BUDDY DEFRANCO COOKING THE BLUES VERVE 1958 JAZZ LP
$
52
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Description
StardustRecords Store
BUDDY DEFRANCO COOKING THE BLUES VERVE 1958 JAZZ LP
Artist:Buddy Defranco Title:Cooking The Blues Label:Verve Year of release:1958 Catalog/Label number:MGV-8221 Condition of vinyl:VG++ The vinyl is very clean! No scratches. Labels have a few light spindle marks. Record plays flat with no warps. Play grade:VG++ to Mint- The entire album sounded great and played very well. No hiss, clicks or skips. Condition of record cover:VG+ Clean cover with a 2 1/2 inch seam split at center of top edge. Edges are in nice shape otherwise. No cuts, holes, tears creases or writing. Notes:From Scott Yanow at allmusic: "Buddy DeFranco is one of the great clarinetists of all time and, until the rise of Eddie Daniels, he was indisputably the top clarinetist to emerge since 1940. It was DeFranco's misfortune to be the best on an instrument that after the swing era dropped drastically in popularity and, unlike Benny Goodman and Artie Shaw, he has never been a household name for the general public.
When he was 14, DeFranco won an amateur swing contest sponsored by Tommy Dorsey. After working with the big bands of Gene Krupa (1941-1942) and Charlie Barnet (1943-1944), he was with TD on and off during 1944-1948. DeFranco, other than spending part of 1950 with Count Basie's septet, was mostly a bandleader from then on. Among the few clarinetists to transfer the language of Charlie Parker onto his instrument, DeFranco has won a countless number of polls and appeared with the Metronome All-Stars in the late '40s. He recorded frequently in the '50s (among his sidemen were Art Blakey, Kenny Drew, and Sonny Clark) and participated in some of Norman Granz's Verve jam session. During 1960-1963 DeFranco led a quartet that also featured the accordion of Tommy Gumina and he recorded an album with Art Blakey's Jazz Messengers on which he played bass clarinet. Work, however, was difficult to find in the '60s, leading DeFranco to accept the assignment of leading the Glenn Miller ghost band (1966-1974). He has found more artistic success co-leading a quintet with Terry Gibbs off and on since the early '80s and has recorded throughout the decades for many labels. "
All unsealed LP's are thoroughly inspected and checked for warps on a turntable. Many are then play graded. If played it will be mentioned in the description. All come with a new 3 mil poly outer sleeve for protection. All unsealed LP's also are shipped inside a new inner sleeve.
This is one of a number of records I've got up for auction; some are hard to find, most in great condition. Be sure to check out my other auctions. I do require that you have a good feedback history with at least l0 completed transactions and a 95% positive feedback rating to bid on this item. Bidders with less than 10 feedback please contact me before bidding. Also, please note that any second chance offer made by me will only be from my email address of dan@stardustrecords.com.
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Please check the grading explanation below.
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Grading
Mint Record : Perfect record. No marks or defects.
Mint Album cover: Perfect cover. No marks or defects.
M- or NM Record: Nearly perfect. High gloss. At most, a light scuff appears. Plays very well with no surface noise.
M- or NM Album cover: Nearly perfect with only minor signs of wear. There should be no ring wear.
VG++ Record: Very clean. Perhaps some light surface scuffs, no scratches. Should play and look very good with faint, if any, audible surface noise.
VG++ Album cover: Some minor ring wear, but otherwise the artwork should be mostly unaffected. Also, there can be some minor creases in the corners but no splits in seams.
VG+ Record: The record shows signs of use, but plays well despite quite visible surface marks and possibly some light scratches. This grading is often used for records which have not been cared for perfectly but still play well overall. A few very faint clicks may be allowed, and will be included in the description.
VG+ Album cover: May have corners that may be slightly bent, but not broken. There may be wear to the seams but no tears or holes. Perhaps some small writing.
VG Record: Looks used, light scratches, no gouges. Still plays fairly well. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music.
VG Album cover: There may be seam splitting, but not complete separation of the sleeve panels from each other. There will be noticeable ring wear, but most of the cover should still be in good condition.
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