BOB DYLAN BLONDE ON BLONDE 2xLP on “2-EYE” COLUMBIA GF EXCELLENT 1966

$

42

Here is an EXCELLENT! DOUBLE LP by BOB DYLAN titled BLONDE ON BLONDE. It is an US pressing on the COLUMBIA “2-EYE” label, catalog #C2S 841 in STEREO sound and released in 1966. The vinyl is in EXCELLENT MINUS! condition, shiny and black, with some non-sounding marks and should have great playback. The GATEFOLD cover is in EXCELLENT! condition with  light surface/ring wear to covers, corner and edge wear. It is an opportunity for you to purchase this DOUBLE LP by BOB DYLAN in this condition. It’s a true gem for the ALBUM / PSYCHEDELIC / GARAGE / BLUES-ROCK collector!! Email me with any questions and be sure to look at the pic’s. I DO NOT ACCEPT BIDS FROM OR MAIL TO SOUTH AMERICA, SOUTH AFRICA, ITALY & OTHER COUNTRIES. IF YOU ARE NOT FROM THE USA CONTACT ME BEFORE BIDDING! International bidders can email me for shipping rates. SHIPPING IN THE US IS $5.00 for MEDIA MAIL (IT IS NOT $4.00). US BUYERS PLEASE WAIT FOR INVOICE! Thanks for Looking & Good Luck!

Music Review from AllMusic.com by Stephen Thomas Erlewine

If Highway 61 Revisited played as a garage rock record, the double album Blonde on Blonde inverted that sound, blending blues, country, rock, and folk into a wild, careening, and dense sound. Replacing the fiery Michael Bloomfield with the intense, weaving guitar of Robbie Robertson, Bob Dylan led a group comprised of his touring band the Hawks and session musicians through his richest set of songs. Blonde on Blonde is an album of enormous depth, providing endless lyrical and musical revelations on each play. Leavening the edginess of Highway 61 with a sense of the absurd, Blonde on Blonde is comprised entirely of songs driven by inventive, surreal, and witty wordplay, not only on the rockers but also on winding, moving ballads like "Visions of Johanna," "Just Like a Woman," and "Sad Eyed Lady of the Lowlands." Throughout the record, the music matches the inventiveness of the songs, filled with cutting guitar riffs, liquid organ riffs, crisp pianos, and even woozy brass bands ("Rainy Day Women #12 & 35"). It's the culmination of Dylan's electric rock & roll period -- he would never release a studio record that rocked this hard, or had such bizarre imagery, ever again.