Bill Evans Trio Waltz For Debby 2 x 45rpm 180g APO Analogue Audiophile mstly M-
$
168
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Description
Bill Evans Trio ~ Waltz For Debby ~ with Scott LaFaro, Paul Motian
- Double 45rpm Vinyl, one full album on 2 records.
- 180-gram Analogue Audiophile pressing at 45rpm.
- Made in the U.S.A.
- Analogue Productions Records - Riverside 9399 STEREO
- Limited Edition Numbered, #873 out of 1,000 total pressings.
- Mastered at AcousTech by Kevin Gray and Steve Hoffman.
- Vinyl are VG++ to Mint-, mostly Mint-. Vinyl look Mint- or better and play Mint- to Mint, except A-2 plays VG+ to Mint-, mostly VG++ to Mint- with a click that is continuous for the first 30 seconds, goes away for a minute, then is heard ina few more 5 or 10 second segments; since the volume level of the music is pretty low, it is audible enough that I grade it on the low as VG+; 80-90% of A-2 plays Mint-. B-1 plays VG++ for the first minute because of a faint click from a source that is not visible and still plays mostly Mint- except a few more, occasional VG++ faint clicks. Record #2 plays Mint- to Mint.
- Labels are in excellent condition with some minor manufacturer imperfections and no spindle-marks.
- Cover is VG++ or better, faint and minor cover-wear, very minor corner-bends and wear; small crease on lower center right bottom edge.
- Includes Acoustic Sounds postcard and the original plastic sleeve with AcousTech sticker.
- Includes "Top 25 Jazz" insert, VG++ or better with a few, minor creases and a small indentation on lower-right and indentation from the vinyl.
- Out of Print, Audiophile-remastered, Limited album from the original of 1961.
"Recorded at the Village Vanguard in 1961, shortly before Scott LaFaro's death, Waltz for Debby is the second album issued from that historic session, and the final one from that legendary trio that also contained drummer Paul Motian. While the Sunday at the Village Vanguard album focused on material where LaFaro soloed prominently, this is far more a portrait of the trio on those dates. Evans chose the material here, and, possibly, in some unconscious way, revealed on these sessions -- and the two following LaFaro's death (Moonbeams and How My Heart Sings!) -- a different side of his musical personality that had never been displayed on his earlier solo recordings or during his tenures with Miles Davis and George Russell: Evans was an intensely romantic player, flagrantly emotional, and that is revealed here in spades on tunes such as "My Foolish Heart" and "Detour Ahead." There is a kind of impressionistic construction to his harmonic architecture that plays off the middle registers and goes deeper into its sonances in order to set into motion numerous melodic fragments simultaneously. The rhythmic intensity that he displayed as a sideman is evident here in "Milestones," with its muscular shifting time signature and those large, flatted ninths with the right hand. The trio's most impressive interplay is in "My Romance," after Evans' opening moments introducing the changes. Here Motian's brushwork is delicate, flighty and elegant, and LaFaro controls the dynamic of the tune with his light as a feather pizzicato work and makes Evans' deeply emotional statements swing effortlessly. Of the many recordings Evans issued, the two Vanguard dates and Explorations are the ultimate expressions of his legendary trio."
-allmusic.com
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