BRUCE SPRINGSTEEN - LIVE IN NEW YORK CITY -NM -Vinyl LP
£
54
$
72
Favourite Auctions
To save auctions to your favourites, please login
If you don't have an account, please register
Description
BRUCE SPRINGSTEEN
and
THE E STREET BAND
"LIVE IN NEW YORK CITY "
TRIPLE ALBUM
Triple Gatefold sleeve
Vinyl LP's
2001 original release vinyl LP on the COLUMBIA record label Cat n# COL 500000-1000 Made in EUROPE/ENGLAND Matrix N# 1A1/1B1/1C1/1D1/1E1/1F1
The album cover is in NM/MINT condition. No problems, . the inner sleeve's are in MINTcondition.
The vinyl itself is in NM/MINT condition. This LP has only been played once, the whole package is in as new condition.
DISCOUNT RATES FOR MULTIPLE LP'S
These rates are calculated taking into consideration the Shipping/Postage for the destination of the LP's
UK - discount of £1.70 for each additional LP after the first at full price, NO ADDITIONAL SHIPPING ADDED
EUROPE - discount of £1.30 for each additional LP after the first at full shipping price, NO ADDITIONAL SHIPPING ADDED AFTER THE FIRST
REST OF THE WORLD - no discount of £0.0 for each additional LP after the first at full shipping price, NO ADDITIONAL SHIPPING ADDED AFTER THE FIRST
If you have a double or triple LP in your order i shall use that as your first full price LP.
If you are not fully satisfied you may return this album with a full refund inc postage.
If you need anymore information and pictures please get in touch, thanks.
Sorry if the shipping charges seem a bit high, the reason being i use heavy/strong packaging
THIS IS AS GOOD EXAMPLE OF WELL LOOKED AFTER OLD LP RECORD
Full track list
Side One
My Love Will Not Let You Down
Prove It All Night
Two Hearts
Atlantic City
Side Two
Mansion on the Hill
The River
Youngstown
Side Three
Murder Incorporated
Badlands
Out in the Street
Side Four
Tenth Avenue Freeze-Out
Land of Hope and Dreams
Side Five
American Skin (41 Shots)
Lost in the Flood
Born in the U.S.A.
Don't Look Back
Side Six
Jungleland
Ramrod
If I Should Fall Behind
The Band
Bruce Springsteen - lead vocals, electric guitar (most lead guitar parts), acoustic guitar, harmonica, rare piano
Roy Bittan – piano, synthesizer
Clarence Clemons – saxophone, percussion, background vocals
Danny Federici – organ, electronic glockenspiel, accordion
Nils Lofgren – electric guitar (some lead guitar parts), acoustic guitar, pedal steel guitar, background vocals
Patti Scialfa - acoustic guitar, background vocals, some featured duet vocals
Garry Tallent – bass guitar, upright bass
Steven Van Zandt – electric guitar (occasional lead guitar parts), mandolin, background vocals
Max Weinberg – drums .
Editorial Reviews
Amazon.com
If Bruce Springsteen & the E Street Band were a playground basketball team they'd be the one made up of local legends that don't have as much spring in their legs as the young bucks, but get by on guts and guile. Culled from the two Madison Square Garden shows that closed out the revived E Street Band's 1999-2000 road show, this 20-song collection deftly entwines fan favorites with fresher material, including two new offerings, the stately "Land of Hope and Dreams" and the solemn "American Skin"--the latter prompted by the shooting of unarmed New Yorker Amadou Diallo by police officers. When Springsteen and company (including both Miami Steve Van Zandt and his successor, Nils Lofgren, on guitar) look back, they temper the force of the original arrangements with ingenuity and a sense of spacing. The E Street Band in their heyday may have served up four-hour marathons, but they felt stopwatch-tight. Here Springsteen reconciles his rocker and reflective sides as "The River" curves along through a serpentine course, "Mansion on the Hill" is given a curious (albeit lovely) Hawaiian treatment, and "Born in the U.S.A." resurfaces as a deep-blues lament. The gang can still muster a take-no-prisoners attack, as witnessed by the hard-charging likes of "Two Hearts" and "Tenth Avenue Freeze-Out." --Steven Stolder
ROLLING STONE REVIEW
With a repeated refrain of "forty-one shots," the voices of Bruce Springsteen and the E Street Band transformed two words from a police report into a mantra of mourning last summer. Their reunion tour was ending in New York, the city where an unarmed African immigrant, Amadou Diallo, had been gunned down by police officers the year before, and passions were high after the shooters were absolved. "American Skin," the song Springsteen wrote in response, doesn't try to separate villains from victims so much as bear witness to the aftershocks: the way a society's slow-burn disbelief turns to outrage, then grief.
The inclusion of "American Skin," one of Springsteen's finest songs, alone justifies the release of Live in New York City, a nineteen-song double CD of the singer's first tour with the E Streeters in more than a decade. A few concert standards merely rehash Springsteen's glory days ("Prove It All Night," "Jungleland"), while some of the new arrangements struggle to better the originals (the moody intro and coda that cause "The River" to meander, the lengthy band introductions that bloat "Tenth Avenue Freeze-Out").
But revelations abound: Max Weinberg's demon drumming turns "My Love Will Not Let You Down," an early-Eighties leftover, into a rampaging opener; "Two Hearts" allows duet partners Springsteen and Steven Van Zandt to pay homage to the Marvin Gaye-Kim Weston Motown classic "It Takes Two"; Nils Lofgren's six-string rave-up drops a bomb on the relatively sedate studio version of "Youngstown"; and the slide-guitar voicings on a stark, howling "Born in the U.S.A." evoke both the Far East and Mississippi. These performances make Live in New York City more than just a souvenir of a nostalgia tour; it's a document of a great combo still burning to outdo itself.
GREG KOT (Posted: Jul 30, 2002) .
Thanks for taking the time to look at this auction
RECORD COLLECTOR GRADING SYSTEM
In order to assist everyone who buys and sells rare discs, Record Collector magazine has originated a set of standards for the condition
of second-hand records, cassettes and CDs. Anyone buying or selling records through the magazine must use our conditions to state what
amount of wear and tear the disc, its sleeve and/or contents have been subject to. The seven standard condition categories, and a description
of what each one means, are listed below:
MINT: The record itself is in brand new condition with no surface marks
or deterioration in sound quality. The cover and any extra items such
as the lyric sheet, booklet or poster are in perfect condition. Records
advertised as Sealed or Unplayed should be Mint.
EXCELLENT: The record shows some signs of having been played, but there
is very little lessening in sound quality. The cover and packaging
might have slight wear and/or creasing.
VERY GOOD: The record has obviously been played many times, but
displays no major deterioration in sound quality, despite noticeable
surface marks and the occasional light scratch. Normal wear and tear on
the cover or extra items, without any major defects, is acceptable.
GOOD: The record has been played so much that the sound quality has
noticeably deteriorated, perhaps with some distortion and mild
scratches. The cover and contents suffer from folding, scuffing of
edges, spine splits, discoloration, etc.
FAIR: The record is still just playable but has not been cared for
properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
POOR: The record will not play properly due to scratches, bad surface
noise, etc. The cover and contents will be badly damaged or partly
missing.
BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
price rating