BLUE CHEER Vincebus Eruptum LP PHILIPS 1968 US orig LEIGH STEPHENS-SILVER METRE
  £   32
  $   42

 


£ 32 Sold For
Jun 30, 2016 Sold Date
Jun 20, 2016 Start Date
1 Number Of Bids
  Italy Country Of Seller
eBay Sold at
 
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Description

U.K.  BUYERS PLEASE IGNORE THE SHIPPING COSTS MARKED ON EBAY BECAUSE WE ARE ITALIAN SELLERS

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The shipping cost from Italy to UK and Europe for 1 or 2 albums

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Usually, if the price of the item, or the total amount of the records is from & over £22, we ship only with registered letter. 

The shipping cost  also depends by the exchange euro/pounds. 

Still, starting from the 1st of December the Italian Post increased the price for the international shipment. 

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BLUE CHEER

DICK PETERSON, PAUL WHALEY,LEIGH STEPHENS


San Francisco-based Blue Cheer was what, in the late '60s, they used to call a "power trio": Dickie Peterson (bass, vocals), 

Paul Whaley (drums), and Leigh Stephens (guitar). They played what later was called heavy metal, 

and when they debuted in January 1968 with the album Vincebus Eruptum and a Top 40 cover 

of Eddie Cochran's hit "Summertime Blues," they sounded louder and more extreme than anything 

that had come before them. As it turned out, they were a precursor of much that would come after. 

Unfortunately, Blue Cheer itself didn't get much chance to profit from its prescience. 

Shortly after its breakthrough, the group was wracked by personnel changes. 

Leigh Stephens was replaced by Randy Holden after the release of the second album, 

Outsideinside (August 1968). Holden left during the recording of the third album, 

and Bruce Stephens (vocals, guitar), and Ralph Burns Kellogg (keyboards) 

joined to finish New! Improved! Blue Cheer (March 1969)

 

"VINCEBUS ERUPTUM"


1968      LP        PHILIPS  RECORDS       STEREO  PHS 600-264

PRINTED IN U.S.A.     ORIGINAL PRESSING


[All early US stereo pressings have identical silver / grey textured sleeves 

with the Owsley reference on the back.

Original US stereo pressing without any producer credited on labels] 


THICK CARDBOARD COVER (AMERICAN STYLE)


This version: Barely played US original killer debut LP comes in embossed letter 

silver textured cover. it have "Augustus Stanley Owsley III" on back sleeve 

but NOT "produced by abe "voco" kesh" on the label


Barcode and Other Identifiers

Barcode: none

LABEL:  PHILIPS  - BLACK/RAINBOW LABEL w/LIGHT BLUE LOGO - SILVER TEXT

Catalog on cover: (front & spine) PHS 600-264

(on rear) PHS 600-264/PHM 200-264

Catalog on labels: PHS-600-264 (Side 1 / Side 2)

 Matrix / Runout (Side A, Stamped): PHS600264A- M2

Matrix / Runout (Side B, Stamped): PHS600264B- M2

Other / Runout [Both Sides Runout (Etched)]: MR

On labels: STEREO

On Back Sleeve: Notes by Augustus Stanley Owsley III

All selections published by BMI

Produced by Abe "Voco" Kesh

Recorded at Amigo Studios, North Hollywood, Calif.

Amplifiers by Jim Marshall, Ltd.

from my records collection

tracklisting

Side 1: SUMMERTIME BLUES - ROCK ME BABY - DOCTOR PLEASE

Side 2: OUT OF FOCUS - PARCHMENT FARM - SECOND TIME AROUND

  grading

RECORD  EX, NEAR MINT but (please, read above description)

SLEEVE NEAR EX but (please, see pictures and read above description)

Rock & roll had grown louder and wilder by leaps and bounds during the '60s, but when Blue Cheer 

emerged from San Francisco onto the national rock scene in 1968 with their debut album, 

Vincebus Eruptum, they crossed a line which most musicians and fans hadn't even thought to draw yet. 

Vincebus Eruptum sounds monolithically loud and primal today, but it must have seemed like some 

sort of frontal assault upon first release; Blue Cheer are often cited as the first genuine heavy metal band, 

but that in itself doesn't quite sum up the true impact of this music, which even at a low volume sounds 

crushingly forceful.Vincebus Eruptum is a glorious celebration of rock & roll primitivism run 

through enough Marshall amps to deafen an army; only a few of Blue Cheer's peers could come up 

with anything remotely this heavy (the MC5's Kick Out the Jams and side two of the 

Velvet Underground's White Light/White Heat were its closest rivals back in the day), and no one 

could summon so much thunder with just three people.

If you want to wake the neighbors, this is still the album to get, and it was 

Blue Cheer's simplest and most forceful musical statement...(AllMusic)


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