BRIAN JONESTOWN MASSACRE "Strung Out In Heaven" RARE Sealed 1998 Psych Rock LP
$
65
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Description
The Brian Jonestown Massacre / Strung Out In Heaven - TVT Records TVT-5780-1 (US)(1998) ...This auction is for a factory sealed, original issue Record on (US) vinyl. This record is out of print and no longer available.
Settling into a blissfully psychedelic drift, Strung Out in Heaven opts not for the Stones-inspired direction of before but for Byrds-like guitars, muffled drums and pulsating Hammond organ lines, all topped off by Anton Newcombe's half-stoned, half-shamanic vocals; thanks to standout tracks like "Going to Hell," "Wasting Away" and "Maybe Tomorrow," the cumulative impact makes for the Brian Jonestown Massacre's most mature outing yet, evoking a kind of narcotic euphoria perfectly in keeping with the album's title.
Detailed item info
Album Features UPC: 016581578012 Artist: The Brian Jonestown Massacre Format: LPRelease Year: 1998 Record Label: TVT Records (Dist.) Genre: Rock 'N' Roll, Rock, Psych
Track Listing
(Side One)
1. Going to Hell
2. Let's Pretend It's Summer
3. Wasting Away
4. Jennifer
5. Got My Eye on You
6. Nothing to Lose
7. Love
(Side Two)
1. Maybe Tomorrow
2. Spun
3. I've Been Waiting
4. Dawn
5. Lantern
6. Wisdom
Details Producer: Mark Dutton, Anton Newcombe Distributor: TVT Records (Dist.) Recording Type: Studio Recording Mode: Stereo
Album Notes
Personnel: Miranda Richards (vocals, flute); Norm Block, Adam Hamilton, Anton Newcombe (drums).Audio Mixer: Rob Jacobs.Recording information: 1998.Unknown Contributor Roles: Dean Taylor; Anton Newcombe; Matt Hollywood.It's with typical perversity that the Brian Jonestown Massacre makes the leap from the indie ghetto into the majors with their least immediate, most restrained record to date; given time to sink in, however, Strung Out in Heaven proves as engaging as their past efforts, with a focus and cohesiveness often lacking from their more visceral work. Settling into a blissfully psychedelic drift, the album opts not for the Stones-inspired raunch of before but for Byrds-like guitars, muffled drums and pulsating Hammond organ lines, all topped off by Anton Newcombe's half-stoned, half-shamanic vocals; thanks to standout tracks like "Going to Hell," "Wasting Away" and "Maybe Tomorrow," the cumulative impact makes for the BJM's most mature outing yet, evoking a kind of narcotic euphoria perfectly in keeping with the album's title.
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