BUSTER SMITH [Legendary] ATLANTIC [rare] '59/DG:
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Description
innersleeve1 Store WE'VE JUST ACQUIRED A TERRIFIC BATCH OF ORIGINAL JAZZ, SOUL & BLUES LP's.
THE OWNER PURCHASED THEM NEW AND THEY HAVE BEEN IN THE SAME COLLECTION
SINCE DAY ONE.
95% OF THESE LOOK TO HAVE BEEN PLAYED ONCE TO ONLY HANDFUL
OF TIMES... VERY CLEAN LP's WITH SLIGHT SHELF OR STORAGE WEAR BEING THE
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1959 ATLANTIC Records 1323
DEEP GROOVE * STEREO ORIGINAL
VERY SCARCE!
WITH INSERT
*
VINYL is EX++ to NM-
beautiful top copy,
just a couple of light
sleeve related hairlines
COVER is EX
light edge/surface wear,
[bb] coh
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A talented alto saxophonist and an arranger/composer who probably wrote "One O'Clock Jump" (although Count Basie received the credit), Buster Smith's contributions to jazz are difficult to assess because he was under-recorded throughout his career. Charlie Parker often acknowledged Smith's influence on his tone, and the few early recordings of the older altoist do show some similarity (although Bird's style would become much more advanced); Parker played in Smith's band in 1937.
Buster Smith was a fixture in Kansas City for the bulk of his most significant years. He was with Walter Page's Blue Devils from 1925-1933 (the band only made two recordings) and Bennie Moten's orchestra during its last period (1933-1935), and co-led the Barons of Rhythm with Count Basie. Unfortunately, he chose not to accompany Basie to New York. When Smith finally went East, he contributed arrangements to several orchestras (including those led by Gene Krupa, Count Basie, and Benny Carter) and had short stints with Don Redman, Hot Lips Page, Eddie Durham, and Snub Mosley. Buster Smith returned first to Kansas City and then finally to Texas for the remainder of his life. He recorded one very obscure (and long out-of-print) Atlantic album in 1959.
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Alto sax player, arranger, and composer Buster Smith recorded sparingly during his career and this seven-track set, recorded in a single session on June 7, 1959 and released by Atlantic Records a month or two later, was the only album Smith did as a bandleader. It's a low key, pleasant affair featuring five original Smith compositions, including the lightly swinging "Buster's Tune" and the odd, wonderfully disjointed "King Alcohol," as well as versions of Kurt Weill's "September Song" and Will Hudson's "Organ Grinder's Swing." Smith's brother, Boston Smith, played piano at the session. Following a car accident in the early '60s, Smith was unable to continue playing sax and picked up the bass guitar, gigging regularly with various combos on bass in the Dallas area until his death in 1991.
All Music Guide
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