Baden E Vinicius Os Afro Sambas Forma FM 16 Rare Brazilian Pressing Holy Grail

$

200

Baden* E Vinicius* ?– Os Afro Sambas Label: Forma (2) ?– FM 16 Format: Vinyl, LP, Album, Mono  Country: Brazil Released: 1966 Genre: Latin, Folk, World, & Country Style: Samba Tracklist A1 Canto De Ossanha A2 Canto De Xangô A3 Bocoché A4 Canto De Iemanjá B1 Tempo De Amor B2 Canto Do Caboclo Pedra Preta B3 Tristeza E Solidão B4 Lamento De Exu Companies, etc. Pressed By – Companhia Brasileira De Discos Credits Acoustic Guitar – Baden Powell Afoxé [Afochê] – Adyr José Raymundo Agogô – Mineirinho Baritone Saxophone – Aurino Ferreira Bongos – Alexandre Silva Martins Cover – Goebel Weyne Double Bass – Jorge Marinho Drums – Reisinho Flute – Nicolino Cópia Liner Notes [Notes] – Vinicius De Moraes Pandeiro – Gilson De Freitas Percussion [Atabaque Pequeno] – Nelson Luiz Percussion [Atabaque] – Alfredo Bessa Photography By – Pedro De Moraes Producer [Direção Artística] – Roberto Quartin, Wadi Gebara* Producer [Producão] – Roberto Quartin, Wadi Gebara* Recorded By [Técnico de Gravação] – Ademar Rocha Sleeve Notes [Contracapa] – Vinicius De Moraes Tenor Saxophone – Pedro Luiz De Assis Vocals – Côro Misto, Quarteto Em Cy, Vinicius De Moraes Written-By – Baden*, Vinicius* Notes Gravado nos dias 3, 4, 5 e 6 de janeiro de 1966, sob a supervisão direta de Roberto Quartin. 
Blue label edition.
Os Afro-sambas is a 1966 album by Baden Powell and Vinícius de Moraes.[1] It is ranked number 29 on Rolling Stone's list of 100 Greatest Brazilian Albums.
Considered a watershed in MPB for fusing various elements of African sound with samba, Os Afro-sambas was recorded by Baden Powell, Vinícius de Moraes, and Quarteto em Cy in 1966.
In the mid-1960s Vinícius was fascinated by an LP of samba de roda songs with candomblé influences from Bahia. Baden Powell had also gone to Bahia and heard the songs of the Bahian candomblé. From this mutual enchantment with samba and religiosity found in Bahia, the Afro-sambas project emerged. The eight songs have a rich and unique musicality: a mix of candomblé and umbanda instruments (like atabaques and afoxés) with timbres common to Brazilian music (agogôs, saxophones and tambourines).[3]
The opening track, Canto de Ossanha is ranked number 9 on Rolling Stone's list of 100 greatest Brazilian songs.[4]
Baden Powell re-recorded this album in 1990, again accompanied by Quarteto em Cy, where he basically maintained the same arrangements but sought to obtain a better sound quality, an homage to his friend Vinícius, then deceased.