BREAKING GLASS Film Soundtrack OST LP Hazel O'Connor 1980 Jon Finch Dodi Fayed
£
20
$
27
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Description
Here I have for sale the UK release of the soundtrack to ‘Breaking Glass’ (1980), by Hazel O'Connor.
Hazel O'Connor ?– Breaking Glass (1980)
Songs from the soundtrack of the motion movie 'Breaking Glass’
Condition (refer also to notes at bottom):
Vinyl – G-VG. A wonderfully clean surface with just a few hairlines and scuffs on close visual inspection. Played just pre-listing and sound clarity is very good. Some light surface noise between tracks and start of each side but vocals are very bright. No skipping, jumping or sticking.
Outer sleeve (cover) – F-G. Significant corner and edge wear as well as a tear in top right corner by spine. Spine is split and rubbed. Aperture is intact but shows wear. Lots of creases and a significant bend in the bottom left corner. Disc outline on top and bottom of front. Short and long vein-like creasing is evident on both sides. Intact overall.
Inner Sleeve – EX. Original. White paper with curved aperture corners. Some creasing and folds but clean and intact. Printed blue text on one side.
Label: A&M Records ?– AMLH 64820
Format: Vinyl, LP, Album
Country: UK & Europe
Released: 1980
Genre: Electronic, Rock, Stage & Screen, Pop, Vocal
Style: Soundtrack, New Wave, Synth-pop, Theme, Contemporary
Tracklist
A1. Writing On The Wall. 3:20
A2. Monsters In Disguise. 3:22
A3. Come Into The Air. 3:42
A4. Big Brother. 3:04
A5. Who Needs It. 3:09
A6. Will You. 4:49
B1. Eighth Day. 3:11
B2. Top Of The Wheel. 3:15
B3. Calls The Tune. 3:00
B4. Blackman. 3:44
B5. Give Me An Inch. 3:08
B6. If Only. 4:15
Phonographic Copyright (p) – A&M Records Ltd.
. Copyright (c) – A&M Records Ltd.
. Published By – Albion Music Limited
. Recorded At – Good Earth Studios
. Mixed At – Good Earth Studios
. Pressed By – PRS Ltd.
. Lacquer Cut At – Utopia Studios
. Bass – Rick 'Pinky' Ford
. Design, Art Direction – Chuck Beeson
. Drums, Percussion – Andy Duncan
. Engineer – Gordon Fordyce, Kit Woolven, Tony Visconti
. Executive-Producer – Dodi Fayed
. Guitar, Keyboards, Vocals – Bob Carter
. Keyboards, Vocals – Hazel O'Connor, Tony Visconti
. Photography By – George Whitear
. Producer, Arranged By – Tony Visconti
. Saxophone – Wesley McGoogan*
. Written-By – Hazel O'Connor
Rights Society: MCPS/BIEM
Matrix / Runout (Label A): AMLH 64820-A
Matrix / Runout (Label B): AMLH 64820-B
Matrix / Runout (Runout A): AMLH 64820 A//2 ?42 0 U 1 2 1
Matrix / Runout (Runout B): AMLH 64820 B//2 ?4 20 U 1 1 6
–––––––––––––––––––
Postage and packaging FREE to UK.
Will post worldwide.
Europe (Royal Mail International Standard) – £6.50.
Europe (Royal Mail International Tracked and Signed) – £11
N and S America, USA, Canada (Royal Mail International Standard) – £9
Asia, Australia, Japan (Royal Mail International Standard) – £11.
Sorry but no returns are accepted.
Payment by cheque (UK only) or Paypal please.
Please see my other soundtrack listings.
Thanks for looking and happy eBaying!
ITEM CONDITION - items are graded according to Record Collector definitions - see below:
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.
VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.
FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.
POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
BAD: The record is unplayable or might even be broken, and is only of use as a collection filler.
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