BUD POWELL+PAUL CHAMBERS SCENE CHANGES RARE ORIG'59 BLUE NOTE MONO LP VERY NICE
  $   225

 


$ 225 Sold For
Dec 9, 2018 Sold Date
Dec 2, 2018 Start Date
$   25 Start price
11   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

WE CURRENTLY HAVE  MORE THAN 400  LISTED ITEMS

 

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IMPORTANT DISCLOSURE TO THE BLUE NOTE COLLECTORS AND POTENTIAL BIDDERS:  WE DO NOT NOW, NEVER DID AND NEVER WILL USE ANY BLUE NOTE GUIDE(S) OR SO-CALLED "BLUE NOTE BIBLES" OR DUBIOUS OVERSEAS SOURCES OF LITTLE CREDIBILITY TO ASSESS THE GENERATION OF ANY BLUE NOTE PRESSING. IN ADDITION, WE WILL NEVER WEIGH OUR BLUE NOTE (OR ANY OTHER) RECORDS FOR NANOGRAM WEIGHT VARIANCES, AND WE WILL NEVER USE RADIOACTIVE CARBON DATING TO DETERMINE THE AGE AND GENERATION OF OUR BLUE NOTE VINYL.  LIKEWISE, WE WILL NEVER USE ASTROLOGISTS, PSYCHICS, FORENSIC PATHOLOGISTS AND TEA LEAF READERS TO DIVINE THE EXACT BIRTH DATE AND ZODIAC SIGN OF OUR RECORDS. THE EPHEMERAL BLUE NOTE PRESSING MARKS, SUCH AS PLASTYLITE STAMPS, FLAT EDGES, DEEP GROOVES AND SIMILAR ESOTERIC ARCANA - ALTHOUGH THEY WILL BE SPECIFICALLY MENTIONED IN OUR LISTINGS AS BEING PRESENT OR ABSENT - ARE OF NO (ZERO, NULL, NONE) SIGNIFICANCE TO THIS SELLER EITHER HISTORICALLY, TECHNICALLY, PHILOSOPHICALLY, AESTHETICALLY, ACOUSTICALLY OR ARTISTICALLY AND ARE MENTIONED IN OUR LISTINGS FOR REFERENCE PURPOSES ONLY. WE CONSIDER THE RECORD LABELS - AND LABELS ALONE - TO BE THE ONLY MERITORIOUS STANDARD FOR DETERMINING THE GENERATION OF THE PRESSING - BLUE NOTE OR OTHERWISE - AND WE SEE ABSOLUTELY NO LEGITIMATE REASONS WHY PRESSING CRITERIA FOR BLUE NOTE TITLES SHOULD BE ANY DIFFERENT FROM THOSE APPLICABLE TO 99.9999% OF ALL OTHER AMERICAN RECORDS PRODUCED SINCE 1949. THEREFORE, PLEASE CONSIDER YOURSELVES DULY AND PROPERLY CAUTIONED: OUR DEFINITION OF THE FIRST BLUE NOTE PRESSING MAY SIGNIFICANTLY DIFFER FROM YOURS. IF YOU DISAGREE WITH THIS SELLER  - WHICH PLEASE FEEL FREE TO, COMPETENT DISSENT IS A BEAUTIFUL THING -  PLEASE REFRAIN FROM BIDDING ON OUR BLUE NOTE TITLES SUCH AS THIS ONE. IF YOU DO DECIDE TO BID, PLEASE BE AWARE THAT UNLIKE OUR OTHER LISTED ITEMS, THIS PARTICULAR ITEM IS NON-REFUNDABLE FOR ANY REASON WHATSOEVER.. ALSO, PLEASE NOTE THAT THIS SELLER DOES NOT WISH TO DEBATE THE FINE POINTS OF HIS BLUE NOTE LISTINGS, AND PETTY JABS AND SARCASTIC COMMENTS ON THIS DISCLOSURE STATEMENT INTENDED TO PROVOKE IRATE REACTION WILL NOT BE PUBLISHED OR DIGNIFIED WITH A RESPONSE. IF YOU ARE INTERESTED IN INTELLECTUAL,  SCHOLASTIC OR DOGMATIC DEBATE, OR CARE TO FIND OUT HOW MANY BLUE NOTE ANGELS CAN FIT ON A RECORD STYLYS, PLEASE VISIT ONE OF THE HUNDREDS OF ONLINE JAZZ AND VINYL BLOGS,  CONSULT ILLUMINATED MEMBERS OF THE JAZZ ACADEMIA OR CONTACT YOUR LOCAL BLUE NOTE THEOLOGIAN, GURU, PRIEST, ORACLE, SHAMAN OR VESTAL VIRGIN. THANK YOU FOR YOUR LOYALTY, LOVE AND SUPPORT;  HAPPY BIDDING,  GOD BLESS AND GOOD NIGHT...B.D.

 

 

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·       BUD POWELL with PAUL CHAMBERS AND ART TAYLOR – THE SCENE CHANGES – ORIGINAL 1959 BLUE NOTE RECORDS MONO LP BLP-4009

 

·       ORIGINAL U.S. PRESSING

 

·       RARE MONO PRESSING, MANY TIMES RARER THAN FAKE (“ELECTRONICALLY RECHANELLED”) STEREO

 

·       ORIGINAL WHITE AND BLUE 'BLUE NOTE' LABEL WITH '63RD STREET., NEW YORK',  ADDRESS ON THE LABEL (ON ONE SIDE ONLY; THE OTHER SIDE IS 'NEW YORK, USA' LABEL)

 

·       The record has a Rudy Van Gelder’s name or  his initials (RVG) clearly stamped or hand-etched in the trail-off vinyl (dead wax)

 

·       NO DEEP GROOVE; NO PLASTYLITE ('EAR') STAMP; NO TRADEMARK SYMBOL ON 63rd STREET LABEL

 

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

 

·       MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

 

·       THICK CARDBOARD COVER, AMERICAN STYLE.

 

·       CLEAN, WEAR-FREE LABELS

 

·       THICK, HEAVY VINYL PRESSING

 

(PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

 

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This 1959 release was the fifth and final entry in the "Amazing Bud Powell" series of releases by the Blue Note label. Recorded in December 1958, the album's title references the generational change that Powell was witnessing in the jazz world and is represented by his young son's appearance on the front cover. The set consists of nine original compositions by Powell who presents the tunes in trio format with bassist Paul Chambers and Art Taylor.

 

Each of the pieces are interesting compositions and showcase something slightly different in Powell's repertoire. There are of course the requisite blazingly fast bop tunes, like "Cleopatra's Dream", "Down With It," or "Crossin' the Channel," but there is also short stride-influenced "Borderick," and the Afro-Cuban inflected "Comin' Up." There are also a few more medium-up swingers (including the title track) but the one thing that's missing from the album is a real ballad.

 

Powell's improvisations still show flashes of his brilliance, but its clear on this recording that his hospitalizations and various treatments for schizophrenia had taken their toll on his technique. In the faster bop numbers, (especially Cleopatra's Dream and Crossin' the Channel) you can hear the genius of his phrasing, and his seemingly effortless ability to construct complex, yet logical melodic ideas, yet often these great moments are slightly marred by sloppy fingering and a shaky sense of time. In fact, the highlight of the album is "Comin' Up," where the simplicity of the composition works in Powell's favor as he plays simple, more rhythmically interesting melodic ideas. Chambers and Taylor are perfectly comfortable in the boppish trio setting and you won't find many faults in their playing. Chambers even contributes some very good solos.

 

The album is a fine display of Powell's compositional talents, but unfortunately his playing will be somewhat disappointing for those who have heard the brilliance of his earlier recordings. As with just about any Powell recording, there are still plenty of great moments to be heard here and despite the inconsistency, the album is certainly worth hearing, both for those standout moments and for Powell's interesting and varied compositions.

 

For additional historical or discography information on this album, including track listing ►click here

 

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

 

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·                               CONDITION:

 

·                               THE RECORD:

 

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

 

(a)          WE GRADE THE VINYL AS STRONG VG++, JUST A NOTCH BELOW NEAR MINT. A few light abrasions (probably just sleeve scuffs inflicted in storage over the years) ARE VISIBLE, but they appear fairly  insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

 

(b)          The record comes in the original stock inner sleeve.

 

(c)             The record has a ►Rudy Van Gelder name, or  his initials (RVG) stamped or hand-etched in the trail-off vinyl (dead wax). On SOME  Jazz labels (Blue Note, Savoy, Regent, Prestige, Impulse, Verve…) this stamp signifies highly professional masterings either done by - or  personally authorized by - the legendary engineer himself.

 

(d)            The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

 

(e)           Mono pressing of this title is much rarer, and by far more  preferable to its FAKE ("electronically rechannelled") stereo counterpart. We estimate that FAKE stereo copies of this album outnumber monos by a ratio of at least 10:1.

 

(f)            Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

 

 

·                               THE COVER

 

THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).

 

The following flaws or imperfections are noted on the cover:

 

-        Cover has a partially split top seam (between 4 and 6 inches  / 10 to 15 centimeters)

 

-        Cover has some fraying/wear along the upper seam

 

-         Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 2.

 

-        Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. (BARELY VISIBLE)

 

-         Cover shows JUST A HINT of yellowing on back side, apparently from aging.

 

-        Cover has a few tiny wrinkles along the spine

 

-        Minor shelf wear noted on the bottom seam and spine (nothing significant)

 

-        Cover has a minor  wrinkle (crease) in the cardboard base on the front panel

 

-         Cover has two corners slightly worn / dinged  (nothing significant)

 

 

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

 

 

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POSTAGE & SHIPPING:

 

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

 

INTERNATIONAL POSTAGE rates vary from country to country. For SPECIFIC international and domestic postage rates click here. While you can be rest assured that ►our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.

 

 

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