BLOOD,SWEAT & TEARS 2d ALBUM RARE ORIG'69 COLUMBIA QUADRAPHONIC AUDIOPHILE LP NM

$

25

WE CURRENTLY HAVE  MORE THAN 200  LISTED ITEMS

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·       BLOOD, SWEAT AND TEARS -  SAME-TITLED SECOND ALBUM ("BLOOD, SWEAT & TEARS") –  ORIGINAL 1971 COLUMBIA RECORDS QUADRAPHONIC LP CQ-30994.

·       THE BAND'S SECOND AND FINAL ALBUM WITH AL KOOPER (THE FOUNDER AND ORIGINAL LEADER OF THE GROUP) WHO APPEARS (UNCREDITED) ON THREE TRACKS

·       ORIGINAL U.S. PRESSING

·       ORIGINAL GOLD QUADRAPHONIC COLUMBIA LABEL WITH RED LETTERS ALONG THE RIM OF THE LABEL

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. QUADRAPHONIC PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD GATEFOLD COVER (AMERICAN STYLE)

·       COVER IS STILL IN ITS ORIGINAL SHRINK (CELLOPHANE) WRAP

·       CLEAN, WEAR-FREE LABELS

·       FAIRLY THICK VINYL PRESSING On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the thickness of the vinyl as 6.

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1B/-1E'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING

·       MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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The difference between Blood, Sweat & Tears and the group's preceding long-player, Child Is Father to the Man, is the difference between a monumental seller and a record that was "merely" a huge critical success. Arguably, the Blood, Sweat & Tears that made this self-titled second album -- consisting of five of the eight original members and four newcomers, including singer David Clayton-Thomas -- was really a different group from the one that made Child Is Father to the Man, which was done largely under the direction of singer/songwriter/keyboard player/arranger Al Kooper. They had certain similarities to the original: the musical mixture of classical, jazz, and rock elements was still apparent, and the interplay between the horns and the keyboards was still occurring, even if those instruments were being played by different people. Kooper was even still present as an arranger on two tracks, notably the initial hit "You've Made Me So Very Happy." But the second BS&T, under the aegis of producer James William Guercio, was a less adventurous unit, and, as fronted by Clayton-Thomas, a far more commercial one. Not only did the album contain three songs that neared the top of the charts as singles -- "Happy," "Spinning Wheel," and "And When I Die" -- but the whole album, including an arrangement of "God Bless the Child" and the radical rewrite of Traffic's "Smiling Phases," was wonderfully accessible. It was a repertoire to build a career on, and Blood, Sweat & Tears did exactly that, although they never came close to equaling this album.

 (EXCERPT FROM AN ONLINE REVIEW BY WILLIAM RUHLMANN, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

This is the album which - for many people - introduced Rock to Jazz and vice versa (and Blood, Sweat and Tears to the world public as a potent force to be reckoned with). By the time album was recorded, Al Kooper was pretty much gone, although he did make a cameo appearance on a few tracks, such as lovely remake of Little Milton’s "More and More". The most intriguing aspect of the album is its sequencing; namely, the songs, which range from BS&T’s version of Eric Satie’s classical piece (Variations on a theme from "Troies Gymnopedies") to the pseudo-funk of the "Smiling Phases", to R&B, to blues, to home-made feel of "Spinning Wheel" and on to extended jazz jam of "Blues, part II"; the whole body of the album flows seamlessly and effortlessly, and operates like a conceptual album, in which each part plays its own, specific, unique role. Needless to say, the album contains no less than three top-20 hits (the late, great Laura Nyro’s "And When I Die" and "Spinning Wheel" and a nice version of Brenda Holloway’s classic soul ballad "You’ve made me so very happy").

For its extraordinary contribution to the modern music, superb production, craftsmanship, fine musicianship, revolutionary significance and influence it exerted on numerous generations of musicians, writers and general public, or for some other innate quality, this album was voted one of top-200 albums of all time in one of the largest poll of critics, music reviewers, professionals and producers ever organized: the poll, which was conducted by Paul Gambaccini, legendary BBC Radio A&R man, surveyed more than 50 top music professionals (including Roy Carr, Jonathan Cott, Robert Christgau, Cameron Crowe, Chet Flippo, Ben Fong-Torres, Charlie Gillett, Greil Marcus, Murray the K., Lenny Kaye, Bruce Morrow (a/k/a "Cousin Brucie"), Tim Rice (of "Jesus Christ Superstar" and "Evita" fame), Lisa Robinson, Robert Shelton (who wrote liner notes for Bob Dylan's first album), Ed Ward, Joel Whitburn, Pete Wingfield, etc.). For more details, see: "Critics Choice: Top-200 albums" compiled by Paul Gambaccini, Omnibus Press, Library of Congress Catalog No.7855565 (or ►click here  for the complete album listing).

Quadraphonic recordings of the early 70's died a slow and agonizing death because of their hopeless incompatibility with the existing stereo and mono equipment (they can be played on stereo equipment, but not to the full effect), but they live on in the hearts of the collectors, and for good reason: some of the finest audiophile recordings ever made - whether rock, soul or classical, were released on some of these, little known and poorly advertised, albums. And, what a gorgeous presentation these recordings are: with rich audio-textures and stunning multi-channel separation which is truly a jaw-dropping, head-spinning experience.

This is a rare opportunity to acquire this great album in its FINEST audio format, no longer in print, and no longer easily obtainable.

For additional historical or discography information on this album, including track listing ►click here

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

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·       CONDITION:

·       RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)          The record comes in the original stock inner sleeve.

(c)             The record is pressed on a RELATIVELY  thick, inflexible vinyl. This is NOT a thin, flimsy ('dynaflex' type),  vinyl, but not the thickest, most rigid vinyl, either.

(d)          Quad pressing of this title is much rarer, and by far more  preferable to its stereo counterpart. The mix is more natural, humane, "organic" and in some instances (we cannot guarantee) the mixes may be somewhat different than on the stereo version. We estimate that stereo copies of this album outnumber quad by a ratio of at least 100:1.

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

COVER IS NEAR MINT,  STILL IN ITS ORIGINAL ►SHRINK WRAP

The following flaws or imperfections are noted on the cover:

-         Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 2

-         Cover shows JUST A HINT of yellowing on back side, apparently from aging.

-         The cover has a few tiny scratch marks on the back side in one small area not covered by the shrink wrap (nothing significant)

-         Cover has some tiny, faint writing on its back side (a microscopic price code written in one corner)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No wrinkles or creases

-        No stamps

-        No tearing: no chips, dents or nicks on the seams

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

INTERNATIONAL POSTAGE rates vary from country to country. For SPECIFIC international and domestic postage rates ►click here. While you can be rest assured that ►our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.

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OUR REFUND POLICY :

WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE WITHIN 30 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED (THE BUYER PAYS FOR THE RETURN POSTAGE); Still sealed items MUST be returned sealed in order to be eligible for a refund Some restrictions apply. Please read our complete refund policy before placing a bid. ►Click here  for the full text of our policy

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