Brujeria Raza Odiada LP Limited Venom Carcass sepultura sodom Immolation SOD

$

38

BRAND NEW, SEALED 
Brujeria – Raza Odiada LP Yellow vinyl.
photos are stock images
imported from France's LISTENABLE RECORDS
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Brujería – Raza Odiada (1995) Overview / Description Raza Odiada (Spanish for "Hated Race") is the second studio album by the mysterious, masked, and anonymous (at the time) Deathgrind supergroup Brujería. Released in 1995, it refined the raw, chaotic sound of their debut, Matando Güeros (1993), introducing clearer production and slightly more structured songwriting, a likely result of the lineup's core members also working in bands like Fear Factory, Napalm Death, and Faith No More.
Key Musical Elements:
Genre Refinement: The album leans slightly more into the Death Metal side of Deathgrind than its predecessor, with tight, mechanical riffing (attributed to Fear Factory's Dino Cazares, who performed under the alias "Asesino") and powerful, triggered drumming (likely Fear Factory's Raymond Herrera, "Greñudo"). The tempos are still overwhelmingly fast, but the sound is more polished and groovier than the raw Grindcore of their debut.
Unique Vocals: The mix of guttural Death Metal growls ("Juan Brujo") and the shouted, high-pitched punk/hardcore vocals ("Pinche Peach") remains a signature element.
Political Edge: The most notable aspect is the shift in lyrical focus. While still covering the core Brujería themes of Satanism, drug smuggling (Narcos), and violence, Raza Odiada is far more overtly political. The title track, "Raza Odiada (Pito Wilson)," is a scathing, visceral attack on then-California Governor Pete Wilson and his support for Proposition 187, an anti-immigration ballot initiative. This focus on Chicano identity, illegal immigration, and border conflict gives the album its powerful, revolutionary core.
In essence, Raza Odiada is an intense, politically charged Deathgrind record that serves as a vital bridge between pure Grindcore and the industrial-tinged Death Metal sound of the mid-90s.
50 Similar Albums Given the blend of Deathgrind, industrial-tinged Death Metal, Latin American influence, and overt political themes in Raza Odiada, the following list encompasses the bands and albums that share these traits.
I. Industrial/Groove-Influenced Deathgrind (The "Asesino" Sound) These albums often feature the precise, rhythmic, and sometimes industrial-sounding riffing style present on Raza Odiada, influenced by Dino Cazares' work in Fear Factory.
# Artist Album Title Year Notes 1 Fear Factory Demanufacture 1995 The industrial-metal template for Dino Cazares' tight, percussive riffing and high-speed aggression. 2 Asesino Corridos de Muerte 2002 Dino Cazares' Spanish-language side-project, practically Brujería's spiritual successor. 3 Strapping Young Lad City 1997 Chaotic, massive-sounding Industrial/Extreme Metal with overwhelming speed. 4 Fear Factory Obsolete 1998 Continued industrial/groove aggression with melodic contrasts. 5 Meshuggah Destroy Erase Improve 1995 Early, technically complex, and rhythmic Groove/Death Metal. 6 Nails Unsilent Death 2010 Modern power-violence/grindcore with tight, heavy production and groove. 7 Static-X Wisconsin Death Trip 1999 Industrial Metal with a tight, driving groove and harsh vocals. 8 Brutal Truth Need to Control 1994 More structured and experimental than their debut, with tighter performances. 9 Misery Index Overthrow EP 2001 Politically charged Deathgrind with a clear, heavy tone. 10 Cryptopsy None So Vile 1996 Hyper-technical and precise Death Metal with relentless drumming.
Export to Sheets II. Core Deathgrind & Political Grindcore These albums share the core Deathgrind genre and/or the strong political/anarchistic lyrical approach.
# Artist Album Title Year Notes 11 Napalm Death Diatribes 1996 More groove and experimental structure while remaining fiercely heavy and political. 12 Terrorizer World Downfall 1989 The genre-defining Deathgrind classic, a stylistic blueprint. 13 Carcass Symphonies of Sickness 1989 Early, abrasive Deathgrind with a raw, brutal feel. 14 Nasum Inhale/Exhale 1998 Highly influential Swedish Grindcore with a sharp, socio-political edge. 15 Assück Misery Index EP 1997 Blistering Florida Grindcore known for its political stance. 16 Pig Destroyer Prowler in the Yard 2001 Modern Grindcore masterwork of speed, precision, and chaos. 17 Rotten Sound Murderworks 2002 Relentlessly fast and brutal Finnish Grindcore. 18 Discordance Axis The Inalienable Dreamless 2000 Chaotic, technical, and high-speed Grindcore. 19 Exhumed Gore Metal 1998 Modern-era Goregrind heavily influenced by early Carcass. 20 Extreme Noise Terror A Holocaust in Your Head 1989 Crust-punk/Grindcore with a heavy political focus.
Export to Sheets III. Brutal & Overtly Thematic Death Metal These Death Metal albums share a similar level of aggression and focus on provocative or controversial themes like drug culture, gore, and violence.
# Artist Album Title Year Notes 21 Morbid Angel Covenant 1993 Razor-sharp, tight, and crushing Death Metal with dark, occult themes. 22 Cannibal Corpse Tomb of the Mutilated 1992 Iconic, raw, and relentlessly brutal Death Metal. 23 Suffocation Pierced from Within 1995 Technical and brutal—a landmark in modern Death Metal production. 24 Deicide Once Upon the Cross 1995 Blistering, anti-Christian Death Metal, a peer release. 25 Bolt Thrower ...For Victory 1994 War-themed Death Metal with a massive, unstoppable groove. 26 Dying Fetus Killing on Adrenaline 1998 Brutal Death Metal with a heavy dose of Grindcore elements. 27 Vital Remains Forever Underground 1997 Dark and aggressive Death Metal. 28 Krisiun Conquerors of Armageddon 2000 Brazilian Death Metal known for extreme speed and intensity. 29 Godflesh Streetcleaner 1989 Pioneering Industrial/Sludge Metal, showcasing the heavy rhythmic crush. 30 Aborted Goremageddon 2003 Modern-era Goregrind/Death Metal hybrid.
Export to Sheets IV. Latin American & Spanish-Speaking Extreme Metal Brujería's cultural and linguistic identity is a major differentiator. These bands either hail from or heavily influenced the Latin American extreme metal scene.
# Artist Album Title Year Notes 31 Sepultura Chaos A.D. 1993 Groove/Thrash Metal with strong political and social commentary. 32 Sepultura Roots 1996 Brazilian Groove Metal incorporating tribal and indigenous elements. 33 Transmetal Sepelio en el Mar 1990 Highly influential Mexican Death/Thrash. 34 Masacre Requiem 1991 Key album from the Colombian Death Metal scene. 35 Hocico Odio Bajo el Alma 1997 Mexican Electro-Industrial/EBM (shares the extreme, angry, Spanish-language aesthetic). 36 Puya Union 1998 Puerto Rican Metal blending Latin rhythms with Nu/Groove Metal aggression. 37 Disgorge (Mexico) Forensick 1999 Hyper-brutal Death Metal from the Mexican scene. 38 Reencarnación Acompañame a la Tumba 1988 Primitive and raw Colombian Black/Death Metal. 39 A.N.I.M.A.L. Fin de un Mundo Enfermo 1994 Argentine Groove/Thrash Metal, socio-political themes. 40 Asphyx Last One on Earth 1992 Dutch Death/Doom that shares the raw, heavy weight.
Export to Sheets V. Further Intense Death/Grind Albums # Artist Album Title Year Genre 41 Dismember Massive Killing Capacity 1995 Swedish Death Metal 42 Cattle Decapitation Humanure 2004 Deathgrind/Goregrind 43 Pig Destroyer Mass & Volume EP 2007 Sludge/Doom (a contrasting side to their speed) 44 Lock Up Hate Breeds Suffering 2002 Deathgrind 45 Anal Cunt 40 More Reasons to Hate Us 1995 Noisegrind 46 Soilent Green Sewn Mouth Secrets 1999 Sludge/Grindcore 47 The Berzerker The Berzerker 2000 Industrial/Deathgrind 48 Impaled The Dead Shall Dead Remain 2000 Goregrind/Death Metal 49 Full of Hell Weeping Choir 2019 Grindcore/Noise 50 Entombed Wolverine Blues 1993 Death 'n' Roll/Groove Death