the International Sweethearts of Rhythm. She debuted on wax with pianist Christine Chatman's combo on Decca in 1944, before signing with Cincinnati's King Records in 1947 for three singles of her own backed by trumpeter Hot Lips Page's band.

Producer Fred Mendelsohn discovered Smith in the Queen City, re-christened her Big Maybelle, and signed her to Columbia's OKeh R&B subsidiary in 1952. Her first Okeh platter, the unusual "Gabbin' Blues" (written by tunesmith Rose Marie McCoy and arranger Leroy Kirkland) swiftly hit, climbing to the upper reaches of the R&B charts. "Way Back Home" and "My Country Man" made it a 1953 hat trick for Maybelle and OKeh. In 1955, she cut a rendition of "Whole Lot of Shakin' Goin' On" a full two years before Louisiana piano pumper Jerry Lee Lewis got his hands and feet on it. Mendelsohn soon brought her over to Herman Lubinsky's Savoy diskery, where her tender rendition of the pop chestnut "Candy" proved another solid R&B hit in 1956. Maybelle rocked harder than ever at Savoy, her "Ring Dang Dilly," "That's a Pretty Good Love," and "Tell Me Who" benefiting from blistering backing by New York's top sessioneers. Her last Savoy date in 1959 reflected the changing trends in R&B; Howard Biggs' stately arrangements encompassed four violins. Director Bert Stern immortalized her vivid blues-belting image in his documentary Jazz on a Summer's Day, filmed in color at the 1958 Newport Jazz Festival. 

Maybelle persevered throughout the '60s, recording for Brunswick, Scepter (her "Yesterday's Kisses" found her coping admirably with the uptown soul sound), Chess, Rojac (source of "96 Tears"), and other labels. But the good years were long gone when she slipped into a diabetic coma and passed away in a Cleveland hospital in 1972.

AND, LASTLY, PLEASE DO REMEMBER SOUND QUALITY IS AFFECTED BY WHAT THE VINYL IS PLAYED ON!!!

PLEASE VISIT MY EBAY STORE FOR OTHER RARE AND COLLECTABLE VINYL

GRADING & POLICIES: ALL RECORDS ARE VISUALLY GRADED AND INDICATE STATE OV VINYL(COVER NOTED SEPARATELY); IF I'VE LISTENED TO THE LP IT WILL BE NOTED. The following is a general overview about grades, subject to any above notations: MINT indicates pristine vinyl without any marks on surface. MINT MINUS may contain a few very light surface marks from play or sleeve wear under light. If you are a real collector, you'll know that even a factory sealed LP occasionally has some light sleeve or rub marks. Anything in the VG category would contain more than two surface marks or have some other visible signs of ring or hole wear. Rarely do I offer something in the "G" state. If I do, it's usually a rare LP and priced accordingly. Values are assigned according to market availability and rarity, not a price guide.

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 246 (GS 5.1.1 (246))