BOB DYLAN BRINGING IT ALL BACK 1st UK PRS ToP MONO AuDiO ARCHIVE FOLK ROCK PSYCH

	£		155
	$		205

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BOB DYLAN ''BRINGING IT ALL BACK HOME'''

( ALBUM) RAREST EVER 1ST UK PRESSING (((MONO))) 1965 ORIGINAL! CAT NO.BPG 62515! STUNNING  VINYLS PLAYING SURFACE! JUST MINIMAL PLAY ONLY!

  EARLIEST POSSIBLE MATRIX ENDINGS 'A1' & 'B1' EARLIEST POSSIBLE "1" TO "1" MOTHER STAMPERS BOTH SIDES (EARLIST FOR THE BEST POSSIBLE AUDIO QUALITY ON VINYL)

EARLIEST 1st ISSUE CBS LABELS 33 ON LABELS (Later Press have 33/13)

  AWESOME 1ST ISSUE MONO E.DAY CO.  FLIPBACK COVER! ABSOLUTELY STUNNING TOP
VERY NEAR MINT TOP MONO AUDIO ON MY SYSTEMS

A TRUE AUDIO ARCHIVE COPY FOR DYLAN AUDIOPHILES OUT THERE! AMAZING 49 YEARS OLD ARCHIVE!

Another from my personal collection! One of my all time favourites, Arguably one of the rarest Bob Dylan albums to ever find earliest ever 1st UK pressing and in ((mono)) Please note! This is listed for its collectability rather than for its condition. This is obviously not mint and has been originally played with light general wear and tear with age, but very rare in this superb condition being very 1st UK pressing being nearly 50 years old like this! Unbeleivably genuine 49 years old and lovely looking mega thick 1st issue heavy vinyl, what makes this so rare is that this is the 1st UK original almost twice as thick than later press features 33 instead of 331/3 on later pressings. I have owned these originals from new! Please note! I will be featuring all of the earliest Mono original Dylan albums soon! All of these that I will be listing will be the original earliest mono pressings!

Please do not underestemate the rarety of this earliest and most sought after (((mono))) original 1st UK pressing! Much more sought after and collectable than the more common stereo pressing! rarely ever seen like this in this awesome condition!

 The vinyl has always been stored in a case with the vinyl seperated from the cover for protection the way that i have always stored my records! I have play tested the album three times, prior to this listing at very loud volume, on a top system, using a dedicated mono cartridge. This audio is almost as good as it gets on any available format in my opinion! Please note! This can not be surpassed by any stereo format! IN MY OPINION THIS IS HOW IT WAS MEANT TO BE HEARD, CRISP CLEAR AND VIBRANT AND IN MONO, Don't take my word for it, listen to the complete album recorded direct from the vinyl in the player below! This original mono pressing is stunning absolutely real rich and vibrant clarity totally stunning on my systems! The 1st issue laminated front only cover features flipback rear and printed by E.J Day & Co ltd, only found like this on first issues, graded at least excellent  super glossy laminate Please note there is  slight impressions/indents from where someone has leant on it at some time in the past whilst writing, noticed if looked at angled to the light. The rear is exceptionally clean and white. (normally seen very grubby with time) A real collectors copy for any true Dylan audiophiles out there!

Very Near mint audio and awesome 1st issue E.Day & Co mono  Flipback cover!

Below is a breif description of some of the awesome tracks listed on this album!

Bringing It All Back Home is singer-songwriter Bob Dylan's fifth studio album, released in March 1965 by Columbia Records in the US and CBS Records labels in the UK!

The album is divided into an electric and an acoustic side. On side one of the original LP, Dylan is backed by an electric rock and roll band - a move that further alienated him from some of his former peers in the folk song community. Likewise, on the acoustic second side of the album, he distanced himself from the protest songs with which he had become closely identified (such as "Blowin' in the Wind" and "A Hard Rain's a-Gonna Fall"), as his lyrics continued their trend toward the abstract and personal!

The album's iconic cover, photographed by Daniel Kramer, features Sally Grossman, the wife of Dylan's manager Albert Grossman, lounging in the background, while artifacts scattered around the frame include LPs by The Impressions (Keep on Pushing), Robert Johnson (King of the Delta Blues Singers), Lotte Lenya (Sings Berlin Theatre Songs by Kurt Weill) and Eric Von Schmidt (The Folk Blues of Eric Von Schmidt). Visible behind Sally Grossman is the top of Bob Dylan's head on the cover of Another Side of Bob Dylan, and under her right arm is the Time (magazine) with Lyndon B. Johnson (Jan. 1, 1965) and a harmonica resting on a table with a fallout shelter (capacity 80) sign leaning against it. Above the fireplace on the mantle directly to the left of the painting is the Lord Buckley album The Best Of Lord Buckley. Dylan sits forward holding a cat and has an opened magazine featuring an advertisment on Jean Harlow's Life Story by the columnist Louella Parsons resting on his crossed leg. The cufflinks Dylan wears in the picture are a gift from Joan Baez, as she later wrote in her autobiography!

The release of Bringing It All Back Home coincided with the final show of a joint tour with Joan Baez. By now, Dylan had grown far more popular and acclaimed than Baez, and it would be the last time they would perform extensively together until 1975. (She would accompany him on another tour in May 1965, but Dylan would not ask her to perform with him.) The timing was appropriate as Bringing It All Back Home signaled a new era.

One of Dylan's most celebrated albums, Bringing It All Back Home was soon hailed as one of the greatest albums in rock history. Dylan really had brought it back home, creating a new kind of rock & roll [...] that made every type of artistic tradition available to rock ''Bringing It All Back Home' was possibly "the most influential album of its era.

Side one

1. "Subterranean Homesick Blues" – 2:21
2. "She Belongs to Me" – 2:47
3. "Maggie's Farm" – 3:54
4. "Love Minus Zero/No Limit" – 2:51
5. "Outlaw Blues" – 3:05
6. "On the Road Again"– 2:35
7. "Bob Dylan's 115th Dream"– 6:30

Side two

1. "Mr. Tambourine Man" – 5:30
2. "Gates of Eden" – 5:40
3. "It's Alright, Ma (I'm Only Bleeding)" – 7:29
4. "It's All Over Now, Baby Blue" – 4:12

Side 2 ''62515-3B-1''

The Mother Stampers

Side 1 ''1' ''GA'' (UNBELEIVABLY RARE EARLIEST EVER "1"to"1" Mothers)

Side 2 ''1''GA''  (UNBELEIVABLY RARE EARLIEST EVER "1"to"1" Mothers)

The Vinyl

This is the original earliest 1st issue thick and chunky type of vinyl with deeper grooves (only found like this on the original 1st UK pressings) The vinyl lays perfectly flat on the turntable and is free of any warping!

On initial inspection the vinyl looks like lovely and it is hard to see a blemish on the playing surface! It is quite obvious that this vinyl has been played but certainly not been over played. The playing surface is truly stunning visually in my opinion! Only in strong light could possibly any sleeve removal /feint scuff marks possibly be seen only (Importantly, nothing that would cause any loud clicks or pops during the audio)

The Audio Quality

I have played this vinyl track for track three times prior to this listing, at very loud volume on a top system using a dedicated mono cartridge! The audio is very near as good as it gets in any format in my personal opinion absolutely stunning clarity on my systems! cristal clear and very very vibrant indeed! Please note! I also own a copy of the 1st press stereo edition of this album and there is no comparison in my opinion! (((MONO)) this is the only way to hear this album! Certainly the most sought after and incredibly rare to ever find in this awesome top top condition and one of the earliest pressings that I have seen! Any interference is isolated in the form of light static type tick here and there which is enhanced when played for recording to digital and gives a much warmer sound on an analogue system. Importantly, I heard no loud constant clicks or pops during the play of this vinyl! The audio is graded at least excellent plus to very near mint for the most part. One of the most vibrant copies that you will ever find in my opinion! Please do not underestemate the rarety of this album like this!

Please note! I always add this disclaimer! Please allow for the odd isolated light static ticks\crackle (not) consistant throughout the audio! Please remember that this is a genuine 49 year old vinyl that would have originally been played on a 49 year old system! IN MY OPINION THIS PLAYS THROUGH ALMOST AS GOOD AS IT GETS ON MY SYSTEMS! (Isolated static ticks that I noticed during digital playback I never noticed during analogue playback with a mono cartridge)

Points to note! This has been stored in a case for over 40 years and a build up of dirt and dust in the grooves causes static ticks\crackle! A constant clean before each play is highly recommended! This will reduce any static and will enhance the audio quality!

The Labels

These are the 1st issue CBS (TEXTURED ) mono labels! These are awesome! Please note! only 1st issue labels feature ''33'' on the labels (later issues feature 331/3) and only 1st issue labels are textured! Only if angled to the light can spindle marks be seen! This has obviously been played but not overplayed in my opinion very minimal play only for 50 year old vinyl. There is little if no spindle ware the hole is perfectly round!

Unbelievable!!

The Record Sleeve

This is the original CBS advertising serpier sleeve with patent no. Nice article with slight edge splits beginning The record is now always stored separately from the sleeve and cover.

The cover

This is the 1st issue E.Day & Co  flipback cover! laminated front only! Absolutely stunning super super glossy appearance! Just barely one light laminate crease worth to mention at the fromt only, and barely noticable unless looked for! Any marks or indents are barely noticable unless looked for angled to the light. Please note! someone has leant on the cover when writing at some point in time and indents of the writing can just be seen when angled to the light! No splits or tares and any real storageware worth to mention, is very light in the form of minor corner bumping, again not really noticed unless looked for in my opinion.  The rear is exceptional with no real creases! This top copy must grade at least excellent in my opinion! 

This is stunning  sounding copy that you will ever find beleive me and the rarest and most sought after with unbeleivable top mono audio pressed from the earliest "1"to"1" mother stampers! An audio archive copy!,, you will never need to upgrade from this album and original ((mono)) the rarest to ever find mint audio!