Bob Dylan - Blonde on Blonde 1966 UK Original CBS Stereo 2LP Set
  $   80

 


$ 80 Sold For
Dec 16, 2015 Sold Date
Nov 29, 2015 Start Date
1 Number Of Bids
  USA Country Of Seller
eBay Sold at
 
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Description

Bob Dylan
Blonde on Blonde


1966 original, 1st pressing.
CBS Records - SDDP66012 (CS9316)
Made in the U.K.
Double Vinyl / 2 LP Set
Vinyl are EX++ (or better).
Vinyl #1 looks EX++ : light marks.
LP #2 looks E+ to EX++ : light marks and light, faint scuffs (more than the 1st LP).
Vinyl #1 plays EX++ to Mint- : light background-crackle faintly in some quiet passages.
LP #2 plays EX+ to Mint-, mostly EX++ to Mint- : background-crackle in some quiet passages and a few segments have some moderate background-crackle.
Matrix lead-out:
1. S 6612-A3
2. SBPG 66012 B2
3. SBPG 66012 C3
4, S-66012
Labels are EX++ to Mint- : light marks.
Gatefold cover is EX : .5" seam-tear left-edge; small bends, wear and other, small imperfections.
The original inner-sleeves : one with intact seams; 3" seam-tear and spindle-hole on the other.
Includes a HQ inner-sleeves (pictured) which the vinyl is stored in after being professionally machine-cleaned and graded.
Out of print original ~

If Highway 61 Revisited played as a garage rock record, the double album Blonde on Blonde inverted that sound, blending blues, country, rock, and folk into a wild, careening, and dense sound. Replacing the fiery Michael Bloomfield with the intense, weaving guitar of Robbie Robertson, Bob Dylan led a group comprised of his touring band the Hawks and session musicians through his richest set of songs. Blonde on Blonde is an album of enormous depth, providing endless lyrical and musical revelations on each play. Leavening the edginess of Highway 61 with a sense of the absurd, Blonde on Blonde is comprised entirely of songs driven by inventive, surreal, and witty wordplay, not only on the rockers but also on winding, moving ballads like "Visions of Johanna," "Just Like a Woman," and "Sad Eyed Lady of the Lowlands." Throughout the record, the music matches the inventiveness of the songs, filled with cutting guitar riffs, liquid organ riffs, crisp pianos, and even woozy brass bands ("Rainy Day Women #12 & 35"). It's the culmination of Dylan's electric rock & roll period -- he would never release a studio record that rocked this hard, or had such bizarre imagery, ever again.


Note : there is some possible camera-glare on the cover and other surfaces.

Packaged protectively for safe and secure shipping with USPS tracking.

Thank you ~ All the Best


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