Bright Eyes/Album Leaf "split" 7" Sigur Ros Tristeza Conor Oberst Cursive OOP

$

37

Bright Eyes/Album Leaf "split" 7" Better Looking Records (US)

Very Tough To Find!

Out of Print!!

Vinyl is NM, Jacket is NM!

Track Listing:

Bright Eyes is signed to Saddle Creek Records, an American label distributed by Sony Corporation. In 2004, the singles "Lua" and "Take It Easy (Love Nothing)" took the top two spots of Billboard's Hot 100 Singles Sales chart within two weeks of their simultaneous release.

Early years

A founding member of Commander Venus – which disbanded in 1997 – guitarist/vocalist Conor Oberst turned to focus on his new project, Bright Eyes. The name of the band comes from a 1934 Shirley Temple film that Oberst watched on Turner Classic Movies in which the protagonist calls his love interest "Bright Eyes" as a term of endearment. In 1998, he released 20 of the songs he had been stockpiling as the first official Bright Eyes album, A Collection of Songs Written and Recorded 1995-1997. The album saw Oberst beginning to experiment with drum machines, keyboards and other instruments. The sound of the album ranges from bleating vocals to acoustic guitar songs and techno-style synthesizer instrumentals. Critical reaction was negative, with Allmusic saying that many of "the songs disintegrate as his vocals are reduced to the unintelligible babbling of a child. Any balance the music maintained up to that point, however fragile, is lost and so, more than likely, is the listener."

Letting Off the Happiness

On November 2, 1998, Saddle Creek released Letting Off the Happiness, a ten-track piece that boasted a more focused and clearer sound than the previous album. According to the Saddle Creek press release, it featured members of Lullaby for the Working Class, Neutral Milk Hotel, and of Montreal. Park Ave. bandmate Neely Jenkins also contributed vocals. It was predominantly recorded in the Oberst family basement in Omaha on an analog eight track reel to reel; with some work also done at keyboardist Andy Lemaster's Athens, Georgia studio. Although almost all of the tracks feature a full band, "June on the West Coast" is performed with only acoustic guitar and vocals. "Padraic My Prince" gives a dramatic fictional account of the death of his baby brother, a story with a multitude of symbolic meanings. Oberst references the song in "Cartoon Blues" on the Four Winds EP.

Every Day and Every Night EP

In November 1999, Bright Eyes released the five-song Every Day and Every Night EP, which included "Neely O'Hara" and "A Perfect Sonnet".

Fevers and Mirrors

In 2000, Bright Eyes released Fevers and Mirrors. New instruments such as the flute, piano, and accordion were introduced into the song arrangements. After "An Attempt to Tip the Scales", there is a mock radio interview that features Todd Fink of The Faint doing an impression of Oberst while reading a script that Oberst wrote. In this interview, the fake Oberst presents a strange, contradictory explanation of his attitude towards his music. It acknowledges criticisms of his lyrics as overblown and insincere, which had begun to appear as the popularity of the band increased, but responds by stating that the lyrics are meant for personal interpretation. Oberst later commented that "It was a way to make fun of ourselves because the record is such a downer. I mean, that's one part of who I am but I also like laughing." The album placed 170 on Pitchfork Media's best 200 albums of the decade.

The Album Leaf is an American musical project founded in San Diego, California in 1998 and centered on Jimmy LaValle. It is part of the post-rock genre and uses a variety of instruments and electronic equipment to achieve a mellow, sometimes ambient sound.

Inception

The Album Leaf officially began in 1998 as the solo project of Jimmy LaValle, guitarist for San Diego, California-based post-rock instrumental band Tristeza. LaValle has also performed in several other San Diego-area bands, including The Crimson Curse, The Locust, Swing Kids and GoGoGo Airheart.

An Orchestrated Rise to Fall

During downtime in the fall of 1998, LaValle began playing drums for San Diego band GoGoGo Airheart. Their singer and guitarist, Mike Vermillion (who later inspired the song name "Vermillion" on One Day I'll Be on Time), recorded LaValle doing improvised material on a Rhodes Piano to a vintage Roland drum machine. This would become his first full-length album, the 10-track An Orchestrated Rise to Fall. Benjamin White of GoGoGo Airheart and Vermillion supplied synthesizers and vocals to these recordings.

Before Tristeza released Spine and Sensory on Makoto records in 1998, the band was talking with a handful of different indie record labels. One of the record labels was "The Music Fellowship" out of Salt Lake City, Utah. LaValle asked them if they would be interested in releasing his solo material. They accepted, and An Orchestrated Rise to Fall saw release in 1999 on CD. Later in the year, Tristeza and The Album Leaf both signed with newly started Tigerstyle Records out of New York City. A&R rep for the Tigerstyle, Mike Treff, had previously operated his own record label named Linkwork Records. Tigerstyle wanted to release the vinyl version of An Orchestrated Rise to Fall. Since it would be one of the first Tigerstyle releases, but limited to Vinyl, Mike opted to make it Linkwork Record's last release instead.

LaValle played his first official Album Leaf show at the Che Cafe in the winter of 1999. Band members for this show consisted of Rafter Roberts, Jimmy Lehner (of Tristeza), Leilani Clark (of local San Diego band, "the Straight A's" also with LaValle), Benjamin White (of GoGoGo Airheart), and John Pham.

One Day I'll Be on Time

Soon after signing with Tigerstyle Records, LaValle received his first recording advance. He used this money to buy his first computer, and purchase equipment for a home recording studio. He did his first recordings and those songs were released as a 4 song EP entitled In An Off White Room on Troubleman Records Unlimited. The title for the EP was named after the color of his home studio, which was in his living room. During time off from Tristeza's tour promoting Dream Signals in Full Circles in 2000, he began writing "One Day I'll Be on Time".

The Album Leaf performed their second show during Tristeza's 2000 spring tour, at South by Southwest in Austin, Texas. The show was at Club Deville, at a day party for online distributor Insound.com. The line-up consisted of Lavalle, Leilani Clark on guitar and keyboards, Tana Helean on keyboards, Susanna Waiche on bass and Jay Hough (of GoGoGoAirheart) on Drums. They shared the stage with Tristeza and The American Analog Set. This lineup also did a 4 week U.S. tour in the summer of 2000 with Andy Robillard (also of GoGoGo Airheart) replacing Hough on Drums.

After the summer tour, LaValle took a full time job in San Diego at newly started music house "Singing Serpent", producing jingles for television commercials. This also gave him access to a full service recording studio. LaValle used this studio to re-record the material he had written for One Day I'll be On Time. Rafter Roberts recorded the track "Storyboard" and can be heard in the beginning of the song discussing Lavalle's guitar tone. Jason Soares of San Diego band Aspects of Physics provided drum programming for "Vermillion". Tristeza band-mate Christopher Sprague played guitar on "In Between Lines" and designed the album art. After completing this record, LaValle left Singing Serpent, saying, "Making jingles was killing my creativity!"

One Day I'll Be on Time saw worldwide release in early 2001. Jón Þór Birgisson of Icelandic band, Sigur Rós, picked up the record at a record store in Reykjavík, Iceland, and asked LaValle to support their upcoming U.S. tour. This put The Album Leaf in front of new audiences and helped it gain popularity. The line-up here consisted of LaValle, Luis Hermosillo (of Tristeza) on bass, Nathan Delffs on keyboards and guitar, Eric Hinjosa on keyboards and Andy Robillard still on drums. This line-up also toured the U.S. during December 2001 and Summer 2002 without Hinojosa.

During this time LaValle wrote two songs, "Hungry for a Holiday" and "Bad Blood", for Conor Oberst of Bright Eyes to sing on, and another two songs, "Call in Blue' and "Reso" (after future violinist, Matt Resovich), for Marc Bianchi of Her Space Holiday which began a series of 7" singles for Better Looking Records' "Collaboration Series". This series is limited to 1000 copies and is only available to subscribers. The Her Space Holiday collaboration would not be released until 2003.

In January 2003, The Album Leaf toured Japan for the second time. The first time was an opening slot for LaValle's band, Tristeza, in spring of 2002 where he performed with fellow band members Luis Hermosillo and Eric Hinojosa. This was a headlining tour with fellow San Diego band, Ilya supporting. LaValle enlisted Duane Pitre, Matthew Baker and Hank Morton of Ilya to back him along with Robillard on drums.

Immediately following this tour, LaValle was offered to support Sigur Rós' European tour. This tour he performed solo and started incorporating electronic beats and loop pedals into his live show in order to perform his songs as a one man band. Later during this tour, Kjartan Sveinsson, Orri Páll Dýrason and María Huld Markan of Sigur Rós and Amiina respectively, began to join LaValle on stage performing on a couple of songs during his half-hour performance slot.

Upon returning home, he had put together another line-up for supporting the U.S. portion of Sigur Rós' tour. This line-up was Hermosillo, Delffs with Tim Reece now on drums. Kjartan Sveinsson, Orri Páll Dýrason and María Huld Markan would still join them on stage. This tour saw the Album Leaf playing at music venues such as Radio City Music Hall in New York City, gaining even more popularity for the band.

After these tours, LaValle decided to leave Tristeza and focus on the Album Leaf full time.

A Lifetime or More and the Seal Beach EP

During the following months of 2003, LaValle began recording again. He recorded 3 tracks for a split EP with New York City's, On! Air! Library! for the Arena Rock Recording Co. called A Lifetime or More. Drew Andrews provided guitar for the track "Another Day". During May 2003, with his new addition of electronic beats, he recorded 5 songs released as the "Seal Beach EP" for Spanish record label Acuarela Discos.

In August 2003, The Album Leaf headlined a tour of the U.S. with fellow San Diego band, Ilya. This tour introduced the Album Leaf's use of live visual projection art by Andrew Pates and the line-up went down to just LaValle and Drew Andrews on keyboards and guitar with them incorporating laptops and Pates projecting visuals onto a backdrop of the stage. The line-up was becoming more permanent.

Following this tour, LaValle traveled to Iceland to begin recording his third full length. During the Sigur Rós European and U.S. tours. LaValle received an invite from Sigur Rós to record in their Icelandic studio. During these recording sessions the Album Leaf performed 2 shows in Iceland, one being a part of the Iceland Airwaves music festival with LaValle being backed by Kjartan Sveinsson, Orri Páll Dýrason and María Huld Markan of Sigur Rós and Amiina with Sindri Mar Finnbogason playing bass.

In December 2003, The Album Leaf opened for The American Analog Set on their U.S. tour. This line-up consisted of Matt Resovich on violin, Andrew Kinney (of The American Analog Set) and Sean Ripple (of The American Analog Set) with Pates doing live projections.