Black on Both Sides - Mos Def [1999 Rawkus 2LP]
$
42
$ 42
Sold For
Feb 28, 2015
Sold Date
Feb 21, 2015
Start Date
$ 20
Start price
10
Number Of Bids
USA
Country Of Seller
eBay
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Description
Original release from 1999, double LP in very good to excellent condition. Plays extremely well.
Detailed item info
Album Features UPC:Artist: Mos Def Format: CD Release Year: 1999 Record Label: Rawkus Records Genre: East Coast Rap, R&B
Track Listing
1. Fear Not of Man
2. Hip Hop
3. Love
4. Ms. Fat Booty
5. Speed Law
6. Do It Now - (featuring Busta Rhymes)
7. Got
8. Umi Says
9. New World Water
10. Rock N Roll
11. Know That - (featuring Talib Kweli)
12. Climb (featuring Vinia Mojica)
13. Brooklyn
14. Habitat
15. Mr. Nigga (featuring Q-Tip)
16. Mathematics
17. May December
Details
Contributing Artists: Busta Rhymes, Talib Kweli Distributor: EMI Music Distribution Recording Type: Studio Recording Mode: Stereo SPAR Code: n/a
Album Notes
Personnel includes: Mos Def (rap vocals, keyboards, vibraphone, bass, drums, congas, percussion); Vinia Mojica (vocals); Talib Kweli, Busta Rhymes, Q-Tip (rap vocals); Johnny Why (guitar); Weldon Irvine (piano, Fender Rhodes piano, Hammond B-3 organ, keyboards).Producers include: Mos Def, DJ Premier, Diamond, The Beatnuts, 88 Keys.Recorded at Sony Music Studios, Chung King and D & D Studios, New York, New York.Mos Def, one-half of the much loved Brooklyn duo Black Star, breaks out on his own with the most intense solo debut in hip-hop since THE MISEDUCATION OF LAUREN HILL. Like MISEDUCATION, BLACK ON BOTH SIDES stretches the definition of the genre to incorporate all aspects of music of the African Diaspora, from reggae to jazz, to form a new kind of sound. Def sings, Def raps, Def does all that and then some. The wide scope of the album is most evident by the collaborators he chooses to work with, who run the gamut from the underrated mastermind of a Tribe Called Quest, Ali Shaheed Mohammad, to the wrongly unsung hero of rare groove, keyboardist Weldon Irvine.The message in Mos Def's music is that like in blues and jazz before it: hip-hop is not a separate "giant living in the hillside" but a reflection of who we are. In "Fear of Not Man," Mos queries his audience, "next time you ask where hip-hop is going, ask yourself where am I going?" In "Hip Hop" he warns, "hip hop will simply amaze you, praise you, pay you, do whatever you say to, but black, it can't save you."
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