BRUCE SPRINGSTEEN 'The Ghost Of Tom Joad' ORIGINAL 1995 U.S. LP NM+ Audio Not Re
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Description
EVERYTHING'S EVENTUAL VINYL
**ORIGINAL FIRST PRESS 1995 U.S. LP**
**BRUCE SPRINGSTEEN**
**THE GHOST OF TOM JOAD**
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Bruce Springsteen ?– The Ghost Of Tom Joad
Label: Columbia ?– C 67484 Format: Vinyl, LP, AlbumCountry: US Released: 1995 Genre: Rock Style: Folk Rock, Pop Rock
TracklistHide Credits
A1 The Ghost Of Tom Joad Bass – Gary Tallent*Drums – Gary MallaberKeyboards – Danny FedericiPedal Steel Guitar – Marty RifkinVocals, Guitar, Harmonica – Bruce Springsteen 4:23 A2 Straight Time Bass – Jim HansonDrums, Percussion – Gary MallaberKeyboards – Danny FedericiPedal Steel Guitar – Marty RifkinViolin – Soosie Tyrell*Vocals, Guitar – Bruce Springsteen 3:25 A3 Highway 29 Vocals, Guitar, Keyboards – Bruce Springsteen 3:39 A4 Youngstown Bass – Jim HansonDrums, Percussion – Gary MallaberKeyboards – Chuck PlotkinPedal Steel Guitar – Marty RifkinViolin – Soosie Tyrell*Vocals, Guitar – Bruce Springsteen 3:52 A5 Sinaloa Cowboys Vocals, Guitar, Keyboards – Bruce Springsteen 3:51 A6 The Line Vocals, Guitar, Keyboards – Bruce Springsteen 5:14 B1 Balboa Park Vocals, Guitar, Keyboards – Bruce Springsteen 3:19 B2 Dry Lightning Bass – Gary Tallent*Drums – Gary MallaberKeyboards – Danny FedericiViolin – Soosie Tyrell*Vocals, Guitar – Bruce Springsteen 3:30 B3 The New Timer Vocals, Guitar – Bruce Springsteen 5:45 B4 Across The Border Backing Vocals – Lisa Lowell, Patti ScialfaBass – Jennifer CondosDrums – Gary MallaberKeyboards, Accordion – Danny FedericiPedal Steel Guitar – Marty RifkinViolin, Backing Vocals – Soosie Tyrell*Vocals, Guitar, Harmonica – Bruce Springsteen 5:24 B5 Galveston Bay Vocals, Guitar, Keyboards – Bruce Springsteen 5:04 B6 My Best Was Never Good Enough Vocals, Guitar, Keyboards – Bruce Springsteen 2:00Companies, etc.
- Phonographic Copyright (p) – Bruce Springsteen
- Copyright (c) – Bruce Springsteen
- Manufactured By – Columbia Records
- Recorded At – Thrill Hill Recording
- Mixed At – Thrill Hill Recording
- Mastered At – A&M Mastering Studios
Credits
- Art Direction – Sandra Choron
- Artwork [Production] – Harry Choron
- Contractor [Musicians Contracts] – Shari Sutcliff*
- Cover [Cover Art] – Eric Dinyer
- Management – Barbara Carr (2), Jan Stabile, Jon Landau, Jon Landau Management
- Mastered By – Dave Collins
- Photography By [Interior Photographs] – Pam Springsteen*
- Producer – Bruce Springsteen, Chuck Plotkin
- Recorded By [Assistant] – Greg Goldman
- Recorded By, Mixed By – Toby Scott
- Research – Terry Magovern
- Songwriter [Songs By] – Bruce Springsteen
- Technician [Technical Maintenance] – Gary Myerberg
Notes
Recorded and mixed at Thrill Hill.Mastered at A&M Mastering Studios, L.A.
© 1995 Bruce Springsteen / ? 1995 Bruce Springsteen
Packaged in a standard cover with a custom inner sleeve printed with lyrics and credits.
Barcode and Other Identifiers
- Barcode (text): 0 7464-67484-1 1
- Barcode (string): 074646748411
- Matrix / Runout (Side A runout etched): AL-67484-1B
- Matrix / Runout (Side B runout etched): BL-67484-1A
- Rights Society: ASCAP
Tracks Include : see above
CONDITION
Jacket: NM- (includes lyric insert)
Vinyl: Side 1: NM++ Side 2: NM+
ORIGINAL 1995 U.S. PRESS
****THE GHOST OF TOM JOAD****
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Grading records is not a ‘Scientific’ exercise, instead it is a subjective activity. I do my best to listen carefully to both sides of the record before grading based on the listening experience. Flaws, if any, that I hear will be reflected in the grade rating, and if noteworthy, will be mentioned. The nature of how records are played (i.e. physical contact between the moving grooves and the stylus tip) makes it a medium where flaws are often inherent in the process. Also, please keep in mind that there may well be subtle differences between turntables. Records are not the ‘sterile’ medium of CDs. Flaws generally range from somewhat normal quiet background noise in run-ins between tracks to more serious issues such as pressing flaws, groove wear, skips, repeats and long scratches producing consistent ticks or pops.
I try to follow a grading system similar to Goldmine where I will have NM, NM-, VG+, VG, VG- etc. I may also have combinations such as VG+/NM-. Generally, I do not sell records below the VG+ rating unless somewhat rare, in which case I will point out the issues.
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