BOB MARLEY & THE WAILERS Kaya VG++ 1978 Island ILPS 9517 STERLING Jah
  $   35

 


$ 35 Sold For
Dec 14, 2020 Sold Date
Dec 4, 2020 Start Date
1 Number Of Bids
  USA Country Of Seller
eBay Sold at
 
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Description

Vinyl:  VG++  Play Graded. Sounds Great!  High gloss vinyl.  Island Labels are Clean and Bright.  This is the 1978 Island Release!  90035-1.  This is the audiophile acclaimed pressing, Mastered at Sterling Sound, NYC!  Marley at the height of his mastery and influence, the undisputed Grand Vizier of Reggae!  These songs are part of the fabric of Roots, Rock Reggae.  Jah! Rastafari.  allmusic gives it 4 stars!!!
See Review Below!
In the Dead Wax:  Side 1:  ST-IL-825081-A  1-1  SP  STERLING ((Sterling Sound, NYC))   Side 2:  ST-IL-825082-A  1-1  SP  STERLING ((Sterling Sound, NYC))  
Cover: VG++ (see photos)  Nice high gloss on cover. Front and back of cover artwork and text are rich, clear and bright. Seams, corners and spine are solid and clean, with minimal wear.  Has some light creases.  No splits.  No writing.  Spine print is crystal clear.   


Goldmine Standards.   I play grade every record that I sell on eBay as I have found you can't rate a record accurately by just visually inspecting it.  I wipe the dust off of every cover with clean, unscented baby wipes.  I professionally clean the vinyl.  (I also operate a Vinyl Record Cleaning business for your dusty/dirty records--if interested, send me a message).


U.S. Shipping:  $4 Media Mail.  Tracking included.   50 cents additional shipping per additional item, when the shipment is combined.   If you wish to take advantage of my COMBINED SHIPPING deal, simply select your items by clicking on "ADD TO CART" on the main listing page.  Do this for all of your selections and then go to your cart to checkout. Your combined shipping discount will be computed automatically.  Free domestic shipping if you spend $100 or more!  
All records are packaged securely with the vinyl outside the jacket (to avoid seam split in transit). The vinyl and jacket are sandwiched between two cardboard stiffeners and shipped in a custom cardboard record mailer box. 
INTERNATIONAL BUYERS!  I CAN COMBINE SHIP FOR YOU AND MINIMIZE SHIPPING COSTS!!!  IF YOU TELL ME WHICH ITEMS YOU WANT TO BUY, I CAN WEIGH THEM AND THE PACKAGING TOGETHER AND THEN GO IN AND ADJUST THE LISTINGS ACCORDINGLY TO REFLECT THE EXACT WEIGHT OF THE COMBINED SHIPMENT!  THIS WILL SAVE YOU A LOT OF MONEY!!!  IF YOU'RE INTERESTED IN THIS, SEND ME A MESSAGE TELLING ME WHICH ITEMS YOU WOULD LIKE TO PURCHASE AND WE'LL GO FROM THERE.
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Once you're satisfied with your purchase, please leave positive feedback and I will do the same for you.  If you're unsatisfied, please let me know so we can resolve it.  I do not give partial refunds.  Take a look at my previous feedback and buy with confidence.   I've qualified for the "Top Rated Plus" seal from eBay, awarded to the most reputable sellers who consistently deliver outstanding customer service.  Check my other items this week, check back often & CLICK ON "SAVE THIS SELLER" at the top of my listings page to be notified of New Listings as I will be adding more Rare items in the coming weeks!  Thanks!

Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?  First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared.  They are nearly always compressed with murky transients and a general lifelessness in the overall sound.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.  First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are  clearer.   On first and early pressings, the music tends to sound more ‘alive’ and vibrant.  The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.   

AllMusic Review by Mark Deming  [-]

By 1978, Bob Marley was by far the best-known reggae musician in the world and a major star in the U.K. and Europe as well as his native Jamaica. However, he was still little more than a cult figure in the United States, and by many accounts Marley was eager to attract a larger audience in America, seeing it as a new challenge. Released in 1978, Kaya wasn't necessarily made with American tastes in mind, but it was an album that presented a more accessible version of Bob Marley. Lyrically, the songs avoided the political commentary or Rastafarian philosophizing that was at the forefront of Natty Dreadand Rastaman Vibration, and instead emphasized tunes about love and ganga, such as "Easy Skanking" and the title cut. And the palpable musical tension that simmered beneath the surface on the Wailers' earlier material gave way to a more laid-back riddim that was more comfortable but a bit less demanding. Kaya presented a gentler and friendlier version of Bob Marley & the Wailers, but it also documented Marley and his group at the peak of their abilities. The nuance in Marley's vocals on "Running Away," "She's Gone," and "Is This Love" showed how much he'd grown as a performer since Catch a Fire, and his passion elevates "Misty Morning" into one of the album's highlights. The Wailers were capable of cutting a groove that was both powerfully muscular and seemingly effortless, with Aston "Family Man" Barrett and Carlton Barrett once again reaffirming their status as one of the finest rhythm sections on earth, and Junior Marvin and Marley offering a master class in how the concept of "less is more" can be applied to the guitar. Though Kaya offered a less aggressive message than one might have expected from Marley, the songs were far from lazy, and "Time Will Tell," "Is This Love," and "Running Away" are resonant, top-shelf work. Kaya was a minor effort for Bob Marley as a prophet or a commentator, but it's a rich and rewarding set from Marley the musician.








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