BROWNIE McGHEE (BLIND BOY FULLER #2) BLUES 78 OKEH 6329
  £   27
  $   36

 


£ 27 Sold For
Nov 15, 2010 Sold Date
Nov 5, 2010 Start Date
£   18 Start price
3   Number Of Bids
  Great Britain Country Of Seller
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Description

A SUPERB BLUES 78 FROM BROWNIE McGHEE (BLIND BOY FULLER #2) ON THE ORIGINAL US OKEH LABEL

Brownie McGhee's death in 1996 represents an enormous and irreplaceable loss to the blues field. Although he had been semi-retired and suffering from stomach cancer, the guitarist was still the leading Piedmont-style bluesman on the planet, venerated worldwide for his prolific activities both on his own and with his longtime partner, the blind harpist Sonny Terry.

Together, McGhee and Terry worked for decades in an acoustic folk-blues bag, singing ancient ditties like "John Henry" and "Pick a Bale of Cotton" for appreciative audiences worldwide. But McGhee was capable of a great deal more. Throughout the immediate postwar era, he cut electric blues and R&B on the New York scene, even enjoying a huge R&B hit in 1948 with "My Fault" for Savoy (Hal "Cornbread" Singer handled tenor sax duties on the 78).
Walter Brown McGhee grew up in Kingsport, TN. He contracted polio at the age of four, which left him with a serious limp and plenty of time away from school to practice the guitar chords that he'd learned from his father, Duff McGhee. Brownie's younger brother, Granville McGhee, was also a talented guitarist who later hit big with the romping "Drinkin' Wine Spo-Dee-O-Dee"; he earned his nickname, "Stick," by pushing his crippled sibling around in a small cart propelled by a stick.


A 1937 operation sponsored by the March of Dimes restored most of McGhee's mobility. Off he went as soon as he recovered, traveling and playing throughout the Southeast. His jaunts brought him into contact with washboard player George "Oh Red" (or "Bull City Red") Washington in 1940, who in turn introduced McGhee to talent scout J.B. Long. Long got him a recording contract with OKeh/Columbia in 1940; his debut session in Chicago produced a dozen tracks over two days.


Long's principal blues artist, Blind Boy Fuller, died in 1941, precipitating Okeh to issue some of McGhee's early efforts under the sobriquet of Blind Boy Fuller No. 2. McGhee cut a moving tribute song, "Death of Blind Boy Fuller," shortly after the passing. McGhee's third marathon session for OKeh in 1941 paired him for the first time on shellac with whooping harpist Terry for "Workingman's Blues."

The pair resettled in New York in 1942. They quickly got connected with the city's burgeoning folk music circuit, working with Woody Guthrie, Pete Seeger, and Lead Belly. After the end of World War II, McGhee began to record most prolifically, both with and without Terry, for a myriad of R&B labels: Savoy (where he cut "Robbie Doby Boogie" in 1948 and "New Baseball Boogie" the next year), Alert, London, Derby, Sittin' in With and its Jax subsidiary in 1952, Jackson, Bobby Robinson's Red Robin logo (1953), Dot, and Harlem, before crossing over to the folk audience during the late '50s with Terry at his side. 

 McGhee and Terry were among the first blues artists to tour Europe during the 1950s, and they ventured overseas often after that. Their plethora of late-'50s/early-'60s albums for Folkways, Choice, World Pacific, Bluesville, and Fantasy presented the duo in acoustic folk trappings only, their Piedmont-style musical interplay a constant (if gradually more predictable) delight.
McGhee didn't limit his talents to concert settings. He appeared on Broadway for three years in a production of playwright Tennessee Williams's Cat on a Hot Tin Roof in 1955 and later put in a stint in the Langston Hughes play Simply Heaven. Films (Angel Heart, Buck and the Preacher) and an episode of the TV sitcom Family Ties also benefited from his dignified presence.

 

DISC DETAILS:

US OKEH 06329 10" 78rpm 

BROWNIE McGHEE      WITH SONNY TERRY - HARMONICA  AND BULL CITY RED - WASHBOARD

A SIDE:-   DEALING WITH THE DEVIL 

B SIDE:-   MILLION LONESOME WOMEN

CONDITION - M- / EX+           WONDERFIUL COPY   - A SLIGHT LABEL FADE ON SIDE 2

 

 

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 10" 78 RPM RECORDS NEED CAREFULLY PACKING, AND I CLAIM TO HAVE THE BEST PACKAGING IN THE WORLD FOR DISPATCHING THEM!!

THE GREG'S GREAT'S SYSTEM CONSISTS OF A SPECIALLY DESIGNED INNER BOX MADE OUT OF 1" THICK POLYSTYRENE, WHICH THEN GOES INSIDE A DOUBLE CORREGATED STIFF OUTER CARDBOARD CARTON. THE BOXES CAN TAKE UP TO 21 RECORDS,

USUALLY FOR MAILING OVERSEAS, I RECOMMEND NO MORE THAN 7 IN A BOX, OTHERWISE IT GOES OVER THE AIRMAIL SMALL PACKET MAXIMUM WEIGHT OF 2Kgs WHICH CAUSES A LARGE HIKE IN POSTAL RATES.

 

I SEND OUT ON AVERAGE ABOUT 30 PARCELS A WEEK AND DISPATCH IS NORMALLY DONE ONCE A WEEK - SO IF YOU DON'T GET YOUR RECORD WITHIN A WEEK IN THE UK, PLEASE DON'T BE TOO SURPRISED - YOU MAY HAVE JUST PAID FOR IT THE DAY AFTER I'VE DONE THE PARCEL RUN!! - ON THE OTHER HAND YOU MAY HAVE HIT IT LUCKY, AND GET THE PARCEL WITHIN A DAY OR TWO!! 

 

IF YOU REALLY HAVE AN URGENT REQUIREMENT FOR THE RECORD - BIRTHDAY PRESENT, WEDDING, FUNERAL etc PLEASE TELL ME AND I WILL DO MY BEST TO GET IT OUT FOR YOU URGENTLY.

 

IF A RECORD ARRIVES CRACKED OR BROKEN DESPITE MY BEST EFFORTS WITH THIS FANTASTIC PACKAGING I WILL REFUND THE MONEY IN FULL. - JUST SEND ME A QUICK SCAN - IF IT IS A VERY RARE RECORD I MAY ASK YOU TO SEND IT BACK OTHERWISE IT WILL BE YOURS TO KEEP OR DISPOSE OF.

 

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