BRIAN MAY " BACK TO THE LIGHT " ROCK VINYL LP 1992 EXCELLENT

	£		20
	$		26

YOU ARE BIDDING ON A FABULOUS SOUGHT AFTER ROCK VINYL LP FROM 1992

BRIAN MAY " BACK TO THE LIGHT "

A1 –Brian May The Dark Engineer [Material From 1980] – Alan Douglas (2)Written-By – May* A2 –Brian May Back To The Light Backing Vocals – Gill O'Donovan, Maggie Ryder, Miriam Stockley, Suzie O'ListBass – Gary TibbsDrums – Cozy PowellEngineer [First Ideas] – Brian Zellis, Pete SchwierWritten-By – May* A3 –Brian May Love Token Bass – Neil MurrayDrums – Cozy PowellPiano – Mike MoranWritten-By – May* A4 –Brian May With Cozy Powell Resurrection Drums – Cozy PowellEngineer [Material] – Leis Masses*, Sean LynchKeyboards [Extra] – Don AireyLyrics By – May*Music By – May*, Powell*, Page* A5 –Brian May Too Much Love Will Kill You Written-By – May*, Lamers*, Musker* A6 –Brian May Driven By You Recorded By, Mixed By, Co-producer – David RichardsWritten-By – May* B1 –Brian May Nothin' But Blue Bass – John DeaconDrums – Cozy PowellEngineer [Material] – Leis Masses*, Sean LynchKeyboards [Extra] – Don AireyLyrics By – May*Music By – May*, Powell* B2 –Brian May I'm Scared (Justin's Mix '92) Bass – Neil MurrayDrums – Cozy PowellEngineer [Material, Assistant] – Richard EdwardsEngineer [Material] – Pete SchwierWritten-By – May* B3 –Brian May Last Horizon Keyboards – Mike MoranRecorded By [Material] – David RichardsWritten-By – May* B4 –Brian May Let Your Heart Rule Your Head Backing Vocals – Gill O'Donovan, Suzie O'ListBass – Gary TibbsDrums – Geoff DugmoreEngineer [Material, Assistant] – Richard EdwardsEngineer [Material] – Pete SchwierWritten-By – May* B5 –Brian May Just One Life Engineer [Material] – David RichardsWritten-By – May* B6 –Brian May Rollin' Over Backing Vocals – Maggie Ryder, Miriam StockleyBass – Gary TibbsDrums – Geoff DugmoreEngineer [Material, Assistant] – Richard EdwardsEngineer [Material] – Pete SchwierPiano – Mike MoranVocals [Additional], Backing Vocals – Chris ThompsonWritten-By – Lane*, Marriot*

LABEL: PARLOPHONE 0777 7 80400 1 9
YEAR: 1992

VINYL CONDITION: EXCELLENT
SLEEVE CONDITION: EXCELLENT TEXTURED SLEEVE
 INNER LYRIC SLEEVE INCLUDED IT HAS SOME LIGHT SPOTTING 



The seven standard condition categories, and a description of what each one means, are listed below:

MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint. 

EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing. 

VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.

FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.

POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.

BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.


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