Bronski Beat – Hundreds & Thousands 1985 UK LP Fully Signed 1st Ed EXC Cond
  £   35
  $   46

 


£ 35 Sold For
Apr 28, 2022 Sold Date
1 Number Of Bids
  Great Britain Country Of Seller
eBay Sold at
 
save auction  

Description

Bronski Beat – Hundreds & Thousands 1985 UK LP Fully Signed 1st Ed EXC Cond
A 1985 UK First Press.
The LP is in Excellent Condition. Side A has a 3-4 light hairline marks, Side B is clean and unmarked. The LP has been play tested and sounds great. The Labels are clean on both sides - please see photos. The Sleeve is in Excellent Condition.
Bronski Beat
Profile: Popular synthpop trio comprising keyboardists Steve Bronski (b. Feb 7, 1960. Died December 9, 2021) and Larry Steinbachek (b. May 6, 1960. Died December 16, 2016) with falsetto vocalist Jimmy Somerville (b. June 22, 1961). Jimmy left in 1985 to form The Communards and was replaced by John Jon (real name John Foster) and later replaced by Jonathan Hellyer.
SIGNED BY LARRY STEVE AND JOHN
Bronski Beat – Hundreds & Thousands
Label:Forbidden Fruit – BITLP 2, Forbidden Fruit – 820 291-1
Format: Vinyl, LP, Album
Country:UK
Released:1985
Genre:Electronic
Style:Synth-pop
Tracklist
A1Heatwave A2Why A3Run From Love Mixed By – Dominick Meita* B1Hard Rain B2Smalltown Boy B3Junk
Companies, etc. Phonographic Copyright ℗ – London Records Ltd. Published By – Bronski Music Ltd. Published By – William A. Bong Ltd. Recorded At – Sigma Sound Studios, New York Mixed At – Soundworks, New York Mastered At – Sterling Sound Pressed By – MPO
Credits Alto Saxophone – Crispin Cioe, Lou Cortelezzi* Arranged By [Horns], Conductor [Horns] – Jimmy Biondolillo* Artwork [Cake Work By] – Jane Suchodolski Clarinet – Dave Tofani Design, Artwork – Green Ink Engineer – Carl Beatty Engineer [Assistant] – Fernando Kral Keyboards [Additional] – Larry Steinbachek, Steve Bronski Mastered By – Jack Skinner Mixed By – Harvey Goldberg (tracks: A1, A2, B1 to B3) Other [Aerobics] – Michelle Hiegel Photography By – Vantage (4) Producer – Mike Thorne Recorded By [Location Recording] – Don Wershba Tenor Saxophone – Arno Hecht, Jack Baskow* Trombone [Electric] – J A Deane* Voice [Dialogue] – Miss Wendy Wild* Written-By – Somerville*, Steinbachek*, Bronski* ℗ 1985 The sleeve tracklisting is headed: 'The Remix Plus'. *A3 mixed at Soundworks.
Barcode and Other Identifiers Barcode: 0 42282 02911 9
Matrix / Runout (Label A): PACLZ 3969 Matrix / Runout (Label B): PACLZ 3970 Matrix / Runout (Runout Side A, variant 1): BIT LP 2 A' PACLZ 3969 MPO Matrix / Runout (Runout Side B, variant 1): BIT LP 2 B² PACLZ 3970 MPO Matrix / Runout (Runout Side A, etched, variant 2): BIT LP 2 A' PACLZ 3969 MPO Matrix / Runout (Runout Side B, etched, variant 2): BIT LP 2 B' PACLZ 3970 MPO
POSTAGE / SHIPPING £3.20, Royal Mail, Standard Economy
WE WILL ALWAYS COMBINE SHIPPING FOR MULTIPLE PURCHASES AND OFFER A DISCOUNT. PLEASE ASK FOR A QUOTE IN ADVANCE.
We post worldwide and pack all records in custom made (stiff) card mailers and add extra packaging inside to ensure a safe delivery. We will provide a protective polythene sleeve and the record and inner will be removed from the outer sleeve to prevent seam splits in transit. We want your record to get to you in the condition that it was when it left us. For any records that come with printed inner sleeves, we will also provide an additional plain inner.
We use the Record Collector's Grading system for grading the condition of the vinyl:
RECORD COLLECTOR GRADING SYSTEM
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint. EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing. VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable. GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc. FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced. POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing. BAD: The record is unplayable or might even be broken, and is only of use as a collection filler.
Thank you for looking!


price rating