Benjamin Britten - Peter Grimes

Wide Band 

FFSS STEREO

"Original Recording By" At 10 O'clock

Rare Original 1959 UK Pressing "Decca ‎SXL 2150-1-2 STEREO" 3xLP Box

Includes Original Booklet

Conductor – Benjamin Britten

Orchestra – Royal Opera House

Baritone Vocals [Ned Keene] – Geraint Evans

Baritone Vocals [Swallow, Bass-Bariton] – Owen Brannigan

Bass Vocals [Captain Balstrode] – James Pease

Bass Vocals [Hobson] – David Kelly 

Contralto Vocals [Auntie] – Jean Watson

Mezzo-soprano Vocals [Mrs. Sedley] – Lauris Elms

Soprano Vocals [Ellen Orford] – Claire Watson

Soprano Vocals [Niece 1] – Marion Studholme

Soprano Vocals [Niece 2] – Iris Kells

Tenor Vocals [Bob Boles] – Raymond Nilsson

Tenor Vocals [Peter Grimes] – Peter Pears

Tenor Vocals [The Rector] – John Lanigan

Treble Vocals [John] – Marcus Norman 

Chorus – Chorus Of The Royal Opera House, Covent Garden

Chorus Master – Douglas Robinson

Tracks :

A1 Prologue

A2 Interlude I (Dawn)

A3 Act I (Scene I)

B1 Interlude II (Storm)

B2 Scene 2

C1 Interlude III (Sunday Morning)

C2 Act II (Scene I)

D1 Interlude IV (Passacaglia)

D2 Scene 2

E1 Interlude 5 (Moonlight)

E2 Act III (Scene 1)

F1 Interlude VI

F2 Scene 2

Enlarge Pictures For All Details/Tracks

Condition Vinyl   :        EX / very few light marks

Condition Sleeve  :      VG / shelf/spines wear / corners wear

*Condition is based on visual grading - Please Read scale below 

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Gradings : (*Condition is based on visual grading)
 
Mint - The record is in brand new condition With no surface marks or deterioration in sound quality. The cover & any extra items (inserts, etc) are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.

Excellent - The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging may have slight wear and / or creasing.

Very Good - The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable. 

Good - The record has been played so much that the sound quality has noticeably deteriorated, may have some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration etc.