BLUE CHEER ? VINCEBUS ERUPTUM ? EX orig 68 Philips heavy acid sludge psych M1/M2

$

24

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<img src="http://ti2.auctiva.com/web/aswCredit.gif" border="0"><br><a href="http://www.auctiva.com/?how=scLnk2" target="_blank"><img src="http://ti2.auctiva.com/images/sc1line2.gif" border="0"></a> Original stereo first press of their bludgeoning debut. Rock & roll had grown louder and wilder by leaps and bounds during the '60s, but when Blue Cheer emerged from San Francisco onto the national rock scene in 1968, they crossed a line most musicians and fans hadn't even thought to draw yet. Vincebus Eruptumstill sounds monolithically loud and primal today, but it must have seemed like some sort of frontal assault upon first release; Blue Cheer are often cited as the first genuine heavy metal band, but that doesn't quite sum up the true impact of this music, which even at a low volume sounds crushingly forceful. Though their songs were primarily rooted in blues, what set them apart was the massive physical force of their musical attack. Jimi Hendrix, the Who, and the MC5 may have anticipated the sound and fury of this music, but Blue Cheer's secret was not just being louder than anyone else, but staying simple enough to give each member the space to do damage both as individuals and as a group. Paul Whaley's drumming combined a crashing dustbin tone with a constant, rolling pummel that suggested Ginger Baker with less finesse and more bludgeoning velocity. Dickie Peterson's bass lines were as thick as tar and bubbled like primordial ooze as he bellowed out his lyrics with a fire and attitude that compensated for his lack of vocal range. Lester Bangs wrote that guitarist Leigh Stephens' "sub-sub-sub-sub-Hendrix guitar overdubs stumbled around each other so ineptly they verged on a truly bracing atonality," and the lumbering chaos of his roaring, feedback-laden leads birthed a more glorious monster than many more skillful players could conjure. All together their primal din was an ideal corrective for anyone who wondered if full-on rock & roll was going to have a place in the psychedelic revolution. From the opening rampage through Eddie Cochran's "Summertime Blues" (which miraculously became a hit single), to the final punch of "Parchment Farm" and "Second Time Around," Their simplest and most forceful musical statement, Vincebus Eruptumis a glorious celebration of rock & roll primitivism run through enough Marshall amps to deafen an army; only a few of their peers could come up with anything remotely as heavy, and no one could summon so much thunder with just three people.



Artist: BLUE CHEER

Year: 1968

Label: Philips

Catalog Number: PHS 600-264

Mono/Stereo/Quadro: stereo

Country: USA

Weight: 135 grams

Cover Format: thick standard. heavy-textured/embossed wraparound front slick with paste-on rear panel

Cover Condition: EX (sharp, crisp, vivid and tight, no ring/shelf wear or aging, slight seam wear, beginning of split at top opening, a few tiny spine creases)

Vinyl Condition:

Label Condition: s1 is like new, s2 has one long spindle mark

We clean every record on a VPI HW-17F using Audio Intelligent Vinyl Solutions multi-step process (every disc goes into a brand-new poly-lined inner sleeve).

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We visually grade all records using the classic Goldmine Standard, to which we have added EX (as have many others), but we do not use any other variant from the classic scale.  No NM- or EX+ (which are both EX), EX- VG+++ or Near Excellent (which are all VG+), or any such other nebulous grades here!  We feel that nearly every collector will be more than pleased with anything listed EX or above in our auctions; they will all be top-shelf, archive quality items which will play M- throughout.  A VG+ record will truly satisfy all but the most critical curator.  On the very rare occasion we actually grade an opened LP as straight MINT, we can guarantee you’ll never find a nicer copy anywhere!

We will play-grade any LP if there is any reason to do so; any questionable mark, scuff or noteworthy artifact of any kind will be sampled to determine its true significance (which may obviously impact the grade ).  We will also gladly play-grade anything upon request; if you are curious about the actual pressing characteristics or any have other questions about its actual performance please feel free to ask.

MINT :  Absolutely perfect.

This record looks like it has just left the plant, with no flaws whatsoever.  It appears unhandled and unplayed, with no marks of any sort.  Usually only sealed or (sometimes) unplayed LPs will warrant this grade.

The cover does not appear to have had a record inside it; there is no wear or distraction of any kind.

 NM : Virtually flawless, top copy.

The record is virtually identical to the moment it was opened, but may have a few faint paper, packaging or pressing scuffs which will produce no sound whatsoever and are very hard to see without critical inspection.  It was very carefully handled and played, likely only once or twice.

The cover is as close to perfect as can be expected given its age.  There may be minor impressions due to the outer edge of the vinyl (no ring wear), the lightest possible corner bumps, or a few tiny laminate creases (mainly on imports), but no wear or whitening of any kind whatsoever.

EX : A beautiful specimen, which will please most critical collectors and not need to be upgraded.

The record has no scratches or significant blemishes, and will play NM throughout.  It retains 100% of the gloss, sheen and luster, but may have a handful of faint superficial scuffs, hairlines or light spindle marks which will not produce any sound whatsoever.

The cover is nearly perfect.  There may be the absolute faintest suggestion of ring wear or possibly a light touch of dulling on the corners (nothing wrinkled or obtrusive in any way), but no notable seam or spine wear, writing or sign of tape anywhere.

 VG+ : Plays perfectly nearly all of the time, with only a few minor distractions.

The record still retains nearly all of the gloss, sheen and luster, but there may be a handful of inaudible superficial marks or scuffs, a mild scattering of light hairlines (which would only be faintly audible between tracks or in some very quiet passages), or a few stray marks which may mildly sound for a few revolutions. Each flaw is very minor, barely noticeable to the naked eye, and will not detract from the enjoyment in any way.

The cover is still very clean and crisp, but may look slightly more aged and have a few minor flaws such as small unobtrusive writing, minor wear to the seams and spine (no splits), slightly worn corners, very light ring wear or minor creasing.  No flaw is at all distracting in and of itself.

 VG : A nice play copy, which will perform without much significant distraction.

The record appears well played, but still has the majority of the luster.  It will not have been abused, though there will be some audible sound defects which will not overpower the dynamics of the music, such as mild surface noise in the quietest sections, a handful of stray isolated pops and clicks (which are brief and occasional), or possibly some very mild groove wear; still no skips, repeats, or anything deep or seriously pronounced.  It will play through quite nicely most of the time, with very minimal distraction.

The cover looks somewhat used and shows some mild wear.  There may be some minor seam splitting, ring wear (which still doesn’t overwhelm the cover), discreet writing (not large magic marker), or mild yellowing due to air contaminants. It is still nice, just a few notable flaws away from VG+.

We will never sell anything less than VG, so the rest of the scale is unnecessary.  We absolutely detest groove wear, so we will almost never list anything lacking the overwhelming majority of the luster, sheen and gloss.  Anything of significance will always be noted. 

THANK YOU FOR SHOPPING!

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