BILLY "THE KID" EMERSON: RARE TARPON #6607 ('67) HEAR
$
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Description
LABELS CONDITIONS: SIDE A IS NM...SIDE B (INSTRUMENTAL) has 4 Light "X"s
PICTURE SLEEVE CONDITION (IF ANY): SEE SCAN :REMARKS: BILLY "THE KID" EMERSON....SOUL STAR UNDERRATED!
Born in Florida, Emerson learned the piano, playing in various local bands. In 1943, he joined the United States Navy, and after World War II he began playing around Tarpon Springs, and following a spell in one group, dressed as outlaws, he picked up the nickname, "Billy The Kid".
He joined the United States Air Force in 1952, and on his discharge met up in Memphis with bandleader Ike Turner, who recruited him into his Kings of Rhythm. In 1954 he released his first record on the Sun label, "No Teasing Around", following which he left Turner's band and joined a group led by Phineas Newborn. He stayed with Sun as a songwriter, writing and recording "When It Rains It Really Pours", later recorded by Elvis Presley, and "Red Hot", which later became a hit for both Billy Lee Riley and Bob Luman but was not a commercial success for Emerson.
In late 1955 he joined Vee-Jay Records in Chicago, making records such as "Every Woman I Know (Crazy 'Bout Automobiles)", released a year later but with little commercial success, and soon afterwards moved to Chess Records. However, he continued to have more success as a songwriter, writing for Junior Wells, Willie Mabon, Wynonie Harris and Buddy Guy during the early 1960s, often in conjunction with Willie Dixon.
After recording for several smaller labels, he formed his own Tarpon Records in 1966, releasing Denise LaSalle's debut single as well as his own records. He also continued to play in clubs and on European blues tours. In 2005 he was reported as having a church in Oak Park, Illinois, as Rev. William R. Emerson. Emerson was inducted in the Rockabilly Hall of Fame.
A compilation album, Red Hot: The Sun Years, was released by Bear Family Records in 2009
HARD TO FIND NORTHERN!!!
HARD TO FIND RECORD!
TRACKS SIDE A: 1- I DID THE FUNKY BROADWAY (Vocal) TRACKS SIDE B:1- I DID THE FUNKY BROADWAY (Instrumental)
BILLIY's TARPON DISCOGRAPHY:
TARPON 6601 BILLY "THE KID" EMERSON Every Women I Know (Crazy About Automobiles) / I Took It So Hard(a-side 10/1964 recording, b-side 3/1960 recording) 1965 US CHIRRUP 0002 BILLY "THE KID" EMERSON Every Women I Know (Crazy About Automobiles) / I Took It So Hard
(a-side 10/1964 recording, b-side 3/1960 recording) 1965 US TARPON 6602 BILLY 'THE KID' EMERSON A Dancin' Whippersnapper / The Whip Pt 2
(a-side 10/1964 recording, b-side 5/1963 recording) 1965 US TARPON 6604 BILLY "THE KID" EMERSON It's Gonna Work Out Fine / Zulu
(5/1967 recordings) 1967 US TARPON 6606 BILLY "THE KID" EMERSON When It Rains It Pours / It Do Me So Good
(3/1960 recordings) 1967 US TARPON 6607 BILLY "THE KID" EMERSON I Did The Funky Broadway, Pt.1 / I Did The Funky Broadway, Pt.2
(1967 recordings) 1967 US
WEB REMARKS: FROM A BLOG: Thanksssssssss!
I Always play "Dancing Whippersnapper" in my set and still need a copy of "I Did The Funky Broadway" Awesome stuff !
Cheers from France ! (my note: here it is!)
Emerson's songwriting skills made him a valuable commodity around Sun -- but more as a source for other performers' material later on. His bluesy 1955 outing "When It Rains It Pours" elicited a cover from Elvis a few years later at RCA, while Emerson's "Red Hot" (a takeoff on an old cheerleaders chant from Emerson's school days) became a savage rockabilly anthem revived by Billy Lee Riley for Sun and Bob Luman on Imperial.
After his "Little Fine Healthy Thing" failed to sell, Emerson exited Sun to sign with Chicago's Vee-Jay Records in late 1955. Despite first-rate offerings such as the jumping "Every Woman I Know (Crazy 'Bout Automobiles)" and a sophisticated "Don't Start Me to Lying," national recognition eluded Emerson at Vee-Jay too.
It was on to Chess in 1958, recording "Holy Mackerel Baby" and the unusual novelty "Woodchuck" (a remake of an earlier Sun single) during his year or so there. 45s for Mad, USA, M-Pac! (where he waxed the dance workout "The Whip"), and Constellation preceded the formation of Emerson's own logo, Tarpon, in 1966. In addition to Emerson's own stuff, Tarpon issued Denise LaSalle's debut single.
A prolific writer, Emerson penned songs for Junior Wells, Willie Mabon, Wynonie Harris, and Buddy Guy during the early '60s, often in conjunction with Willie Dixon. When recording opportunities slowed, Emerson played jazzy R&B in lounges and supper clubs (guitarist Lacy Gibson was a member of his trio for a while). Emerson took Europe by surprise with a dynamic segment on the American Blues Legends 1979 tour. More recently, he's rumored to have reverted to playing gospel in his native state of Florida! (TARPON SPRINGS…I LIVE NEAR…GREAT GREEK FOOD!)
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Record Grading: Standard guidelines for grading records comes down to a subjective judgment that may vary from person to person. We grade records and LP covers visually AND (when possible) play-tested. We make every effort to give full disclosure (remember that the LP has at least 12 tracks and the grading may vary between each other) and your satisfaction is guaranteed. Don't assume that our vinyl determination of "Very Good+" is the same as yours!
RECORD OR COVER GRADED VG or LESS WILL BE "SOLD AS IS"
MINT: Unplayed, still sealed.
NM RECORDS: are shiny, with no visible defects, they might have one or 2 minor superficial scuff and they should play without any noise. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must not be present; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.)
NM COVERS: have no creases, ring wear or seam splits of any kind.
picture sleeves should look as if they never housed a record. This is a great reason to remove your 45s from their picture sleeves and keep them separate. Just keeping the 45 inside the sleeve will cause damage than can reduce the grade of the sleeve.
VG++ (Excellent) RECORDS: Barely noticeable play wear and background noise. May have surface scuffs and/or superficial marks, which will be inaudible or indiscernible from the background, no scratches. Very nice, flaws noted.
VG++ COVERS: Artwork is still as close to perfect as can be. Some impression to the cover (minor outer ring wear) but no ink wear! Some slight creases to the corners, but not wrinkled and obtrusive to the eye. The corners can show white (where the artwork pasted slick was) meaning, slight wear. No seam splits or writing on the cover or taped repairs can make this grade.
VG+ RECORDS: may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration,
but it should be barely noticeable.
VG+ COVERS: should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint.
VG+ PICTURE SLEEVES: might show some very light creasing where it is obvious that a record once resided (or still does reside). A VG+ picture sleeve might have some very minor seam wear or a split (less than one inch long) at the bottom, the sleeve’s most vulnerable location.
VG RECORDS: have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape, or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape.
VG COVERS and PICTURE SLEEVES: will have many signs of human handling. Ring wear in the middle or along the edges of the cover where the edge of a record would reside, is obvious, though not overwhelming. Some more creases might be visible. Seam splitting will be more obvious; it may appear on all three sides, though it won’t be obvious upon looking. Someone might have written or stamped a price tag on it, too.
RECORDS GRADED VG OR BELOW WILL BE "SOLD AS IS"
Items are to be paid within 5 days (if not paid by that time it will be subject for relisting) of auction close and will be shipped within 48 hours of receipt of payment. Paypal is the preferred method of payment.
Carlos A. Flores 25830 Crippen Dr. Land O' Lakes, FL 34639
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