BUDDY HOLLY THAT'LL BE THE DAY MINT 1956 DECCA MONO LP
$
262
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Description
THIS RECORD COMES FROM OUR PERSONAL COLLECTION
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· BUDDY HOLLY – THAT`LL BE THE DAY - 1956 DECCA RECORDS MONO LP DL- 8707
· GENUINE U.S. PRESSING
· VERY EARLY PRESSING CIRCA 1962 ON BLACK DECCA LABEL WITH COLOR SPECTRUM STRIPE ACROSS THE LABEL.
· NO MENTION OF MCA RECORDS ON BACK COVER (THIS IS DEFINITELY A PRE-1965 PRESSING!)
· DEEP GROOVE PRESSING
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· CLEAN, WEAR-FREE LABELS
· THICK, HEAVY VINYL PRESSING
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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At least 10 of the 11 songs on this LP (the one exception being the ballad "Girl On My Mind") have aged as well as anything that Holly ever recorded. "Rock Around With Ollie Vee", "Blue Days — Black Nights", "Ting-A-Ling", "I'm Changing All Those Changes", "Modern Don Juan", "Love Me", "Don't Come Back Knockin' ", and "Midnight Shift" are all decent, solid early rock 'n' roll; he sounds too countrified by about half on much of the record, especially on the early version of "That'll Be The Day", but these were not bad records, even if they weren't going to break his talent out to a mass audience. What's more, at least at the time of his first sessions in January of 1956, few white artists and even fewer producers at major labels had yet figured out what mix of country, r&b, and blues worked on a rock 'n' roll record. Given all of this, this is a better than decent album with one real gem ("Rock Around With Ollie Vee", and if not for the fact that they mostly feature a completely different lineup of musicians and were also contractually separate from the rest of his eventual output for Coral/Brunswick/Decca, roughly half of the songs here could have been filtered into either of Holly's later official LPs without doing any violence to the newer material. Even the ballad "You Are My One Desire" — though it doesn't really resemble much else that Holly ever did — is given a hauntingly passionate performance. That'll Be The Day isn't a revelatory piece of rock 'n' roll history, but it's a more substantial and enjoyable prelude to the main body of Holly's career than it's usually given credit for being, extending his serious legacy backward a full album. [In 1967, Decca Records reissued That'll Be The Day as The Great Buddy Holly, with a new cover and stripping off the song "Ting-A-Ling"].
(Review reprinted courtesy of Bruce Eder, AllMusic.com)
THIS IS A NO-RESERVE AUCTION!
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) THE VINYL IS ABSOLUTELY, PERFECTLY MINT, as if never played before. The original luster is totally intact, and the vinyl shines and sparkles like brand new. The labels look perfect, simply gorgeous, with absolutely no trace of wear around the spindle hole. The record is TOTAL PERFECTION - ABSOLUTE VISUAL NIRVANA! We are confident that, in this condition, the record we present here is truly once-in-a-lifetime find.
(b) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) The record comes in the original stock inner sleeve.
(d) Mono pressing of this title is much rarer, and by far more preferable to its FAKE ("electronically rechannelled") stereo counterpart (THE FAKE STEREO PRESSING IS A 1967 PRESSING ON DECCA’S VOCALION BUDGET LABEL, WITH A DIFFERENT TITLE AND COVER). We estimate that FAKE stereo copies of this album outnumber monos by a ratio of at least 50:1.
(e) True Stereo copies of this album are NOT known to exist.
(f) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD+++.
The following flaws or imperfections are noted on the cover:
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 3 (front side) and 2 (back side).
- Cover has a small quality control (inspection) stamp on the back panel
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No wrinkles or creases
- No yellowing from aging
- No writing
- No tearing: no chips, dents or nicks on the seams
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
Generally, US POSTAGE is $5.80 FOR THE FIRST ITEM shipped via USPS PRIORITY MAIL (this includes a small $1.00 packaging surcharge).
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Cash refund will be granted only for DEFECTIVE items, but we are flexible and reasonable in reviewing the merits of each individual case. We do NOT play-grade records and can only make reasonable inference on the item's condition based on its visual appearance. Every bid carries a risk that purchased item might play worse than its visual grade may indicate. Still sealed items MUST be returned sealed in order to be eligible for a refund. Please read our complete refund policy before placing a bid. ►Click here for the full text of our policy .
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