BUTTERFIELD BLUES BAND KEEP MOVING RARE ORIG '69 ELEKTRA LP BOB LUDWIG IN SHRINK

$

29

WE CURRENTLY HAVE  MORE THAN 300  LISTED ITEMS

►Click here to see ALL our ROCK auctions ►Our PSYCH & PROGRESSIVE  auctions ►Our PUNK & NEW WAVE  auctions ► Our  JAZZ auctions ►Our BLUE NOTE JAZZ auctions  ►Our BLUES auctions ►Our CLASSICAL auctions ►Our COUNTRY auctions ►Our FUNK auctions ►Our LATIN auctions ►Our METAL auctions►Our REGGAE auctions ►Our SOUL auctions ► Our STILL SEALED ITEMS  ►Our PROMO auctions ►Our ACETATE  auctions ►Our TEST PRESSING  auctions  ►Our AUDIOPHILE auctions

♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫

·       BUTTERFIELD BLUES BAND featuring PAUL BUTTERFIELD AND ELVIN BISHOP – KEEP ON MOVING -  ORIGINAL 1969 ELEKTRA RECORDS STEREO LP EKS-74053

·       ORIGINAL U.S. PRESSING

·       ORIGINAL RED ELEKTRA LABEL WITH LARGE WHITE 'E' LOGO ON TOP

·       COLUMBIA RECORDS, PITMAN NJ PRESSING

·       THE ALBUM INCLUDES THE GROUP’S STUDIO VERSION OF ‘LOVE MARCH’, WHICH BUTTERFIELD BLUES BAND PERFORMED AT THE WOODSTOCK FESTIVAL LATER THAT YEAR’

·       The bidders should note that this is a rare Bob Ludwig-mastered “hot pressing” of this album, with his initials “RL” (Robert Ludwig) etched in the trail-off vinyl of the disc. All the wonderful elements of Bob Ludwig’s trademark mastering style are here: incredible clarity and balanced channel separation, vivid and spacious “ambience” sound, as well as wide dynamic and frequency range of the sound spectrum.  As is almost always the case with Bob Ludwig’s masterings, the Bob Ludwig-mastered pressings of this album are CONSIDERABLY rarer than the regular, non-Ludwig copies of this album.

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THIN CARDBOARD COVER (NO THICK CARDBOARD COVERS WERE EVER PRODUCED FOR THIS TITLE)

·       COVER IS STILL IN ITS ORIGINAL SHRINK (CELLOPHANE) WRAP

·       CLEAN, WEAR-FREE LABELS

·       THE RECORD HAS '(S)TERLING (S)OUND HAND-ETCHED IN THE TRAIL-OFF VINYL (DEAD WAX) AREA, WHICH IS GENERALLY CONSIDERED A PROOF OF AUTHENTICITY OF THE FIRST PRESSING.

·       THICK, HEAVY VINYL PRESSING.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫

Released in 1969, Keep on Moving was the fifth Elektra release by the Paul Butterfield Blues Band. During a four-year span the group's namesake and leader was the only original member left from their first album in 1965. Morphing in a similar direction as Michael Bloomfield's Electric Flag, this edition of the Butterfield Blues Band prominently fronted the horn section of David Sanborn on alto sax, Gene Dinwiddie on tenor, and Keith Johnson on trumpet. The band's direction was full tilt, horn-dominated soul music, first explored on The Resurrection of Pigboy Crabshaw, which took them farther away from the highly regarded gritty blues experimentation of East-West and the duel guitar attack of Michael Bloomfield and Elvin Bishop. This album also signaled the final appearance of AACM and Art Ensemble of Chicago drummer Phillip Wilson, whose Butterfield swan song was the collaboration with Dinwiddie on the hippie gospel track "Love March," of which an appropriately disjointed live version appeared on the Woodstock soundtrack album. The difference between Butterfield's 1965 street survival ode "Born in Chicago" ("My father told me 'son you'd better get a gun") and "Love March" ("Sing a glad song, sing all the time") left fans wondering if the band had become a bit too democratic. However, on cuts like "Losing Hand," some of the band's original fervor remains. Butterfield's harp intertwining with the horn section sounds like a lost Junior Parker outtake and the Jimmy Rogers' penned "Walking by Myself," is the closest this band comes to the gutsy Windy City blues of its heyday. The remaining tracks aren't horrible, but tend to run out of ideas quickly, unfortunately making what may have been decent material (with a little more effort) sound premature. Butterfield would make a few more personnel changes, release one final disc on Elektra, Sometimes I Just Feel Like Smilin', and then dump the band altogether to embark on a solo career. I

 (EXCERPT FROM AN ONLINE REVIEW BY AL CAMPBELL, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫

·       CONDITION:

·       RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial  and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The record comes in the original stock inner sleeve.

(c)             The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·                               THE COVER

COVER IS STRONG NEAR MINT,  STILL IN ITS ORIGINAL ►SHRINK WRAP

The following flaws or imperfections are noted on the cover:

-         Cover has a few tiny wrinkles along the spine   (nothing significant)

-         Cover shows JUST A HINT of yellowing on back side, apparently from aging.

-         Cover has two corners slightly dinged (nothing significant)

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫

POSTAGE & SHIPPING:

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

INTERNATIONAL POSTAGE rates vary from country to country. For SPECIFIC international and domestic postage rates ►click here. While you can be rest assured that ►our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.

WANT A DISCOUNT ?!? 

IT’S EASY: CLICK ►HERE TO see HOW!

(please note recent changes in our policy)

♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫

FOR OTHER IMPORTANT INFORMATION, CLICK ON THE LINKS BELOW:

►OUR VOLUME DISCOUNTS AND POSTAGE REBATES ►OUR GRADING POLICY ►ITEMS WE DO NOT GRADE ►HOW TO ACKNOWLEDGE WINNING BID OR RESOLVE A DISPUTE ►OUR PAYPAL “CHARGEBACK” POLICY ►ACCEPTABLE PAYMENT METHODS ►OUR REFUND POLICY ►POSTAGE RATES AND DISCLOSURES ►PAYMENT DEADLINES ►FREQUENTLY ASKED QUESTIONS (FAQ)

♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫

OUR REFUND POLICY :

WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE WITHIN 30 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED (THE BUYER PAYS FOR THE RETURN POSTAGE); Still sealed items MUST be returned sealed in order to be eligible for a refund Some restrictions apply. Please read our complete refund policy before placing a bid. ►Click here  for the full text of our policy

© 2001,2007 MDJ. All rights reserved.