BUDDY HOLLY THAT'LL BE THE DAY MEGA-RARE '56 DECCA MONO LP DEEP GROOVE VERY NICE

$

64

    
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·       BUDDY HOLLY – THAT'LL BE THE DAY -  1956 DECCA RECORDS MONO LP DL- 8707

·       GENUINE U.S. PRESSING

·       VERY EARLY PRESSING CIRCA 1962 ON BLACK DECCA LABEL WITH COLOR SPECTRUM  BAND ACROSS THE LABEL

·       NO MENTION OF MCA RECORDS ON BACK COVER (THIS IS DEFINITELY A PRE-1965 PRESSING!)

·       RARE MONO PRESSING, MANY TIMES RARER THAN FAKE (“ELECTRONICALLY RECHANELLED”) STEREO

·       DEEP GROOVE PRESSING

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

·       MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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At least 10 of the 11 songs on this LP (the one exception being the ballad "Girl On My Mind") have aged as well as anything that Holly ever recorded. "Rock Around With Ollie Vee", "Blue Days — Black Nights", "Ting-A-Ling", "I'm Changing All Those Changes", "Modern Don Juan", "Love Me", "Don't Come Back Knockin' ", and "Midnight Shift" are all decent, solid early rock 'n' roll; he sounds too countrified by about half on much of the record, especially on the early version of "That'll Be The Day", but these were not bad records, even if they weren't going to break his talent out to a mass audience. What's more, at least at the time of his first sessions in January of 1956, few white artists and even fewer producers at major labels had yet figured out what mix of country, r&b, and blues worked on a rock 'n' roll record. Given all of this, this is a better than decent album with one real gem ("Rock Around With Ollie Vee", and if not for the fact that they mostly feature a completely different lineup of musicians and were also contractually separate from the rest of his eventual output for Coral/Brunswick/Decca, roughly half of the songs here could have been filtered into either of Holly's later official LPs without doing any violence to the newer material. Even the ballad "You Are My One Desire" — though it doesn't really resemble much else that Holly ever did — is given a hauntingly passionate performance. That'll Be The Day isn't a revelatory piece of rock 'n' roll history, but it's a more substantial and enjoyable prelude to the main body of Holly's career than it's usually given credit for being, extending his serious legacy backward a full album. [In 1967, Decca Records reissued That'll Be The Day as The Great Buddy Holly, with a new cover and stripping off the song "Ting-A-Ling"].

(REVIEW REPRINTED COURTESY OF BRUCE EDER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG VERY GOOD+(+) . CAUTION: The vinyl is NOT MINT or NEAR MINT, but is nevertheless in a very nice and clean condition. There are some surface marks and abrasions, mostly light and superficial, although some may be longer than 1.1/4 inches (1 inch = 2.5 centimeters)

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           The record comes in the original stock inner sleeve.

(d)          Mono pressing of this title is much rarer, and by far more  preferable to its FAKE ("electronically rechannelled") stereo counterpart (THE FAKE STEREO PRESSING IS A 1967 PRESSING ON DECCA’S VOCALION BUDGET LABEL, WITH A DIFFERENT TITLE AND COVER). We estimate that FAKE stereo copies of this album outnumber monos by a ratio of at least 50:1.

(e)           The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).

(f)            True Stereo copies of this album are NOT known to exist.

(g)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS ABOUT VERY GOOD+ (VG+)

The following flaws or imperfections are noted on the cover:

-        Cover has a small peel-off mark, probably from the careless removal of the price sticker.  (less than 1/2 square inch in size)

-        Cover has a visible wrinkle (crease) in the cardboard base on the front panel

-         Cover has a partially split bottom seam (between 4 and 6 inches  / 10 to 15 centimeters); This split seam was delicately taped by the previous owner with a piece of transparent scotch tape

-        Cover has all three seams (top, bottom and spine) partially split,  as follows:

-        Top seam: between 4 and 6 inches  / 10 to 15 centimeters.

-        Bottom seam: between 4 and 6 inches  / 10 to 15 centimeters.

-        Spine: between 2 and 4 inches  / 5 to 10 centimeters.

-        (ALL THREE split seams were delicately taped by the previous owner with a piece of transparent scotch tape )

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3

-         Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-         Cover shows some light yellowing on back side, apparently from aging.

-         Cover shows JUST A HINT of yellowing on back side, apparently from aging.

-         Cover has some visible fraying/tattering on all three seams

-         Cover has a visible "wrinkle"(crease)  in one of the corners.

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No writing

-        No stamps

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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