BOB DYLAN BLONDE ON BLONDE 2xLP on COLUMBIA GATEFOLD US ORIG 1966 NM
$
26
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Description
Here is a NEAR MINT MINUS copy of a Bob Dylan 2xLP titled Blonde On Blonde. It is an original US pressing on the COLUMBIA label, catalog #C2S 841 in STEREO sound from 1966. The vinyls are shiny and black and in NEAR MINT MINUS condition with a couple of wispy sleeve marks that do not affect the playback. The cover is original cardboard in EXCELLENT PLUS condition with very mild edge wear, one small corner bump and a three inch seam slit. It is a beautiful copy for you to own. It is an opportunity to purchase this LP in near mint minus condition! It’s a true gem for the GARAGE/PSYCH/FOLK ROCK/DYLAN collector!! Email me with any questions and be sure to look at the pic’s. I DO NOT ACCEPT BIDS FROM OR MAIL TO ITALY! International bidders can email me for shipping rates. Thanks for Looking & Good Luck!
Music Review from AllMusic.com by Stephen Thomas Erlewine
If Highway 61 Revisited played as a garage rock record, the double album Blonde on Blonde inverted that sound, blending blues, country, rock, and folk into a wild, careening, and dense sound. Replacing the fiery Michael Bloomfield with the intense, weaving guitar of Robbie Robertson, Bob Dylan led a group comprised of his touring band the Hawks and session musicians through his richest set of songs. Blonde on Blonde is an album of enormous depth, providing endless lyrical and musical revelations on each play. Leavening the edginess of Highway 61 with a sense of the absurd, Blonde on Blonde is comprised entirely of songs driven by inventive, surreal, and witty wordplay, not only on the rockers but also on winding, moving ballads like "Visions of Johanna," "Just Like a Woman," and "Sad Eyed Lady of the Lowlands." Throughout the record, the music matches the inventiveness of the songs, filled with cutting guitar riffs, liquid organ riffs, crisp pianos, and even woozy brass bands ("Rainy Day Women #12 & 35"). It's the culmination of Dylan's electric rock & roll period -- he would never release a studio record that rocked this hard, or had such bizarre imagery, ever again.
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