BOB DYLAN BLONDE ON BLONDE LP COLUMBIA C2L 41 MONO MONAURAL 1966 ISSUE
$
26
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Description
FOR YOUR CONSIDERATION:
BOB DYLAN BLONDE ON BLONDE COLUMBIA MONAURAL C2L 41
VINYL - VERY GOOD CONDITION - PLENTY OF LUSTER - LOTS OF LIGHT PAPER SCUFFS ON BOTH SIDES - NO SKIPS - SOUNDS GREAT- SOUNDS MUCH BETTER THAN IT LOOKS!
COVER -FAIR/POOR CONDITION - SEE PICS
Blonde on Blonde is the seventh studio album by American singer-songwriter Bob Dylan, released on May 16, 1966 on Columbia Records. Recording sessions began in New York in October 1965 with numerous backing musicians, including members of Dylan's live backing band, The Hawks. Though sessions continued until January 1966, they yielded only one track that made it onto the final album—"One of Us Must Know (Sooner or Later)". At producer Bob Johnston's suggestion, Dylan, keyboardist Al Kooper, and guitarist Robbie Robertson moved to the CBS studios in Nashville, Tennessee. These sessions, augmented by some of Nashville's top session musicians, were more fruitful, and in February and March all the remaining songs for the album were recorded. Blonde on Blonde completed the trilogy of rock albums that Dylan recorded in 1965 and 1966, starting with Bringing It All Back Home and Highway 61 Revisited. Critics often rank Blonde on Blonde as one of the greatest albums of all time.
GOLDMINE GRADING STANDARDS
NEAR MINT-Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.
VERY GOOD PLUS-The record has been handled and played infrequently or very carefully. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.
VERY GOOD-Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
GOOD-Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.
POOR-Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.
THANKS FOR LOOKING!price rating
