BREAD LOVE AND DREAMS - CAPTAIN SHANNON LP DECCA 1971
  £   33
  $   44

 


£ 33 Sold For
Jan 2, 2011 Sold Date
Dec 23, 2010 Start Date
£   5 Start price
7   Number Of Bids
  Great Britain Country Of Seller
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Description

BREAD LOVE AND DREAMS- THE STRANGE TALE OF CAPTAIN SHANNON AND THE HUNCHBACK FROM GIGHA

DOUBLE LP ON SPANISH DECCA DCS 15015 FROM 1971
Another acid-folk act coming from Scotland, this time Edinburgh, BREAD LOVE AND DREAM was a trio lead by Glaswegian David McNiven, joining in with a two-women act: Carolyn Davis on guitar and Angie Rew on flute and lead vocals. They toured around Scotland for a while and started a loyal local following, but they sounded much influenced by another Scot act THE INCREDIBLE STRING BAND, which was not surprising since they ruled acid folk and it was not the first band inspired by ISB: indeed the Irish Dr STRANGELY STRANGE sounds much like BL&D.

Spotted by Decca staff Ray Horricks at the Edinburgh Festival in 68, they were brought down to London by him to record their first album and it was released in early 69. This self-titled album contained some acid folk with some string arrangements, but the market being flooded by such albums, it sold poorly, enticing guitarist Carolyn Davis to quit.

Decca wanted to cut the band from its roster, but Horricks held good and the group was grudgingly allowed a second chance. Aware of this BL&D first went on the road (sharing stages with MAGNA CARTA and TYRANOSAURUS REX) and wrote new material for their upcoming album. It was during this time that BL&D developed a working project with the Traverse Theatre Group in Edinburgh. Their director Max Stafford wanted McNiven to adapt one of his pieces Mother Earth to the stage actors. It eventually became Amaryllis, given a twist of name. This piece was then performed in Edinburgh, then London, than on a European tour (Scandinavia, Benelux, France & Spain) to apparently great acclaim.

Although reassured of their recent successes, but still not well with Decca, BL&D recorded over 5 days in the summer of 70 two albums' worth of material with a bunch of added guests (including THE PENTANGLE's bassist Danny Thompson and drummer Terry Cox); they even considered releasing a double album (ala ISB's Wee Tam & The Big Huge), but Decca decided against it. Strange Tales Of Captain Shannon was therefore released fall of 70 to critical acclaim, and it contained the lengthy title track that was again in the ISB mould.

BOTH RECORDS ARE IN EXCELLENT CONDITION,  A GOOD GLOSSY VINYL WITH A NAME WRITTEN FAINTLY ON THE LABEL

 

GATEFOLD  COVER IS FINE ON FRONT AND BACK BUT THERE IS SOME WATER DAMAGE ON THE INSIDE, AT SOME TIME A DRINK HAS BEEN SPILLED ON THE OPEN COVER

PLEASE NOTE- ANY OVERSEAS ITEMS WITH VALUE OF £25.00 OR MORE WILL INCUR AN EXTRA £3.00 POSTAGE CHARGE FOR SIGNED FOR DELIVERY

POSTAGE

UK= £3.00

EUROPE= £4.00

USA, JAPAN AND REST OF WORLD = £6.50

 

GRADINGS

 

MINT                         The record itself is in brand new condition with no surface marks or deterioration in sound quality.  The cover and any extra items such as lyric sheet, booklet or poster are in perfect condition.  Records advertised, as Sealed or Unplayed will be mint.

EXCELLENT             The record shows some signs of having been played, possibly with light surface marks but there will be very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.

VERY GOOD +         The record may have scuff marks and signs of some wear but will still play almost perfectly throughout, with only barely detectable crackles or pops.  A slight noise at the beginning is allowable, but the remainder must be nearly flawless.  Definitely no scratches or gouges that a touch with a dry finger can feel. The cover may only have the slightest signs of normal wear.

VERY GOOD            The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

GOOD                        The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches.  The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.

ALL RECORDS ARE PACKED IN PROPER MAILERS WITH STIFFENERS




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