BOB DYLAN JOHN WESLEY HARDING NICE ORIG 1968 MONO LP

$

52

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·       BOB DYLAN - JOHN WESLEY HARDING - ULTRA-RARE ORIGINAL 1968 MONO COLUMBIA LP CL-2804

·       ORIGINAL U.S. PRESSING

·       ORIGINAL RED AND WHITE "MONO" COLUMBIA LABEL

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       THICK CARDBOARD COVER, AMERICAN STYLE

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1…'. ON SOME LABELS, SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

·       MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)

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If you've never heard this legendary album in MONO, you've never heard it at all !!! One of three or four of Bob Dylan’s greatest works (for me, personally, this is a strong contender for # 3 spot - right after "Highway 61" and "Blonde on Blonde"), this 1968 album came only months after Bob Dylan had a near-fatal motorcycle accident and a close encounter with his own mortality, which explains the doom-and-gloom laden atmosphere, ascetic production, scaled-down arrangements and a plethora of Biblical references all over the place, which all make this wonderful album even more appealing and intriguing. This is a one-of-a-kind in entire Bob Dylan output. Nothing - absolutely nothing - matches this collection of songs in terms of sheer expression, mysticism and poetic imagery. So much so that Jimi Hendrix covered two songs from this album ("All along the Watchtower" and "Drifters Escape") , Janis Joplin and Joe Cocker both covered the same track ("Dear Landlord"), and the list of other artists who found these songs irresistible and very coverable goes on and on and on. And then, there are musicians: This album assembles in one place the cream of Nashville studio musicians circa 1968: Charles McCoy (Bass), Kenny Butrey (Drums) and Pete Drake (steel & other guitars). Now, for the mono mix. Unlike its stereo counterpart, mono mix is decidedly cleaner, punchier and much, much more vivid and better defined. The rhythm section and the voices come through loud and clear. This is the LAST Bob Dylan album released in mono. Mono copies of this album are perversely rare and increasingly hard to find in virtually any condition. Miss it now, and weep later.

Finally, if all of this leaves you unimpressed you can always contemplate the cover photo of Dylan and the four musicians which, purportedly, shows the four Beatles `buried` somewhere in the background. Hmmm. I could not find them. Maybe you will have better luck…

For its extraordinary contribution to the modern music, superb production, craftsmanship, fine musicianship, revolutionary significance and influence it exerted on numerous generations of musicians, writers and general public, or for some other innate quality, this album was voted one of top-200 albums of all time in one of the largest poll of critics, music reviewers, professionals and producers ever organized: the poll, which was conducted by Paul Gambaccini, legendary BBC Radio A&R man, surveyed more than 50 top music professionals (including Roy Carr, Jonathan Cott, Robert Christgau, Cameron Crowe, Chet Flippo, Ben Fong-Torres, Charlie Gillett, Greil Marcus, Murray the K., Lenny Kaye, Bruce Morrow (a/k/a "Cousin Brucie"), Tim Rice (of "Jesus Christ Superstar" and "Evita" fame), Lisa Robinson, Robert Shelton (who wrote liner notes for Bob Dylan's first album), Ed Ward, Joel Whitburn, Pete Wingfield, etc.). For more details, see: "Critics Choice: Top-200 albums" compiled by Paul Gambaccini, Omnibus Press, Library of Congress Catalog No.7855565 (or ► click here for the complete album listing)

For additional historical or discography information on this album, including track listing ►click here

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS ARTIST ► CLICK HERE

THIS IS A NO-RESERVE AUCTION!

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·       CONDITION:

·       RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)

(a)            WE GRADE THE VINYL AS STRONG VERY GOOD+ . CAUTION: The vinyl is NOT MINT or NEAR MINT, but is nevertheless in a very nice and clean condition. There are some surface marks and abrasions, mostly light and superficial, although some may be longer than 1.1/4 inches (1 inch = 2.5 centimeters)

(b)            The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)             Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

(d)            Mono pressing of this title is much rarer, and by far more preferable to its stereo counterpart. We think that the mix is more natural, humane, "organic" and that the mixes are somewhat different than on the stereo version. We estimate that stereo copies of this album outnumber mono pressings by a ratio of at least 20:1.

·       COVER

THE COVER IS ABOUT VERY GOOD+(+)

The following flaws or imperfections are noted on the cover:

-         Cover has some fraying/wear along the spine and the top seam

-         Cover has a partially split spine (between 1 and 2 inches / 2.5 to 5 centimeters)

-         Cover has two corners slightly worn / frayed / bent (just a beginning of the split seam)

-         Cover has a visible "wrinkle"(crease) in one of the corners.

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 4 (front side) and 5 (back side)

-         Cover shows JUST A HINT of yellowing on both sides, apparently from aging.

-         Cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record), probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

NO OTHER IMPERFECTIONS ON THE COVER:

-         No cut-out (drill) holes.

-         No cut-out corners

-         No saw-marks or indents

-         No writing

-         No stamps

-         No peel-off marks

-         No stains

-         No mold or mildew spots

-         No stickers or labels

-         No water damage

-         No razor marks, scratches, pressure marks, lines, streaks, or cuts.

-         No warping

-         No wax, glue, paint or liquid drops on the cover

-         No bar codes

-         No RIAA stamps or stickers.

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POSTAGE & SHIPPING:

Generally, US POSTAGE is $5.80 FOR THE FIRST ITEM shipped via USPS PRIORITY MAIL (this includes a small $1.00 packaging surcharge).

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Media- and Surface Mail rates are available ONLY to orders of $200.00 or more. NO EXCEPTIONS.

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OUR REFUND POLICY :

Cash refund will be granted only for DEFECTIVE items, but we are flexible and reasonable in reviewing the merits of each individual case. We do NOT play-grade records and can only make reasonable inference on the item's condition based on its visual appearance. Every bid carries a risk that purchased item might play worse than its visual grade may indicate. Still sealed items MUST be returned sealed in order to be eligible for a refund. Please read our complete refund policy before placing a bid. ►Click here for the full text of our policy .

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