BILL EVANS POLKA DOTS & MOONBEAMS ULTRA-RARE RIVERSIDE PROMO-ONLY MONO LP
$
69
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Description
WE CURRENTLY HAVE MORE THAN 300 LISTED ITEMS
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· BILL EVANS TRIO - POLKA DOTS AND MOONBEAMS - ORIGINAL 1962 RIVERSIDE RECORDS MONO LP RLP-428; RIVERSIDE RECORDS MONO LP R-3001 [NOTE: 'POLKA DOTS AND MOONBEAMS IS A 1967 ABC/RIVERSIDE-DISTRIBUTED REPACKAGING OF BILL EVANS' 1962 RIVERSIDE ALBUM 'MOONBEAMS' WITH A COMPLETELY DIFFERENT TITLE, COVER ARTWORK AND CATALOG NUMBER, BUT OTHERWISE IDENTICAL PROGRAM, TRACK LISTING AND TRACK SEQUENCE]; THIS 1967 RELEASE WAS NEVER ISSUED IN MONO; ONLY PROMOTIONAL-ONLY MONO RELEASES EXIST.
· ORIGINAL U.S. PRESSING
· *** PROMOTIONAL COPY; THE RECORD HAS STOCK LABELS; HOWEVER, THE PROMOTIONAL BANNER ON THE RECORD LABELS CLEARLY IDENTIFY THE ITEM AS PROMOTIONAL ***
· *** ULTRA-RARE PROMOTIONAL-ONLY MONO COPY; MONO VERSION OF THIS ALBUM UNDER THIS TITLE AND CATALOG NUMBER WAS NEVER COMMERCIALLY RELEASED IN ANY WAY OR FORM ***
· ORIGINAL ABC/PARAMOUNT-DISTRIBUTED BLACK RIVERSIDE LABEL WITH BROWN RIM ALONG THE LABEL’S EDGE, MID-TO-LATE ‘60s STYLE.
· THIS IS NOT AN IMPORT, RECORD CLUB RELEASE OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE); THIS IS A STEREO COVER WITH A SMALL RIVERSIDE "MONO" STICKER AFFIXED; NO "PROPER" MONO COVERS WERE EVER PRODUCED FOR THIS TITLE THAT WE ARE AWARE OF.
· THICK, HEAVY VINYL PRESSING
· CLEAN, WEAR-FREE LABELS
· MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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Moonbeams was the first recording Bill Evans made after the death of his musical right arm, bassist Scott LaFaro. Indeed, in LaFaro, Evans found a counterpart rather than a sideman, and the music they made together over four albums showed it. Bassist Chuck Israels from Cecil Taylor and Bud Powell's bands took his place in the band with Evans and drummer Paul Motian and Evans recorded the only possible response to the loss of LaFaro -- an album of ballads. The irony on this recording is that, despite material that was so natural for Evans to play, particularly with his trademark impressionistic sound collage style, is that other than as a sideman almost ten years before, he has never been more assertive than on Moonbeams. It is as if, with the death of LaFaro, Evans' safety net was gone and he had to lead the trio alone. And he does first and foremost by abandoning the impressionism in favor of a more rhythmic and muscular approach to harmony. The set opens with an Evans original, "RE: Person I Knew," a modal study that looks back to his days he spent with Miles Davis. There is perhaps the signature jazz rendition of "Stairway to the Stars," with its loping yet halting melody line and solo that is heightened by Motian's gorgeous brush accents in the bridge section. Other selections are so well paced and sequenced the record feels like a dream, with the lovely stuttering arpeggios that fall in "If You Could See Me Now," and the cascading interplay between Evan's chords and Israel's punctuation in "It Might As Well Be Spring," a tune Evans played for the rest of his life. The set concludes with a waltz in "Very Early," that is played at that proper tempo with great taste and delicate elegance throughout, there is no temptation by the rhythm section to charge it up or to elongate the harmonic architecture by means of juggling intervals. Moonbeams was a startling return to the recording sphere and a major advancement in his development as a leader.
(EXCERPT FROM AN ONLINE REVIEW BY THOM JUREK, ALL MUSIC GUIDE /ALLMUSIC.COM/)
The first album Jazz's greatest pianist recorded without Scott la Faro, his legendary bass player until his untimely death in a car crash, and Bill Evans' first ballad-only album. Considered by many to be one of Evans' most delicate, intricate and sublime works. Essential!!!
THE PROMOTIONAL, , RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed to the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals": the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record. In this case, though, this is a rather moot point, since this rare promo-only MONO version of the album was never commercially released to begin with.
For additional historical information on this album, including track listing ►click here
TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► CLICK HERE
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.
(b) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) The PROMOTIONAL-ONLY MONO pressing of this title is much rarer, and by far more preferable to its stereo counterpart. We think that the mix is more natural, humane, "organic" and that the mixes are somewhat different than on the stereo version. We estimate that stereo copies of this album outnumber mono pressings by a ratio of at least 50:1.
(d) The record comes in a poly-lined inner sleeve, which has - apparently with success - shielded the vinyl from the harmful impact of elements over many years!
(e) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· THE COVER
THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).
The following flaws or imperfections are noted on the cover:
- The cover has a few visible scratch marks on the front side
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 3
- Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record), probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.
- Cover shows some light yellowing on back side, apparently from aging (nothing significant).
- Visible shelf wear noted on the seams
NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE COVER
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POSTAGE & SHIPPING:
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