BLAXPLOITATION SOUNDTRACK SALE LP Willie Dynamite J.J. Johnson NM FUNK SOUL

$

46

I am selling of my collection of blaxploitation film soundtracks--tons of awesome soul and funk LPs, mostly in NM condition, many still in their original shrink wrap. Please see my other auctions.
This record: MCA-393 Willie Dynamite Soundtrack Music: J.J. Johnson
Condition:  Cover: EX! (looks great, no writing, but has two small hole punches on bottom right corner)
Vinyl: NM! Looks unplayed
Notes: 1974 original 1st pressing w/ orig inner sleeve
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Shipping in US $4 International shipping: Email for quote. I'll just charge you what it costs me.
Combined shipping available if you win multiple items. 
About the soundtrack: 

Credits

• Engineer – Ami Hadani, Eddie Brackett
• Executive Producer – Gil Rodin
• Producer, Conductor, Composed By, Written-By – J.J. Johnson
• Vocals – Martha Reeves & The Sweet Things (tracks: A1, A3, B1, B5)

Blaxploitation or blacksploitation is an ethnic subgenre of the exploitation film, emerging in the United States during the early 1970s. The films, though receiving backlash for stereotypical characters all the while, were one of the first instances in which black actors and communities were the heroes and focuses of cinema and/or television, rather than being portrayed as sidekicks or as victims of brutality.[1] The genre allowed the rethinking of race relations in the 1970s.

Blaxploitation films were originally made specifically for an urban black audience, but the genre's audience appeal soon broadened across racial and ethnic lines once Hollywood realized the potential profit of expanding the audiences of blaxpoitation films across those racial lines.

The Los Angeles National Association for the Advancement of Colored People (NAACP) head and ex-film publicist Junius Griffin coined the term from the words "black" and "exploitation." Variety credited Sweet Sweetback's Baadasssss Song and the less radical Hollywood-financed film Shaft (both released in 1971) with the invention of the blaxploitation genre.[2]

Blaxploitation films were the first to regularly feature soundtracks of funk and soul music and primarily black casts

The Black Angels, They Call Me MISTER Tibbs!, Cotton Comesto Harlem, Sweet Sweetback's Baadasssss Song, Shaft, Hit Man, Super Fly, TheLegend of Nigger Charley, Hammer, Across 110th Street, Black Mama, White Mama, Blacula,Slaughter, Trouble Man, Black Caesar, Blackenstein, Cleopatra Jones, CleopatraJones and the Casino of Gold, Coffy, Detroit 9000, Gordon's War, Live and LetDie, The Mack, Scream Blacula Scream, Slaughter's Big Rip-Off, The Spook WhoSat By the Door, That Man Bolt, Trick Baby, Hell Up In Harlem, Abby, Black BeltJones, Black Eye, The Black Godfather, The Black Six, Foxy Brown, Get ChristieLove!, Johnny Tough, Space Is the Place, Sugar Hill, Three the Hard Way, T.N.T.Jackson, Together Brothers, Truck Turner, Willie Dynamite, Sheba, Baby, TheBlack Gestapo, Black Shampoo, Boss Nigger, Coonskin, Darktown Strutters, Dr.Black, Mr. Hyde, Dolemite, Mandingo, The Candy Tangerine Man, Ebony, Ivory& Jade, The Muthers, Passion Plantation VelvetSmooth, The Human Tornado, J. D.'s Revenge, Black Fist, Black Samurai, BareKnuckles, Petey Wheatstraw, Death Dimension, Disco Godfather, The Last Dragon, I'mGonna Git You Sucka, Action Jackson, Original Gangstas, Jackie Brown, PootieTang, Undercover Brother, Full Clip, Hookers In Revolt Black Dynamite, ProudMary