BUGSY MALONE Film Soundtrack LP Paul Williams Jodie Foster Tallulah Alan Parker

	£		20
	$		27

British 1st release gatefold of the original film soundtrack to "Bugsy Malone" (1976, dir. Alan Parker), featuring music by Paul Williams.
If you've never heard this album or seen the film, you're in for a treat.

The movie starred Jodie Foster in one of her first films (released the same year as 'Taxi Driver').
Paul Williams ?– Bugsy Malone (Original Soundtrack Recording) (1976)
Condition (refer also to notes at bottom): Vinyl – G. Unsoiled on visual inspection but this has enjoyed many places in its lifetime. Lots of scuff marks on side 1 with a few hairlines. Side 2 has three or four more noticeable scratches and other marks. Played just pre-listing and sound clarity is just about good throughout. Crackling and static during quieter cues and between tracks. More prominent on side 2. Vocals sound clear and bright so an enjoyable listening experience.
Outer Sleeve/Cover – VG. Colours are unfaded. Gatefold in matt front and back. Light creasing in from top edge and spine. Aperture shows some light nicks. Edges mainly clean and unscuffed. Corners dented and quite badly worn. Spine intact but crinkled and worn at top. Rear outer gate shows only light discolouration and stains; in generally good shape. Aperture and corner damage more visible from here. Inner gate only mildly scuffed near top edge. Photos unfaded and clean.
Inner Sleeve – VG. Original. White poly-lined paper sleeve with squared corners and central hole. Blue printed text on one side. Minor crimping. Clean and intact.

Label: Polydor ?– 2442 142
Format: Vinyl, LP, Album, Gatefold
Country: UK
Released: 1976
Genre: Jazz, Funk / Soul, Stage & Screen, Children's, Vocal, Pop Style: Soundtrack, Easy Listening, Theme, Score, Instrumental
Tracklist
A1. Bugsy Malone.
A2. Fat Sam's Grand Slam.
A3. Tomorrow.
A4. Bad Guys.
A5. I'm Feeling Fine.

B1. May Name Is Tallulah.
B2. So You Wanna Be A Boxer.
B3. Ordinary Fool.
B4. Down And Out.
B5. You Give A Little Love.

Printed by MacNeill Press Ltd.

Credits
Artwork – John Gorham
Backing Vocals [Background Singers] – Jerry Whitman, James E. Haas*, Lewis E. Morford*, Ronald Hicklin*, Sukey Smith
Bass – Colin Cameron
Brass – Michael Natalie, Roger DeLilio*, Vincent Trombetta*
Drums, Percussion – Gary Mallaber
Engineer – Gary Ulmer, Jay Mark
Guitar, Banjo – Art Munson
Keyboards, Saxophone [Solos] – David Garland
Liner Notes [Sleeve Notes] – Alan Parker
Photography by [Production Stills] – David Appleby
Producer – Paul Williams
Vocals [Featured Singers] – Archie Hahn, Julie McWirder, Liberty Williams, Paul Williams
Written by, Lyrics by, Arranged by, Electric Piano, Electric Piano [Moog] – Paul Williams

Notes
Gatefold sleeve. DELUXE price series.

Barcode and Other Identifiers
Matrix / Runout (Side 1 Runouts ( Stamped ) (variant 1)): 2442142 A//1 1 4 4
Matrix / Runout (Side 2 Runouts ( Stamped ) (variant 1)): 2442142 B//1 11 1 4
Matrix / Runout (Side 1 Runouts ( Stamped ) (variant 2)): 2442142 A//3?420 04
Matrix / Runout (Side 2 Runouts ( Stamped ) (variant 2)): 2442142 B//2?420 04



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ITEM CONDITION - items are graded according to Record Collector definitions - see below:

MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.

EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.

VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.

FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.

POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.

BAD: The record is unplayable or might even be broken, and is only of use as a collection filler.