BILLIE HOLIDAY w/SONNY CLARK LADY LOVE INSANELY RARE ORIG '62 LP TEST PRESSING

$

151

WE CURRENTLY HAVE  MORE THAN 500  LISTED ITEMS

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·       BILLIE HOLIDAY (with SONNY CLARK, JIMMY RANEY, BUDDY DeFRANCO AND OTHERS) - LADYLOVE - ORIGINAL 1962 UNITED ARTISTS MONO LP UAJ-14014

·       ORIGINAL U.S. PRESSING

·       ULTRA-RARE TEST PRESSING

·       PLAIN, WHITE, GENERIC PLASTYLITE LABEL WITH HANDWRITTEN ARTIST'S NAME,  MUSICIAN CREDITS, TENTATIVE DATE OF RELEASE AND CATALOG NUMBER

·       THE ALBUM COMES WITH THE PROTOTYPE PAPER SLICK USED FOR THE BACK COVER OF THE ORIGINAL UNITED ARTISTS ALBUM

·       The record has an "EAR" symbol (a pretzel-like engravure about 1/4-inch/6mm long) in the trail-off vinyl, which on SOME jazz labels is associated with very early or first pressings)

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       PLEASE NOTE: THIS TEST PRESSING APPARENTLY NEVER HAD A CUSTOM COVER;  THE ALBUM WILL BE SHIPPED IN A PLAIN, GENERIC [WHITE] CARDBOARD COVER. TEST PRESSINGS ARE RARELY – IF EVER – FOUND IN CUSTOM (STOCK) COVERS.

·       THICK, HEAVY VINYL PRESSING

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1A/-1B'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

·       PLEASE NOTE: THE MATRIX NUMBER IN THE TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD IS CONSISTENT WITH THE ORIGINAL, FIRST, 1962 PRESSING OF THIS ALBUM

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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Amazing !!! An unbelievable piece: What we have here is an unheard-of TEST PRESSING of this mid-period Billie Holiday release issued posthumously, three years after her death.  While many test pressings often have alternate or demo- versions of known, later released songs, and while it is possible that this particular test pressing contains demo or alternate versions of some of the tracks, please don’t take our word that it does:

PLEASE NOTE: THIS TEST PRESSING APPARENTLY NEVER HAD A CUSTOM COVER;  THE ALBUM WILL BE SHIPPED IN A PLAIN, GENERIC [WHITE] CARDBOARD COVER. TEST PRESSINGS ARE RARELY – IF EVER – FOUND IN CUSTOM (STOCK) COVERS.

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This is a posthumous release of a two parts live jam session, recorded in Basilea, Switzerland on Feb.04, 1954; apparently rather obscure – could only found info about it in a very good web site about the Lady (http://www.billieholidaysongs.com/) and of course, a mention on RYM (be proud fellows) – this seems to be the 1st release of these recordings that would in the future appear in several other issues; ignorant as I’m about the Lady’s career, I can say nothing about the comparative rating this LP should have in her discography, but one thing I know: I like Billie’s both sad and affirmative style, her alcohol and smoke tinged mid-high pitched tone and I sure can see where Janis got a lot of her inspiration from; on side A she’s backed by pianist Carl Drinkard’s trio, which include Red Mitchell (bass) and Elaine Leighton (drums) and it consists of 7 short numbers of which 3 are ballads (one evolving to an up tempo swing) the other four ranging from mid to up tempo swinging versions of songs from different duos of song writers ; Side B, also begins with a short Leonard Feather introduction , who besides being the producer also presents Billie’s musicians, and is composed by two long tracks; the band consists of the same rhythm section but this time with Beryl Booker and Sonny Clark on pianos (!) Jimmy Raney on guitar, Red Norvo on vibes and Buddy de Franco on clarinet; the excitement of a Jam session feel is much more evident here, as you can listen to the crowd applauding and cheering and the musicians energizing each other as the solos develop; on the relaxed tempo of Billie’s penned “Blues” everyone does good contributions but I’ll emphasize the vibes one and specially a fiery piano solo, I don’t know who I shall attribute to. The tempo speeds up for the final track and over a hi-rolling bass groove and indefatigable cymbals, clarinet, vibes and guitar all score high until they leave space for Billie to resume the vocal part

 (EXCERPT FROM AN ANONYMOUS ONLINE REVIEW)

For additional historical or discography information on this album, including track listing ►click here

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

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·                               CONDITION:

·                               RECORD

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG VG++. A few light abrasions  ARE VISIBLE, but they appear fairly  insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           The album also comes with the original, unused, paper slick prototype

(d)          The record has an "ear" symbol (a pretzel-like engravure about 1/4-inch/6mm long) in the trail-off vinyl, which on SOME  jazz and blues labels (such as Blue Note; Folkways; Period, etc…) is associated with very early or first pressings). The 'ear' symbol is actually a letter 'P' in italic script, denoting a pressing made by Plastylite Corporation’s pressing plant.

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

COVER : This reference pressing comes without any custom jacket, and will be shipped in its NEW plain, generic, white cardboard cover (NOT GRADED SEPARATELY, BUT IN A VERY NICE CONDITION OVERALL)

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