BOBBIE GENTRY DELTA SWEETE RARE ORIGINAL 1968 CAPITOL LP IN SHRINK NEAR MINT
$
28
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Description
WE CURRENTLY HAVE MORE THAN 200 LISTED ITEMS
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· BOBBIE GENTRY with JAMES BURTON, DENNIS BUDIMIR, HAL BLAINE, EARL PALMER, MAX BENNETT, SHORTY ROGERS AND OTHERS – DELTA SWEETE (BOBBIE GENTRY’S SECOND ALBUM) - ORIGINAL 1968 CAPITOL RECORDS STEREO LP ST-2842
· ORIGINAL U.S. PRESSING
· CAPITOL RECORDS, HOLLYWOOD (LOS ANGELES), CA PRESSING.
· ORIGINAL BLACK CAPITOL LABEL WITH MULTICOLORED SPECTRUM (“RAINBOW) BAND ALONG THE LABEL’S EDGE AND CAPITOL’S LOGO ON TOP (12 O’CLOCK POSITION) OF THE LABEL
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· COVER IS STILL IN ITS ORIGINAL SHRINK (CELLOPHANE) WRAP
· THICK, HEAVY VINYL PRESSING
· CLEAN, WEAR-FREE LABELS
· MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-B3/-B3'
· As far as we know, this album is currently out of print and unavailable on Compact Disc, or in any other format.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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Bobbie Gentry seized the opportunities afforded her by a smash debut single by designing her second album as a quasi-autobiographical portrait of the American South. Gentry nodded at her ambition by naming the LP The Delta Sweete, a title that suggests a set of interconnected songs, if not quite a concept album. The Delta Sweete doesn't deliver a unified narrative, it's a collection of short stories offering variations on a particular theme -- namely, the peculiarities of the South. It's no coincidence that Southern eccentricities flourished on "Ode to Billie Joe," her runaway 1967 hit. In a sense, The Delta Sweete functions as an explicit sequel to "Ode to Billie Joe," trading upon keenly observed vignettes and languidly funky rhythms, elements that underpin the LP's 12 songs, whether they're written by Gentry or not. A quarter of the album is dedicated to covers, and they're not left-field choices, either. "Big Boss Man" is a Jimmy Reed tune that had just been recorded by both Charlie Rich and Elvis Presley, the blues standard "Parchman Farm" became a '60s standard after being adapted by Mose Allison, John D Loudermilk's "Tobacco Road'' was turned into a garage rock standard by the British group the Nashville Teens, and Doug Kershaw's "Louisiana Man" was well on its way to becoming a country classic in 1968. Gentry doesn't replicate the original arrangements of these at all, she breaks them open and expands them in a fashion that exists somewhere between psychedelic pop and Las Vegas revue. The Delta Sweete occupies that place as a whole, alternating between showstopping extravaganzas and genuinely trippy looks inward. This curious blend didn't find an audience in 1968; it nearly upended Gentry's career, failing to generate a hit and stalling at 132 on Billboard's Top 200. Belonging neither to the mainstream nor the counterculture, The Delta Sweete is a beguiling oddity that's simultaneously ornate and spooky. Over the years, it deservedly found its cult
(EXCERPT FROM AN ONLINE REVIEW BY STEPHEN THOMAS ERLEWINE, ALL MUSIC GUIDE /ALLMUSIC.COM/)
Light-hearted blue-eyed pop soul (reminding me at some times of a less-psychedelic Linda Perhacs and at other times ever-so-slightly of Laura Nyro, though less... Nyro-y - and "Louisiana Man" nearly screams Roger Miller to me). Only sporadic percussion here - instead the focus is on guitar, backing brass, some strings, some harmonica, and of course Bobbie's playful vocals. There's definitely a folk element to this album, though the soul aspect is the more dominant. Overall very relaxing in its way.
It's a pleasant set of songs without any real surprises (at least from what I would expect on an album released in '68), which I suspect was the point - this probably wasn't looking to push boundaries so much as be an enjoyable listen.
P.S.: The two tracks which stuck out most here for me were "Mornin' Glory," "Refractions," and nicely autumnal closer "Courtyard" - for what it's worth.
(EXCERPT FROM AN ANONYMOUS ONLINE REVIEW)
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· CONDITION:
· THE RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS (WEAK) NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs - are (barely) visible, but are probably inaudible, and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.
(b) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· THE COVER
COVER IS NEAR MINT, STILL IN ITS ORIGINAL ►SHRINK WRAP (A SMALL PIECE OF SHRINK WRAP IS MISSING)
The following flaws or imperfections are noted on the cover:
- Cover shows JUST A HINT of yellowing on both sides, apparently from aging.
- Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 1.
NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE COVER
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POSTAGE & SHIPPING:
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(1) The year indicated in the title bar is the year of the original release, NOT necessarily the year of the actual pressing; for the actual generation of the pressing, please see our item description (top section, the text in red letters). (2) Please do NOT bid based on the title bar, subtitle bar or item specifics box alone; instead, please read the entire description before bidding; (3) Absolutely NO order cancellations after the auction closes. ever, under any circumstances. We can ONLY cancel bids before the item closes. (4) We are unable to provide matrix-, stamper- or other pressing information in the final 24 hours of the auction. (5) All disagreements and miscommunications can be - and will only be - solved in a civil and mutually respectful manner; please avoid puerile, offensive, abrasive or menacing language (6) This seller will accommodate all reasonable requests and - unless seriously molested - is generally a flexible, pragmatic and agreeable person.
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