Boz I Shall Be Released 1968 UK Green And White Columbia A Label Demo Rare
  £   32
  $   42

 


£ 32 Sold For
Apr 29, 2018 Sold Date
Apr 19, 2018 Start Date
18   Number Of Bids
  Great Britain Country Of Seller
eBay Auctioned at
 
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Description

I am selling off some of my collection and over the next few months and will be listing some very nice and very rare albums and singles from the 50's through to the 90's!! I will be listing The Beatles, Cream, Purple, Zeppplin, The Stones, Small Faces, Floyd, Creedence Clearwater, Beach Boys and many, many more so please add me to your watch list as I may have something you need to help complete you collection!!!!

Artist or Band: Boz

Album/Single Title: I Shall Be Released

Producer(s): Derek Lawrence

Cat Number: DB 8407

Label/Format: Columbia Green & White A Label Demo

Country of Manufacture: UK

Original Year of Release: 1968 Rarity: Very Rare especially so being a Columbia Green & White A Label (Demo) in this Wonderful condition and with it's Original Sleeve. It also has the KT tax code Embossed onto the Label of Side 2: There were probably No more than 250 copies of these Pressed so how Many are Still around today over 50 Years later? Especially in this great Playable condition. Also "Dove In The Flood" had Ritchie Blackmore, John Lord and Ian Paice(Who all went on to form the legendary Deep Purple) playing on the track.
Track list:
Side 1: I Shall Be Released
Side 2: Dove In The Flood   Matrix Nos: Side 1:7XCA-32074-1  Side 2: I7XCA-32075-1

Stamper Codes: Side 1: 2 and G  Side 2: 1 and G

Other Stampers/Etchings: Side 1: KT (Tax Code) Side 2: KT (Tax Code)

Musicians: Boz: Lead Vocals and Guitar. John Lord: Organ. Ritchie Blackmore: Guitar. Ian Paice: Drums. Chas Hodges: Bass. 

Brief Artist & Album Info: "Boz" Raymond Burrell was born on August 1, 1946 in Holbeach, Lincolnshire. As a teen in the 1950s, he began playing rhythm guitar for the Tea Time 4, a group formed with his school pal Bernie Rudd. They both acquired a passion for jazz and enjoyed acts such as Mose Allison, John Coltrane, and Charlie Mingus. By 1963 Burrell became the vocalist for The Tea Time 4, an R&B/Jazz quartet with a reputation of Upstaging the acts for whom they opened. Lineup changes were inevitable but success came with a move to London in 1965 at the suggestion of manager, Jack Barrie. With the addition of Ian McLagan on keyboard and a name change to Boz People, the group secured a contract with EMI's Columbia label.

Burrell's style leaned more towards Jazz, whereas McLagan was into Booker T, four singles being recorded and backing band slots with Kenny Lynch and Elkie Brooks. However, with little commercial success McLagan soon left to join The Small Faces.

Burrell next enjoyed a short stint in the soul band, Feel For Soul, back in Norwich from 1966 until the following year. In late 1965, Burrell was briefly considered to replace Roger Daltrey in The Who.

In 1968 Burrell recorded a cover of Bob Dylan's" Down In The Flood" released as a single simply as 'Boz'. He was joined by organist Jon Lord, guitarist Ritchie Blackmore and drummer Ian Paice, who formed Deep Purple at the same time, and bassist Chas Hodges, later of Chas And Dave fame. Burrell later appeared on Centipede's Septober Energy in (1971).

CONDITION

Labels: The  Columbia Green & White Labels are both in Superb condition with Hardly any signs of Spindle Wear or Spider Marks to be seen. There is no Writing, Label Lifts or Splits. The White A looks absolutely Stunning against the Green backdrop. All of the Black printing Is Readable and Unfaded. This Single has Obviously been very well looked after in both Playback and Storage. You Really would be hard pressed to find a much Better copy of these Labels. I would easily grade them as Excellent!!!!

Vinyl: Plays throughout absolutely Superb with Minimal background noise. There is the odd little Click during Playback but there are no Pops, Skips or Jumps. The record still Retains that glossy sheen though there are Several minimal surface marks and thumbnails to be seen, these in NO way interfere with the Lovely sound quality. This Single plays up to and  beyond its visual grading with hardly Anything of note to fault. It offers strong, distortion-free sound, all frequencies are sharp and clear, sound quality is very high with a wide dynamic range and very detailed sound. A typical polished production from Derek Lawrence. Minimal surface sound and no tracking issues. This play-grade proved a real pleasure when playing this fast disappearing Columbia  A Label Single. It will prove quite difficult to find a Better copy and merits a Very strong recommendation. I would grade both sides as Very Good ++/Excellent!!!!

Cover/Sleeve: This is (I believe) the Original 1st Pressing Sleeve that was Issued with this Single. There are no Rips, Splits or Tears anywhere. However there Are a few Creases to the Front and Back (but they have Not broken through) and a Previous owner has Written some Initials and Numbers to the Front. There is also something Crossed out on the Inner lip. Baring in mind that this Sleeve is now 50 Years Old and constructed of a very Flimsy paper it has done Very well to Survive at all. This Sleeve is Incredibly difficult to find in Excellent or Better condition simply because of it's design and age. However I would be happy enough to grade it as Good++!!!!

Cover Summary: Not seen often, this one is in Reasonable condition with the to be Expected signs of  age. Any Creases are incredibly Hard to Avoid at the barest minimum. This classic Sleeve should (as described) please many collectors.

Inner Sleeve: N/A

Album/Single Played For Grading: I play/grade ALL records I offer before submitting, I also play them in their entirety unless clearly stated otherwise. I do NOT play snippets or joining grooves to check for sound quality and quietness. I play from the beginning to end. I use a Linn LP12 Sondek turntable with Ittok Mk II arm and Ortofon Quintet Black moving coil cartridge and Linn Lingo, with my Linn system and Forest Totem Speakers. This system is guaranteed  to pick up any distortion or interference within the sound.

Grading: In my opinion I REFUSE to believe that there is ANY record that can be truly graded as Mint, the BEST that could be offered is Mint- (minus)!!!! Especially so from the 50's, 60's, 70's or even up to the present date!!!! Even copies bought new today would have some form of imperfection on the Record or Cover!!!! Under that assumption I will NEVER use the word Mint in any of my descriptions and Mint- is the HIGHEST grade I would ever offer. So I will only from Excellent, Good or Poor with a -(minus), +(plus) or ++(plus,plus)!!!!

Bid With Confidence: I take great care and pride with what I sell and offer a FULL money back guarantee, in the unlikely event of the buyer not agreeing with my description. As long as the item is repacked and returned to me in the same condition it was sent.

Postage: All of my records will be professionally packaged. I use Dependapack Vinyl Record Mailers that have locking tab closures with strong locking tab record wraps. I also use corrugated record stiffeners and extra strong tape marked with Handle With Care. This is to ensure your Valuable Record/s are protected whilst in transit. I will add a nominal fee of .40p to my postage and packaging for this service. Any Record valued at £100 or more I would prefer to send by Special Deliver/International Signed For.

INTERNATIONAL BIDDERS PLEASE NOTE!!

I am NOT here to make a Profit on the Post. However MOST buyers (and rightly so) pay for Economy Postage which goes by Ship and not Plane. I have been instructed by the Post Office that Economy Postages can take UP to 10 weeks (and beyond) to reach some destinations. If you pay for Economy then that HAS to be the method I will ship your Item. Should at any time I (mistakenly) Overcharge I will Immediately Refund the payment. My Word is my Bond so please have Faith. I had to put this statement up because at the moment I seem to be paying more to send my Items than I'm actually charging. Unfortunately I have NO control over Postage rates.


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