BRIAN JONES (ROLLING STONES) PIPES OF PAN AT JOUJOUKA RARE ORIG '71 LP w/INSERT

$

47

WE CURRENTLY HAVE  NEARLY 500   LISTED ITEMS

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·       BRIAN JONES (THE ROLLING STONES’ GUITAR MAN) – BRIAN JONES PRESENTS THE PIPES OF PAN AT JOUJOUKA - ORIGINAL 1971 ROLLING STONES RECORDS STEREO LP COC-49100

·       ORIGINAL U.S. PRESSING

·       ORIGINAL GREEN AND GREY "ROLLING STONES RECORDS" CUSTOM LABEL, UNIQUE TO THIS TITLE 

·       The bidders should note that this is a rare ORIGINAL George Piros-mastered pressing of this album, with his initials “GP” (George Piros) etched in the trail-off vinyl of the disc.

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       INCLUDES RARE ORIGINAL INSERT / BOOKLET

·       THICK CARDBOARD GATEFOLD COVER, AMERICAN STYLE.

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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In 1968 Brian Jones of the Rolling Stones traveled to Morocco and taped parts of music at the Rites of Pan Festival. It's uncertain whether this should be considered a Brian Jones album, or an album by the Pipes of Pan at Jajouka, or an album by the Master Musicians of Jajouka, as the performers on this recording are most commonly known in the West. The important thing to know is that it's a document of Moroccan traditional music that achieves trance-like effects through its hypnotic, insistent percussion, eerie vocal chanting, and pipes. Originally divided into two untitled, unbroken LP sides (although these are broken down and officially titled on the CD reissue), it should be kept in mind that these are merely edited excerpts of performances which can last for hours, and thus they offer only a taste of the live event. Although the first part in particular builds and builds in relentless energy to whirling climaxes, there are discrete and different performances here, some featuring female chants, others less intense male vocals, and others passages of unaccompanied instruments which sound like flutes (credits and details on the original release are sparse). While this music had been performed in this fashion for a long time before Jones documented it, this was among the first of such recordings to receive reasonably wide exposure (although it was released after Jones' death) in Europe and North America. Thus this recording anticipated the wider popularity of trance-like music among both electronic rock and progressive African musicians later in the 20th century.

 (EXCERPT FROM AN ONLINE REVIEW BY RICHIE UNTERBERGER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For additional historical or discography information on this album, including track listing ►click here

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)          The album comes with the original insert still intact.

(c)             The record comes in a poly-lined inner sleeve, which has - apparently with success - shielded the vinyl from the harmful impact of elements over many years!

(d)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3

-         Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-         Cover shows some light yellowing on both sides, apparently from aging   (nothing significant).

-         Small (BARELY VISIBLE) glue stain noted on the front panel 126-

-         Cover has a few tiny wrinkles along the spine

-         Minor shelf wear noted on the seams (nothing significant)

-         Cover has two corners slightly worn / dinged  (nothing significant)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No writing

-        No stamps

-        No peel-off marks

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No bar codes

-        No RIAA stamps or stickers. 

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