BLUE MITCHELL Sextet "BLUE SOUL" LP EX/EX Jazzland Stereo ORPHEUM

$

26

• Blue Mitchell Sextet ?– Blue Soul
• Label:
• Jazzland ?– JLP 990
• Format:
• Vinyl, LP, Album, Stereo, Reissue
• Country:
• US
• Released:
• 1966
• Genre:
• Jazz
• Style:
• Soul-Jazz, Post Bop
• TracklistHide Credits
• A1 Minor Vamp
• Written-By, Arranged By – Benny Golson
• 3:40
• A2 The Head
• Written-By – Richard Mitchell*
• 4:26
• A3 The Way You Look Tonight
• Written-By – Fields*, Kern*
• 3:20
• A4 Park Avenue Petite
• Written-By – Benny Golson
• 3:55
• A5 Top Shelf
• Written-By, Arranged By – Jimmy Heath
• 4:04
• B1 Waverley Street
• Written-By, Arranged By – Jimmy Heath
• 4:58
• B2 Blue Soul
• Written-By – Richard Mitchell*
• 4:09
• B3 Polka Dots And Moonbeams
• Arranged By – Benny Golson
• Written-By – Burke-Van Heusen*
• 5:48
• B4 Nica's Dream
• Arranged By – Benny Golson
• Written-By – Horace Silver
• 6:33
• Companies, etc.
• Produced For – Orpheum Productions, Inc.
• Recorded At – Reeves Sound Studios
• Mastered At – Components Corp.
• Credits
• Bass – Sam Jones
• Design [Album] – Sam Alexander (2)
• Drums – Philly Joe Jones*
• Engineer – Jack Higgins, Roy Friedman
• Mastered By – Jack Matthews
• Photography By [Back-Liner Photographs] – Lawrence N. Shustak
• Photography By [Cover Photo] – Melvin Sokolsky
• Piano – Wynton Kelly
• Producer, Liner Notes – Orrin Keepnews
• Tenor Saxophone – Jimmy Heath (tracks: A1, A2, A5, B1, B3, B4)
• Trombone – Curtis Fuller (tracks: A1, A2, A5, B1, B3, B4)
• Trumpet – Richard "Blue" Mitchell*
• Notes
• New York; September, 1959.
• 
  
• Originally released as RLP 1155.
• 
  

GOLDMINE GRADING

MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.

NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.

VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.

VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.

GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.

POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.